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12
symphonic black metal, Hypnotic Dirge Records
However, Nachtterror - throughout the bulk of their existence - has been building and refining their debut concept album “Judgement” with songwriting for the album dating back to 2008. Previous renditions of songs from Judgement have appeared on past releases but Judgement as an aggregate entity has never been revealed – until now. Judgement, the amalgamation of Nachtterror’s universe is now ready for release. The album presented as a 6 panel digipack with nine tarot cards included, specifically conceived of and painted by guitarist and artist Lord Maelkleth (Eric Escott), to convey the story behind each track on the record. Metaphorically, this album is about embracing the negative aspects of the self and making the decision to become a god, or be destroyed by it. "Judgement is a black mirror, allowing its listener to view their own dark truth. It is a story of the power of self; embracing or succumbing to its desires and fears." - Erik "Saint Wikk" Labossiere
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12
black metal, Hypnotic Dirge Records
Combining abrasive and gritty black metal with hallucinatory ambience and spiralling postrock intricacy, Kassad’s name is synonymous with misery, futility, and madness of modern urban life. "London Orbital", the new album, centers around modern urban living and looks to a near future of megacities where the city itself is a personified, malevolent being where human empathy and culture have been replaced by artificial intelligence. The artist adds: "I wanted to create music for an imagined, future London - one where the city’s monoliths of glass and concrete have come alive to assert their malevolent control over the millions of people that live and toil amongst them. Workers travel in the vast shadows of these buildings, in the tunnels and transport systems that snake below or in the briefest snatches of sun that are yet to be blacked out. If you tilt your head and look at the city just right, you can already see the light starting to turn to darkness."
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12
black metal, Ashen Dominion
comes in digipak
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12
sludge doom metal
Recorded June 15th 2004 Tsunami Sound Portland ME
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12
atmospheric sludge metal
Released in digipak format in an edition of 500. Mixed and mastered at Soundsight Studio, winter - spring 2006. Total playing time 54:33.
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12
ambient funeral doom metal, GS Productions
digipak
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12
black metal, Dusktone
Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone. Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format. Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.
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12
black metal, Dusktone
Flukt perform harsh and cold Norwegian Black Metal. The music has clear reference to the oldschool Black Metal sound made infamous by the Norwegian Black Metal scene in the early 90s. The music has is aggressive and have a violent drive where the main focus is to create atmosphere. The unique thing with Flukt is the way dynamics is approached. Even when the music is fast, and harsh. Flukt is never afraid to mellow things down in slower passages and more groove oriented songs. FLUKT is a raw oldschool Black Metal band hailing from Vennesla, Norway. The band was launshed during the fall of 2014 but from the dark mood and the aggression in the music, every metalhead will get a flashback to the good old days of Norwegian Black Metal in the 90s. Their debut Ep «Holocaust» was released through SkyBurnsBlack Records in the winter of 2015. Late november 2017 the seven inch vinyl single «Fortapelse» was released by NordicMission Production. Flukt has performed several live shows in Norway and Sweeden. Like on the legendary Inferno Metal festival in Oslo, NordicFest and at the John Dee club.
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12
black metal, Dusktone
“Del Flusso Eterno” is a spiritual journey embracing the circularity of the Universe and its forces of destruction and creation. The human condition, spiritually barren, is represented by a waste land. Facing an eternal winter, men hinder the rebirth of a new cycle of life. Negating motion and changes, an unnatural stillness takes hold of body and spirit. We lack the energy and the will to break this staticity. But hope is not forlorn, there is only to kindle the embers and set aflame the pyre. A sacrifice is needed to return to the Earth, to re-ensablish the long forgotten link to Macrocosm. We have to lose ourselves, sacrifice ourselves to ourselves. Sublimating our identity in the Infinity we may reborn.
