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733.33 Р
death metal, Memento Mori
Official reissue of the 2010 EP by this already cult Spanish band. Recorded, mixed and mastered by Javier Felez (of Graveyard fame) at his own Moontower Studios in Barcelona, "Curse of the Requiem Mass" features 6 tracks of putrid and foul-smelling Death Metal in the purest tradition of the early works of bands such as Asphyx, Autopsy, Morgoth and Immolation, with a pinch of the old school Swedish/Finnish vibe (think Depravity and Convulse). As a very special bonus, this CD also includes their 2009 demo, "Rotten Shit", for a total of 45 minutes of aural filth and decay.
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466.67 Р
post-rock
Recorded in 2008
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666.67 Р
depressive black metal
Tracklist: 1 Intro 2 An Atteridgeville Horror 3 Cleansed 4 Enigma 5 The Corpse In The Forest 6 Seven Days To Dead (Instrumental) 7 The Casket...
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733.33 Р
death doom metal, Memento Mori
The astounding debut full-length by this Swiss band. Hailing from Lenzburg, Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours, including mixing and mastering. The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. That stage experience certainly plays into the band's long-awaited debut album, "...of Deceit and Utter Madness". With a gutsfucking guitar tone at the fore and utterly vile bass beneath, Funeralopolis crush chest cavities (and dreams) with a crusty sort of Death Metal that violently vacillates between lumbering, world-eating doom and ragged, almost-punkish gallops. Indeed, the spectre of domestic legends Hellhammer looms large here, but the band are undoubtedly most influenced by Death Metal from the late 80's and early 90's. Such names invoked include Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. However, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many, many more also had a big impact on Funeralopolis. In fact, one could say that the bubbling mass of "...of Deceit and Utter Madness" is a veritable love letter to all these noble influences. Fittingly, "...of Deceit and Utter Madness" is graced with alluring cover art courtesy of Mark Cooper, and maximum heaviness is ensured by Ted Tringo's mastering job. Funeralopolis open up the earth and present your mass grave!
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733.33 Р
death doom metal, Memento Mori
A CD that compiles the 2010 demo and the 2013 EP by this upcoming and promising Swiss band. Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours (including mixing and mastering). The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. The band's main influences can be tracked back to the late 80's and early 90's Death Metal of bands such as Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. Besides that, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many many more also had a big impact on Funeralopolis. Tracks 1-5: "...of Death" demo (2010) Tracks 6-12: "...of Prevailing Chaos" EP (2013)
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800.00 Р
death metal, Memento Mori
The terrific 4th full-length by this Italian band. Valgrind was born from the ashes of the ultra-underground act Necrospell in 1993, as a Death/Black Metal project with both extreme and melodic influences. Over the following years, the band released four demos and developed its own style, combining the main influences (Morbid Angel, Pestilence, Death, Nocturnus, Possessed, Monstrosity, Immolation) with a passion for the epically dark atmospheres of bands like Candlemass and early Paradise Lost. Disbanded in 2003, the strong will to return on stage of both founding member/main songwriter Massimiliano Elia and vocalist Daniele Lupidi (also frontman of Hateful) made Valgrind's return possible in 2008. With the addition of new motivated members, the band released their debut full-length, "Morning Will Come No More", in 2012. The album contained almost one hour of classic Death Metal filled with killer solos, memorable riffs and obscure vocals. Following the release, a series of shows were held in Italy, Germany, Holland, and Sweden. In 2016, the band delivered their sophomore full-length, "Speech of the Flame". The music strayed away from some of the early influences to become more personal, while the lyrical concept dealt with the darkest sides of the ancient Mediterranean civilizations. An EP called "Seal of Phobos" followed in 2017, and only one year later, Valgrind delivered their 3rd full-length, their most ambitious work to date. "Blackest Horizon" saw an increasing level of technicality in the guitar department, while retaining the old school vibe of the previous works. Vocals became less guttural and more aggressive, while a more organic production gave the listener a wider musical spectrum to dive into. Again, the public was introduced to the new songs in some memorable shows, including Helsinki Deathfest in 2018. Entering the studio again in mid 2019, Valgrind have now arguably delivered their masterwork: "Condemnation". Undeniably and 1000% Death Metal to the core, there's an intangible "something", a never-belabored uniqueness, that now sets these Italians apart from so much stock-standard Death Metal. For sure, their roots lay in the genre's old school still, but the bits and pieces they pull and recombine are unexpected but most definitely welcome; no particular scene or substyle or specific year is selected, just the focus on strong songwriting and impassioned performance. Likewise, the lyricism doesn't betray Death Metal's rigorous boundaries -here, it's the myths of legendary creatures and beasts in various ancient cultures- but Valgrind bring an artful touch to fantastical horror, all of it rolling out of bassist Lupidi's lugubrious throat with commanding clarity. To that, the power trio's clarity of execution is also a thing of (ugly) beauty, firing off one flowing, furious part after another with seamless construction and solos that are the absolute definition of class. In fact, calling "Condemnation" classy Death Metal would not be much of a stretch: the songwriting itself is that poignant and powerful, and the production -mixed by Cristiano Copat at KK Recording Studio, and mastered by Damian Herring at Subterranean Watchtower Studios- is perfectly matched, skillfully balancing that clarity with crush. Giving this special album an ever-more-distinctive touch is the cover art courtesy of Lupidi himself, hereby making "Condemnation" truly Valgrind's triumph of death!
