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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Unten 2 Kain 3 Sintflut 4 Das Große Spektakel 5 Gottes Gnade (Hiob) 6 Stadt Des Schwefels 7 Asche 8 Die Abkehr Vom Licht 9 0...
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600.00 Р
Jewel case version
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600.00 Р
atmospheric post-black metal, Sound Age Productions
Tracklist: 1 Dumb 2 Brave
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600.00 Р
black metal, Sound Age Productions
jewel case version.
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600.00 Р
folk metal, Sound Age Productions
Tracklist: 1 Воздух 2 Остров Каннибалов 3 Призрак Саратана 4 Смерч 5 Мёртвое море 6 Цветы на воде 7 Огонь Палатина 8 В плену безветрия 9...
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666.67 Р
black doom metal
Comes in a 6-panel Ecopak made of cardboard. Limited to 1000 copies.
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466.67 Р
post-hardcore, Towner Records
Tracklist: 1 Beyond The Pines 5:32 2 Novocaine 3:47 3 Boundless Lands, Confined Thoughts 4:50 4 Träume 2:56 5 Green Ghost 4:57 6 Caronte 6:09 7...
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666.67 Р
post-metal / sludge doom metal
Tracklist: 1 The Humber 1:11 2 Recent Renovations At The White Hart 6:47 3 The Unbearable Lightness Of Spalding 7:37 4 All's Well That Hemswell 2:44 5...
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533.33 Р
post-metal / sludge doom metal
Recorded at Stuck On A Name Studio, Nottingham and locations around Lincoln.
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533.33 Р
gothic doom metal, Stygian Crypt Productions
Fully digitally record & mixed in "D.S. studio" on 25 July 1998 - 3 July 1999. Originally released in 1999 as an audio cassette
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600.00 Р
neoclassical doom death metal, Solitude Productions
After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.
A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.
"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.
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733.33 Р
neoclassical doom death metal, Solitude Productions
After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.
A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.
"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.
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733.33 Р
horror death doom metal, Solitude Productions

The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.
Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.
The album is released also as a limited edition four panel digipak featuring a twelve page booklet, in order to make your journey into the depths of "Glimmering Veil" even more unforgettable.

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600.00 Р
horror death doom metal, Solitude Productions

The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.
Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.

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666.67 Р
stoner doom metal, Doom Metal Rebirth

The soil that has been cultivated by Without God for the past seven years since the phenomenal “Circus Of Freaks” gave a perfect harvest. The first crop has already been delivered in the form of the EP "Siberian Tunes: The Green Light", and now the second part has arrived in all its strength: the full-length album "Siberian Tunes: Purple Clouds" performed in a hard, dark and aggressive way, without mercy and compassion to listeners, pushing one straight into hell at full speed. The limited edition coming as a noble 4-panel digipack addressed to the true fans best expresses the message by Without God.

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600.00 Р
dark metal, BadMoodMan Music
The new album by the Italian band featuring musicians previously participated in other bands and already released their first full-length album. "Echoes Of Winter", unlike the debut album, demonstrates balance, refinement of the material and musicians’ skills, together with its integrity. Perfect recording quality underlines all shades of the music and the mood of the album. The atmosphere of despair and emptiness is emphasized not only by harmonious musicians' performance with sublime riffs and deep guitar solos, but also by pure melancholic vocals with tragic screaming inclusions. This journey into coldness and darkness will be especially pleasant for fans of the classic Katatonia, as well as Opeth and The Morningside.
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1 000.00 Р
death doom metal
Tracklist: 1 A Quadrennial Dame Pyres, Hearses Shall No Yawn, Thence... 2 Therefore, A Myriad Of Gargoyles Bellow Their Aborted Versicles, Quoth Thee...