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12
folk metal, Sound Age Productions
digi-pack with 24 pages booklet
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12
symphonic black metal, Sound Age Productions
Ltd. edition digi-pack with booklet
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12
authentic folk ambient, FireStorm Production
Comes in 4-panel Digipak with 16-page booklet
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12
doom metal, Nine Records
Although their spectrum of influences is wide, Helsinki's Caskets Open still identify themselves as a doom metal band. Top-notch crushing heavy metal riffs and hardcore punk bursts are sewn together with their trademark DIY blue collar approach and innovative songwriting. Their fourth full-length album "Concrete Realms of Pain" is a 46 minutes long testament of a band in its prime.
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12
doom metal, Nine Records
The band’s third album, Vessels Into White Tides, brings new colours to their musical palette, taking the music through greater peaks & valleys than before. The multi-instrumental nature of the songs helps to explore & push the sound into a richer, more varied & ultimately more mature form without ever sacrificing their heavier roots.
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12
heavy doom metal, Nine Records
Monasterium is a Polish band founded in 2014 and dedicated to epic heavy/doom metal. All members of the brotherhood are experienced musicians sharing passion, common vision and belief in the power of traditional metal. These virtues have brought them to their eponymous first full length album released in May 2016 by No Remorse Records. “Monasterium” won critical acclaim of the metal underground and was promoted live at the highly esteemed European metal festivals: Hammer Of Doom, Up The Hammers, Malta Doom Metal Festival, Doom over Vienna and Seeds of Doom. Their sophomore album, “Church Of Bones”, released via Nine Records. While offering a broad variety in the songwriting, all eight anthems are the worship of the classic sound and stand tall in the fight for true metal . Additionally, the new album features a special guest appearance by Leo Stivala from the Maltese doom masters Forsaken.
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12
epic doom metal, Nine Records
Recorded, mixed and mastered at JRStudio by Jacek "Racek" Gruszka Artwork drawing was created by Diego Spezzoni Illustration & Design and cover layout and packaging design were handled by Xaay
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12
traditional doom metal, Nine Records
The second full-length album from British, classic, traditional doom metal.
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12
funeral doom metal
"Feeding The Abyss" Recorded at Magick Sound Studio 2003 "Apocalyptic Plague Ritual MMXX" Recorded 2020 Alternative 2020 versions of old previously released compositions
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12
depressive black metal
Jewel case edition OAP2008 On Spine
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12
industrial metal, Relapse Records
ZONAL, the brainchild of Justin Broadrick (Godflesh/Jesu/JK Flesh) and Kevin Martin (The Bug/Ming Midas Sound) present their monumental Relapse Records debut, "Wrecked". ZONAL continues where their previous collaboration Techno Animal left off, and combines a brutal ongoing obsession with beats, bass, dub, drone, noise and riff. Under their new guise, the enigmatic duo push the parameters and atmospheres that have earned them critical acclaim further and deeper; ZONAL's sound has become ever more corrupted, corroded, slower and lower; with the theme of exploring inner/outer space acts as the gelling agent for this shockingly monolithic sound. Anyone who witnessed their sonic destruction and lyrical detonation c/o MOOR MOTHER at both ROADBURN and UNSOUND festivals will not be disappointed by the slo-mo meltdown.
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12
black doom metal
Recorded during 2019 in Dödsmord Studio All music and lyrics by Voluptas Jan: guitars Martin: guitars Michal: vocals Petr: drums Štěpán: bass Ondrax: saxophone in Desert Twilight Anders Axelsson: recording, mixing and mastering Kristýna Vašíčková: artwork Markét Bártová: band photography Vašek Kokeš: graphic design Dedicated to Vašek 'BlackDog' Zajíček Released by MetalGate Records © 2020 MetalGate
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12
post rock
Треклист: 1 Prologue 2 Yidhra 3 Mutual Distortion 4 Spiritual Transcendence 5 Against Binding Gravity 6 Lost Home 7 Erich Zann Syndrome 8...