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733.33 Р
death metal, Memento Mori
The long-awaited 7th full-length by these U.S. Death Metal stalwarts. Formed in the bowels of Chicago way back in 1997, Cardiac Arrest should need no introduction to ardent fans of rotting and blood-drenched Death Metal, for these grave-dwellers have been carving out aural nightmares of perishing and grime for decades now. Consisting of four individuals with an unearthly interest in all that's absurd, morbid, gruesome and unhealthy, the band's been consistently getting heavier and more vile with every album they spat out, honoring timeless Death Metal of the most grinding and putrid ilk with genuineness and a no-nonsense approach, yet adding enough personality to be in a forever-rotting league of their very own. Now, more than half a dozen albums deep into their 23-year career, Cardiac Arrest have again delivered a masterstroke that bands a third of their age would be jealous to release: "The Day That Death Prevailed". Much like they did with their previous album for Memento Mori, 2018's acclaimed "A Parallel Dimension of Despair", Cardiac Arrest stick to their guns, but come out with those guns fully blazing! Tastes may change, but these U.S. diehards continue to stay true to the iron-clad ethos of genuine, all-caps Death Metal; if anything, they get better with age. Indeed, the title "The Day That Death Prevailed" is fitting, for their rigorously fine-tuned form of Death Metal squarely harkens to older, purer days -when true songwriting was valued most, and the disgusting chops to back it up. Cardiac Arrest do both here, gutsfucking the listener with a fiercely focused mix of headbanging gallops and well-timed bouts of blasting, a streamlined, shit-heavy steamroller that's as catchy as the clap; hooks and grooves and generally memorable nastiness are all sliced and sluiced across "The Day That Death Prevailed" with absolute ease. But lest one think "catchy" means "soft", think again: these Chicago miscreants are ever committed to horror in the most classic sense, just like aesthetic forebears Grave, Master, Benediction, Obituary, Cianide, Malevolent Creation and, of course, the Floridian masters Death and Massacre. This deep into their catalog, though, and it's about damn time Cardiac Arrest are included in the (un)hallowed ranks, right? With suitably stark cover art courtesy of Eric Rot and another crushing mastering job by Javier Felez at Moontower Studios, "The Day That Death Prevailed" once again proves that old age doesn't soften the diehard one bit: it just kicks them into Cardiac Arrest!
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666.67 Р
stoner rock
CLOUDS have followed up 'Legendary Demo' with an even bigger, better, and more brilliant slab of hot rock action. Delivering all the anthemic choruses, white-hot licks, and psychedelic grandeur that anyone could ever possibly hope to cram into a single album made by mere mortals. Standard jewel case with OBI, clear tray & 12-page lyics booklet of thick paper. Recorded December 3-9, 2007 A Godcity in Salem MA Engineered/Mixed A God City Mastered A New Alliance East All Songs: Handsome Tunes (ASCAP), I Can Hear Music (ASCAP), Robots Cyborgs Androids Unite (ASCAP), and QNoise (ASCAP) Hydra Head Records / P.O. Box 291430, Los Angeles, CA 90029 www.hydrahead.com / First Pressing 2008
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533.33 Р
drone doom metal
In the same vein that Sunn 0))) have made being an ambient group one of the loudest things on earth, Chord happily dedicate themselves to the simple but effective principle that ominous noise -- as the concluding "Am" shows from the start just as much as "Am7" -- is enough to work with rather than riffs and singing.
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666.67 Р
sludge doom metal
Cover is grey leather-like cardboard without inscriptions. CD is red with red inscriptions on it. Recorded and mixed at Studio Celephäis from July to December 2005. All pictures are taken at Koiwa Death Fest. on 29th December 2005.