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1 066.67 Р
sludge metal
Live October 17, 2009 at Aragon Ballroom, Chicago, IL. Live remote recording: American Mobile Studio Published by Chrysalis Songs/Trampled Under Hoof Music (BMI)/Release Relapse Music (BMI) Except "The Bit" published by Prison Bride Music (ASCAP)/WB Music Corp. (ASCAP) Reprise Records, A Warner Music Group Company. © ℗ 2011 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. Tracks CD-12 and DVD-12, The Bit, is a Melvins cover song.
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533.33 Р
experimental neofolk
"their debut album, The Flax Of Reverie, Mothlite paint a picture as evocative as the Stan Brakhage film that inspired their name: a world of wilderness and wyrd that is at once English and entirely other." Six page insert with complete lyrics is in one of the side pockets.
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733.33 Р
hardcore / crust-punk, Relapse Records
"For nearly twenty years, Stockholm’s Victims have dished out an onslaught of crusty d-beat, hardcore punk, and Motörhead-quality rock ‘n’ roll" - Noisey Stockholm’s hardcore crust-punk veterans VICTIMS make their Relapse Records debut with their highly anticipated new album, The Horse and Sparrow Theory. Recorded by producer Karl Daniel Lidén (Bloodbath, Katatonia, Craft and more), The Horse and Sparrow Theory clocks in at 28 minutes of relentless insurrection. VICTIMS' uncompromising take on d-beat and hardcore is a definitive statement of intent, as the band is set to deconstruct the current socio-political climate, bleak outlook of mass class division, industrialization, and the self-absorbed pursuit of greed and corruption. The track “We Fail” features a sample from speaker Brigadier General Stephen Cheney from the Swedish Institute of Internal Affairs, UI Podcast, episode “The Climate Change and Security - Nexus”.
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733.33 Р
post-metal / sludge doom metal
Tracklist: 1 The End Result Of Falling... 7:34 2 Empty 4:44 3 Fly Away 3:08 4 Hopeless 4:34 5 Down 4:09 6 Fear 3:30 7 Breath 6:39 8 One More 2:55 9...
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533.33 Р
post-metal / sludge doom metal
(P) 2003 Century Media Records (C) 2003 Magic Arts Publishing (ASCAP)
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600.00 Р
black metal
Limited CD release.
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533.33 Р
sludge metal / post-metal, Slow Burn Records
Tracklist: 1. Black Light 7:07 2. Neuros[e] 8:53 3. Under Asphalt 11:18 4. Old Star 9:50 5. Clouds Fly To The East 6:31 6. Not Dead 7:34 7. Horizon 9:43 8....
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600.00 Р
funeral doom metal
750 copies in cardboard sleeve in brown paper envelope featuring the band logo on one side and both the label and "limited edition of 750" on the other.
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733.33 Р
death doom metal, Memento Mori
The crushing debut full-length by this Spanish band. Proscrito was born from the ashes of the sloppier incarnation known as Calvario in 2016, paying homage to the too-doomed-to-be-dead/too-dead-to-be-doomed music of such acts as Cianide, Hellhammer/Celtic Frost, Necro Schizma, Asphyx, Autopsy, Paradise Lost, Winter, Samael and Goatlord, crafting slow and churning tracks that were to be (not really) perfected with the band's debut EP, "El Calvario", in 2017: a release filled with an all-encompassing passion for decay and rottenness, from the penitent and flagellant opening track "Via Crucis" to the closing instrumental mantra that is "Puteado," pounding caveman percussion, thundering bass, and wah-soloing frenziness in between. After three days of morbid delirium at Moontower Studios (Ataraxy, Graveyard, Oniricous, Teitanblood), once again under Javier Felez's supervision, Proscrito's follow-up to the debut EP took form with some more echoes to the days of yore, as a full-length frontal assault titled "Llagas y Estigmas" ("Sores and Stigmata"), featuring 5 disgruntled litanies of blood, sweat and no-tears imagery reminiscent of Robert E. Howard and Cormac McCarthy, muscular riffage, vomit and mucus. Tracks like "Marcado por la Pezuña," "Tronos de Oprobio" or their (scato)logical outcome "Pantalgia" truly persist with that tradition of primitiveness, putting the stress both in the Death and the Metal, for Doom has always been the band's destiny, its powers and wisdom. Any way you describe it, the dense and sulfurous rumble this Spanish power trio creates can cause tectonic shifts as ably as it can rot your soul. There's an almost uncomfortably carefree, laissez faire approach to Proscrito's ritualistic plod, as if the band is indifferently acting as a conduit for supernatural frequencies only they can sense. It's not often that Memento Mori dips its toes into the doomier end of Death Metal as of lately, but when it does, be fucking sure that it's for good reason! And indeed, "Llagas y Estigmas" is one badass good reason!
