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Cultus Sanguine - Dust Once Alive (CD) Digipak
866.67
Р
dark metal,
BadMoodMan Music
After many years of silence, Italian dark scene legends CULTUS SANGUINE are back, full of strength and inspiration, and with skills that have become perfectly honed. Their return presents dark metal at its purest, distilled into a deeper, darker, and doomier form. Entitled "Dust Once Alive", the new album tells about the tragedy of the gray and mundane life, trudging along from day to day and approaching a sad ending. Signs, goals, and trail lights are no more than false illusions for these ultimately meaningless lives. The recording was made at ADSR Studio by sound engineer Carlo Meroni, who’s known for working with many bands in the Italian extreme scene and is a master of his craft. The album’s mastering took place at the Moonhouse studio in Milan. The release comes in a stylish four-page digipak with a booklet to complement the aesthetic pleasure of the dark art of CULTUS SANGUINE.
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Mesmur - Chthonic (CD) Digipak
800.00
Р
funeral doom metal,
Solitude Productions
International death/funeral doom metal act MESMUR have returned to release their fourth album, entitled “Chthonic”. The title is based on the Greek word for "underworld", and where the band's previous albums have explored themes of cosmic entropy and earthly apocalypse, “Chthonic” looks to the spirit world for its inspiration. Formed as a collection of paranormal horror tales, it speaks of fabled entities making contact through the veil of sleep, summoning prey to subterranean depths, or haunting a post apocalyptic landscape. Musically, the album continues the trajectory that MESMUR have established through previous works. Featuring viola and cello performances from Brianne Vieira and guest organ from Kostas Panagiotou of UK funeral doom act Pantheist (for whom Jeremy and John of Mesmur recently contributed guitars and drums on their 2021 record “Closer to God”), “Chthonic” strikes a careful balance between melody and dissonance as it displays its haunted imagery. Crushing doom riffs are overlain with ethereal synths and cavernous vocals to build a dark and vivid atmosphere, and the intricate compositions utilize a narrative approach influenced as much by 70's progressive rock as by extreme doom metal. Like the band's previous two releases, the album features beautifully eerie and vibrant cover art from Ukrainian painter Vladislav Cadaversky.
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