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466.67 Р
black doom metal
Recorded at Malibù Studio, MediolanuM, on sombre days of March 1999 A.D. Darkly mastered at Elettroformati.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Critically acclaimed multi instrumentalist STEVE MOORE (ZOMBI) presents the score to the 2019 feature film "Bliss". From pulsing, panic-inducing freneticism of tracks such as "The Bite" to calm and contemplative melodies and guitar leads endearing the listener to the film's lead character,"Bliss" sees STEVE MOORE at his most dynamic, intense, and nuanced.
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733.33 Р
acid rock, Relapse Records
An infectious display of fuzzed-out guitar shredding instrumentals from Toxic Holocaust mainman JOEL GRIND and legendary surf rock pioneer / innovator of modern guitar distortion DAVIE ALLAN! The perfect soundtrack to an acid-drenched biker movie from hell!
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733.33 Р
noise rock, Relapse Records
Rightfully hailed as “the noisiest pop music on the planet” by Pitchfork, Austin, TX’s cult noise rock trio CHERUBS have been purveyors of sonic bedlam since their inception in 1991. After an unforeseen return to the scene from a two-decade hiatus in 2014, the CHERUBS have now joined forces with the equally revered Relapse Records for the release of their fifth long-player Immaculada High. Recorded and engineered by Erik Wofford (Explosions in the Sky, The Black Angels, My Morning Jacket) at Cacophony Studio in Austin, Immaculada High is 11 songs of signature CHERUBS clamor with an added twist of Texas-sized, psychedelic racket. Smooth, rumbling low-end rhythms interplay with feedback drenched, chuggin’ guitars, relentless tone and vocalist Kevin Whitley’s shrill, life-of-the-LSD-party vocals. On Immaculada High, CHERUBS loudly proclaim their title as bonafide noise rock legends who continue to forge transgressive yet remarkably accessible punk for a jaded world.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Original soundtrack to the major motion picture Cub scored by STEVE MOORE (Zombi). Cub is a brutal horror film from Belgium that tells the tale of a young cub-scout bullied by his troop-mates. When the kids take a scout camping trip to the woods, things get bloody quickly when a deranged poacher sets his sites on the young kids. STEVE MOORE's haunting synth based score is the perfect soundscape for this acclaimed horror film. Whether you're familiar with the movie Cub or not, STEVE MOORE's score sits perfectly with your Zombi discography.
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1 333.33 Р
rock
© ℗ 2006 A & E Records Limited Manufactured in U.S.A.
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733.33 Р
doom death metal
Released in jewel case 8-page stapled booklet with clear tray. Only 500 copies.
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666.67 Р
doom death metal
CD version on Digisleeve with different artwork. Limited edition 1000 copies worldwide.
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600.00 Р
melodic death / black metal, Sound Age Productions
Tracklist: 1 Intro 2 Undying 3 Deception Of Mind 4 I Will Take Revenge 5 Infected Life 6 My Rotten Cage 7 Rest In Peace 8 Nameless 9 So...
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600.00 Р
post-black metal, Sound Age Productions
Tracklist: 1 When The Darkness Falls 2 Havoc 3 Agony 4 Your Inner Norilsk, Pt. 1 5 Your Inner Norilsk, Pt. 2 6 Balanced On A Knife 7...
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600.00 Р
thrash death metal, Sound Age Productions
Jewel case 12 pages booklet.
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600.00 Р
black metal, Sound Age Productions
Packaged in a jewel case.
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600.00 Р
atmospheric black metal, Sound Age Productions
Old russian funeral triptych
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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Сглаз 2 Заговор от змей 3 Заговор от тоски 4 Прощение 5 Заговор от покойника 6 Прощание
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600.00 Р
symphonic / melodic groove metal, Sound Age Productions
Tracklist: 1 Intro 2 Disbelief 3 In Vision 4 Memories 5 Before We Die 6 Run! 7 Poison 8 Djoser's Doo 9 Victoria
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600.00 Р
melodic black metal, Sound Age Productions
Tracklist: 1 Mysterious Paths 2 The Call Of Full Moon 3 Drink My Blood 4 Wolf Trail 5 Sacrifice 6 Spirit Of The Dead Swamps 7 Descendants Of...
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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Sakura
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600.00 Р
black metal, Sound Age Productions
Tracklist: 1 Исходъ 2 Коще Омракъ 3 Пекло, Взыди! 4 Чърнобогъ 5 Лиху Слѧхъ 6 Мара-Ма 7 Шиликунъ 8 Христа Изъедоша 9 Царскаѧ Печать 10...
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800.00 Р
cult folk rock, GS Productions
Limited edition of 100 hand-numbered copies.
Out of stock
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866.67 Р
cult folk rock, GS Productions
Limited edition of 100 hand-numbered copies.
Out of stock
Out of stock