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12
industrial metal
Next album - next topic. Minority Sound like to experiment. Eventhough it might not be an experiment in common sense they like to try what they haven't tried before. And this is the case of Toxin. The album's topics are mental disorders, addictions, envy, hate and ... love. Love to a woman, love to a man, love to drugs, love to yourself and of course all of its dark sides. It is an album of many genres. Ranging from harsh industrials, through melodic Metal, Death Metal, Thrash Metal to very modern approach and it cannot be put into one specific box. Minority Sound have picked Dan Friml's The Barn studios to record the album. And it happened during 14 cold December days of 2018. Final mix and mastering has been yet again given to a canadian producer Rom di Prisco and the overall sound is once more way ahead of its predecessors. Interesting fact is that all the songs for Toxin were composed quite quickly during 4 month in Fall 2017. That's something unique if we take into account that previous records were composed in a matter of years. Maybe it was given by the mood of the main brain of the band: Otus Hobst who went through a couple of rock-bottom falls and mental breakdowns during 2017. We can say that Toxin is kind of a detox from the negative thoughts. It is about things that simply had to get out and that's what makes this album immediate and emotive. Lyrics were co-written by Tom F. Hanzl, better known as Chymus. Lyrics-wise they really were on the same line with Otus so even this matter takes everything to a new level.
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12
black metal
Треклист: 1 Nechtějme To Rozhodnout 3:38 2 Život Jde Dál 4:24 3 Dogma 4:34 4 Masařka Hodujíc Na Výkalech Mého života 6:31 5 Maruška 5:06 6 Úspěch Se...
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12
acoustic folk / post rock
Треклист: 1 One World Is Not Enough 4:42 2 From The Bottom Of The Ocean 3:01 3 Owls Not What They Seem 3:31 4 2nd Of April 3:24 5 Thousand Years For Us...
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12
post black / shoegaze
Треклист: 1 Foreword 2 Chapter One 3 Intermezzo Before Second Chapter 4 Chapter Two 5 Intermezzo Before Third Chapter 6 Chapter Three 7...
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12
melodic death metal
Треклист: 1 Rise To The Victory 6:03 2 Utopia Treasure 4:49 3 Black Night 5:18 4 Only For One Day 5:31 5 Fateful 5:42 6 (Sin)cere World 7:57 7...
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12
post-rock / metal
Треклист: 1 The Kvlt ov Dream 3:42 2 Owls Not What They Seem 4:37 3 Thoughts Like Silver Bullets 4:11 4 Symmetric Kakophony 3:20 5 Leviathan 2:40 6...
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12
melodic black metal
Треклист: 1 Cold Cell 1:25 2 Resurrection 3:24 3 Take The World 4:16 4 Visions 4:29 5 Army Of The Dying 3:55 6 Edge Of Abyss 3:15 7 Undead Thralls...
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12
blackened doom metal, Relapse Records
Треклист: 1 Tyrant Cold 2 Social Control 3 Place Of Skulls 4 Heel On Your Neck 5 Gunburn 6 The Latter Fire
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12
atmospheric black metal, GS Productions
Limited edition 100 copies
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12
folk death metal, GS Productions
Produced by Thomas Stoll Engineered by Fred Rapp Recorded & Mixed at Viking Sound Studio Schoemberg 2 All Songs by Dark Reality reussue in jewelcase
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12
cult folk rock, GS Productions
Limited edition of 100 hand-numbered copies.