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733.33 Р
death metal, Memento Mori
The highly anticipated 2nd full-length of this Chilean band. Hailing from the city of Valparaíso, Soulrot was formed by guitar player JL Olmos (Betrayed, ex-Micosis, ex-Gangrenous) circa 1993-1994 but was put to rest due to JL being involved in several other projects at the time. It wasn't until 2013 that JL joined bass player/vocalist JH Wilschrey (Sadistic Murder, Acero Letal) and they both resuscitated Soulrot, manifesting their unquestionable inclination towards the Death Metal of yore. This glorious, gangrenous resurrection resulted in the "Horrors from Beyond" demo in 2014 and the "Revelations" EP two years later. However, come 2017 did Soulrot finally released their first full-length, "Nameless Hideous Manifestations", through Death-Metal-of-yore stronghold Memento Mori. Bolstered by the addition of Daniel Fredes (Sadistic Murder) on drums, Soulrot stuck to their guns -a lyrical inclination toward H.P. Lovecraft's cosmogony and the preternatural, and musically inspired by old acts such as Nihilist/Entombed, Carnage, Autopsy, Grave, Necrony, Demigod, Traumatic, Carcass, Nirvana 2002 and Asphyx among others- but here exhibited a bulldozing sense of purpose, a crush-at-all-costs momentum teleported from 1992. And that bulldozer continues its crush unabated with Soulrot's second album, "Victims of Spiritual Warfare". Utterly gutsfucked as the previous album was, "Victims of Spiritual Warfare" sees Soulrot upping the urgency and delivering a tone literally worth dying for -if the teleportation stopped at '92 for "Nameless Hideous Manifestations", then this one's going no further than 1991! Soulrot somehow pull off the trick of being both rawer and more refined here, their songcraft broadening its scope -more patience, more doom, more crush- whilst tastefully unloading quick-hitting bursts of blistering Grindcore, altogether still sounding like the same band. But let it be known that this is still classic Death fucken Metal, same as it ever was, and always will be with Soulrot. Unbelievers will continue to roll their eyes at the familiarity, but just like they did on their debut album, with "Victims of Spiritual Warfare" do Soulrot utterly convince with their authenticity and passion. If you don't "get it", then you don't know Death Metal! Graced with stark cover artwork by Cesar Valladares and another molten mastering job by the esteemed Javier Felez at Moontower Studios, "Victims of Spiritual Warfare" could very well be their Indecent and Obscene, You'll Never See..., or even Harmony Corruption!