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12
death metal, Memento Mori
The terrific 4th full-length by this Italian band. Valgrind was born from the ashes of the ultra-underground act Necrospell in 1993, as a Death/Black Metal project with both extreme and melodic influences. Over the following years, the band released four demos and developed its own style, combining the main influences (Morbid Angel, Pestilence, Death, Nocturnus, Possessed, Monstrosity, Immolation) with a passion for the epically dark atmospheres of bands like Candlemass and early Paradise Lost. Disbanded in 2003, the strong will to return on stage of both founding member/main songwriter Massimiliano Elia and vocalist Daniele Lupidi (also frontman of Hateful) made Valgrind's return possible in 2008. With the addition of new motivated members, the band released their debut full-length, "Morning Will Come No More", in 2012. The album contained almost one hour of classic Death Metal filled with killer solos, memorable riffs and obscure vocals. Following the release, a series of shows were held in Italy, Germany, Holland, and Sweden. In 2016, the band delivered their sophomore full-length, "Speech of the Flame". The music strayed away from some of the early influences to become more personal, while the lyrical concept dealt with the darkest sides of the ancient Mediterranean civilizations. An EP called "Seal of Phobos" followed in 2017, and only one year later, Valgrind delivered their 3rd full-length, their most ambitious work to date. "Blackest Horizon" saw an increasing level of technicality in the guitar department, while retaining the old school vibe of the previous works. Vocals became less guttural and more aggressive, while a more organic production gave the listener a wider musical spectrum to dive into. Again, the public was introduced to the new songs in some memorable shows, including Helsinki Deathfest in 2018. Entering the studio again in mid 2019, Valgrind have now arguably delivered their masterwork: "Condemnation". Undeniably and 1000% Death Metal to the core, there's an intangible "something", a never-belabored uniqueness, that now sets these Italians apart from so much stock-standard Death Metal. For sure, their roots lay in the genre's old school still, but the bits and pieces they pull and recombine are unexpected but most definitely welcome; no particular scene or substyle or specific year is selected, just the focus on strong songwriting and impassioned performance. Likewise, the lyricism doesn't betray Death Metal's rigorous boundaries -here, it's the myths of legendary creatures and beasts in various ancient cultures- but Valgrind bring an artful touch to fantastical horror, all of it rolling out of bassist Lupidi's lugubrious throat with commanding clarity. To that, the power trio's clarity of execution is also a thing of (ugly) beauty, firing off one flowing, furious part after another with seamless construction and solos that are the absolute definition of class. In fact, calling "Condemnation" classy Death Metal would not be much of a stretch: the songwriting itself is that poignant and powerful, and the production -mixed by Cristiano Copat at KK Recording Studio, and mastered by Damian Herring at Subterranean Watchtower Studios- is perfectly matched, skillfully balancing that clarity with crush. Giving this special album an ever-more-distinctive touch is the cover art courtesy of Lupidi himself, hereby making "Condemnation" truly Valgrind's triumph of death!
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12
sludge doom metal, Relapse Records
Richmond’s COUGH delivers thoroughly massive, psychedelic doom on their aptly titled Relapse debut ‘Ritual Abuse’. The albums five epic tracks are impenetrable walls of sludge; at points suffocating and claustrophobic, at others warped and hallucinogenic. ‘Ritual Abuse’ is an impressive monolith of sound and volume, and one of the finest moments yet of 21st century doom.
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12
math rock / hardcore
The disc is a 3" CD filled out with clear plastic to fit a full 5" sized disc. Ion Dissonance: ".357" Demo 2002 Track 1 has been re-recorded in 2005 for Ion Dissonance's second album "Solace" on Abacus Recordings. Track 2 and 3 have been entirely re-recorded in 2003 for Ion Dissonance's debut album "Breathing Is Irrelevant" on Willowtip Records. Track 1 recorded at Tweak Studio in 2004. Recorded and mixed in between September and October 2002 at Sonogram Studio by the Montréal Showbusiness School. Mastered Dec. 2002. Re-mastered March 2006. Despised Icon: "Syndicated Murderers" Promo-EP 2004 Both these songs have been entirely re-recorded for Despised Icon's second album The Healing Process (2005) on Century Media Records. 2006 Galy Records. Made in Canada.
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12
black metal
6-panel hardback CD limited to 266 hand-numbered copies.
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12
black metal
Треклист: 1 I 3:21 2 II 6:39 3 III 5:39 4 IV 6:39 5 V 7:44 6 VI 4:24 7 VII 5:49 8 VIII 3:41
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12
sludge doom metal
Graves At Sea recorded at Larry Elyea's Mind's Eye Digital Studio, Mesa, Arizona in October 2004. Asunder recorded at Earhammer Studios, Winter 2004/2005.
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12
depressive black doom metal, Aesthetic Death
Треклист: 1. Phanes 13:07 2. Asulon 14:18 3. Moros 12:09 4. Elpis 13:03
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