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733.33 Р
death metal, Memento Mori
The highly anticipated debut full-length by this U.S. band. Hailing from the rustbelt Metal hotbed of Cleveland, Kurnugia was founded by ex-members of Decrepit, Nunslaughter, Embalmer, December Wolves and Delusion. Not surprisingly, this assembly of seasoned underground veterans is heavily influenced by the classic Death Metal of the early 90's, and that's exactly what Kurnugia aim for: to go back right to the roots of the genre and pay homage to the deeds of old, unaware of gimmicks, trends and mindless experimentation. No more, and definitely no less! Kurnugia delivered their debut EP, "Tribulations of the Abyss", in 2013 and then followed it with another EP, "Condemned to Obscurity", in 2016. All too teasing have been these short-length assaults, but at last arrives Kurnugia's debut album! Aptly titled, "Forlorn and Forsaken" is ancient aural debauchery, delivered with evil intent, rotting and heinous. Fittingly, this full-length encapsulates everything Kurnugia have stood for to date: crushing riffery, divebombing solos and tight tank-treads of rhythm, all delivered with swift simplicity of design, but upratcheting the production to a clear and cutting devastation. Well-produced but not "too well-produced", "Forlorn and Forsaken" still seeps with a primordial heaviness rooted in classic Death Metal songcraft, nodding to (but not ripping off) the seminal works of Immolation, Grave, Incantation, Autopsy, Entombed, Cianide, Morbid Angel, Dismember, Death, Unleashed, Deicide and Benediction. And of course, this classicism is reflected in Mark Cooper's attention-grabbing cover art as well! You can't teach old dogs new tricks, the cliche goes, but you can let those dogs do what they do best: proudly stick to the early 90's traditions of Death Metal. That's been Memento Mori's modus operandi since day one, and we hereby welcome you into Kurnugia's netherworld with "Forlorn and Forsaken"!
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733.33 Р
death metal, Memento Mori
CD version of these Italians' sophomore full-length, previously only released on vinyl and digital format in 2016. Cancer Spreading are preaching their gospel of nihilism and self-destruction since 2006, actively and ruthlessly punishing the underground scene with a demo, an EP, a bunch of splits (w/ Children Of Technology, Fatum and Last Legion Alive, among others) and two full-length albums, the first of which, titled "The Age of Desolation", was unleashed upon mankind on CD format by us back in 2011. Their music is an apocalyptic, spine-wrenching alloy of the Crust/Metal that we oldies used to call Stenchcore back in the 80's, and the heavier-than-thou, earth-shattering sound that made Bolt Thrower stand out as one of the most storming and most influential Death Metal acts ever. Utterly recommended for fans of the Coventry legends, as well as Deviated Instinct, Asphyx, Sacrilege, Axegrinder, Sanctum, War Master, Stormcrow...
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733.33 Р
death metal, Memento Mori
The long-awaited 2nd full-length by this Greek band. Spawned from the sick brain cells of several past and current members of other deadly Hellenic entities such as Ectoplasma and Resurgency back in 2013, Vultur have been exhibiting an unquenchable thirst for sanguine Death Metal fluids ever since, revealed in all its putrid and vicious glory both in their "Vulture's Beak" demo (2016) and their "Entangled in the Webs of Fear" debut full-length (2018). Theirs is a timeless ilk of bludgeoning Death Metal that's stuffed with assorted tempos that go from relentless eruptions of savagery, to torturous and doomed-out passages replete with morbid harmonies, and through mid-paced onslaughts of sheer heaviness, influenced by the likes of Morbid Angel, Gorguts, Monstrosity, Immolation, Brutality, Suffocation, Morpheus Descends and Incantation. Salaciously titled "Drowned in Gangrenous Blood", Vultur's sophomore strike sees them sticking to that crushing course, and indeed drowning the hapless listener in gangrenous blood! No compromise, no quarter, no progression: "Drowned in Gangrenous Blood" is 100% undiluted Death Metal spawned from the most righteous of eras, the very beginning of the 90's. Even down to its bassy, shit-thick production -courtesy of Haris Vougiantzis, of Embrace Of Thorns fame, who also handles the mixing & mastering here- Vultur's 2nd album reeks of totally thorough authenticity. Its songwriting is creepy, lurking and most definitely sick, spewed by diseased minds who live for this. And it's also further proof that Greece's Death Metal underground is criminally unsung, but soon shall devour unbelievers... And what better way to garnish utter sickness than the literally viscous cover art courtesy of Gargoylekelly? Vultur have wasted no time in eclipsing their cult debut album. Drink up!
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