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  • 533.3Р
  • 1333.4Р
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600.00 Р
sludge metal / post-rock, Relapse Records
Recorded by Sanford Parker at Electrical Audio September 16-18, 2010 Additional recording at Semaphore Recording September 19-21, 2010
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733.33 Р
black metal, Relapse Records
POISON BLOOD is a collaboration between Jenks Miller (Horseback) and Neill Jameson (Krieg). Born out of Miller's desire to write music that was an outlet for a more straightforward kind of aggression, the two musicians came together as fans of each other's work and a mutual appreciation for Beherit's classic Drawing Down the Moon LP. Although they have yet to meet in person, the project was crystallized with the contribution of Jameson's vocals. The result is a dark and low-fi exercise in mystic, minimalistic black metal. Across eight songs and 19+ minutes with explorations into deathrock, dungeon synth and the occult, POISON BLOOD's eponymous debut EP is a short but furious chronicle of cold, reptilian sonic terror.
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600.00 Р
math rock / hardcore, Relapse Records
Selected Essays on Time-Reckoning and Auto-Cannibalism
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733.33 Р
blackened death doom metal, Relapse Records
Ritualistic, apocalyptic noisemakers ATRIARCH are back with their fourth offering of mind-altering, doom-soaked, death rock entitled Dead As Truth. Recorded and mixed by Greg Wilkinson at Earhammer Studios (Om, Graves At Sea, Vhol) and featuring artwork by Stevie Floyd (YOB, Dark Castle), Dead As Truth sees ATRIARCH venture deeper into the blackened abyss with haunting incantations, exotic drones, and crushing aural experimentations that boldly embrace death's cold heart. Fragments of post-punk, gothic doom, black metal, sludge, and noise complement the band's desolate universe and further supplement their most immediate and formidable release to date. ATRIARCH prescribe the order that there is but one truth and that is death.
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733.33 Р
sludge metal, Relapse Records
Southern California's SEVEN SISTERS OF SLEEP unveil their Relapse Records debut 'Ezekiel's Hags', a venomous mixture of doom, death metal, black metal, d-beat and grind. Recorded with engineer Paul Miner (Motorhead, Terror, Phobia), 'Ezekiel's Hags' is 11 relentless songs that beat the listener into oblivion. Unquestionably SSOS's heaviest material to date and chock full of tortured vocals, gigantic riffs, and thunderous drums, this is music as vile as it can be.
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666.67 Р
death metal, Relapse Records
LIVING GATE make their Relapse Records debut with the Deathlust EP. The band, Aaron Rieseberg (YOB,) Lennart Bossu (Oathbreaker, Amenra,) Wim Coppers (Oathbreaker, Wiegedood,) and Levy Seynaeve (Amenra, Wiegedood,) is an international group of critically acclaimed musicians that was spawned over a shared interest and sincere admiration for a bygone era of classic Death Metal. This bonding experience resulted in LIVING GATE's deathly Metal. The band's ethos is wholly defined by the sounds of the underground- purposefully devoid of over-polished, meticulously edited music, and eschewing athletic, sterile musicianship in favor of break-neck riffs. LIVING GATE puts their emphasis upon unrelenting, raw drums, encircled by menacing riffs and heaving guttural orations. While LIVING GATE strictly adhere to Death Metal's ways of old, the face-ripping tracks such as "Heaven Ablaze" and the deathly title track cement the band in the here and now, and prove that the underground will never die. Prepare for death!
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800.00 Р
industrial metal, Relapse Records
ZONAL, the brainchild of Justin Broadrick (Godflesh/Jesu/JK Flesh) and Kevin Martin (The Bug/Ming Midas Sound) present their monumental Relapse Records debut, "Wrecked". ZONAL continues where their previous collaboration Techno Animal left off, and combines a brutal ongoing obsession with beats, bass, dub, drone, noise and riff. Under their new guise, the enigmatic duo push the parameters and atmospheres that have earned them critical acclaim further and deeper; ZONAL's sound has become ever more corrupted, corroded, slower and lower; with the theme of exploring inner/outer space acts as the gelling agent for this shockingly monolithic sound. Anyone who witnessed their sonic destruction and lyrical detonation c/o MOOR MOTHER at both ROADBURN and UNSOUND festivals will not be disappointed by the slo-mo meltdown.
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800.00 Р
sludge doom metal, Relapse Records
Richmond’s COUGH delivers thoroughly massive, psychedelic doom on their aptly titled Relapse debut ‘Ritual Abuse’. The albums five epic tracks are impenetrable walls of sludge; at points suffocating and claustrophobic, at others warped and hallucinogenic. ‘Ritual Abuse’ is an impressive monolith of sound and volume, and one of the finest moments yet of 21st century doom.
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733.33 Р
post-punk, Relapse Records
The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer's most compelling and infectious records. "In the Spirit World Now" is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now" is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.
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733.33 Р
heavy psych, Relapse Records
Philadelphia's ECSTATIC VISION explode onto the scene with one of the most thrilling guitar driven records in a long, long time. Weaving the guitar heroics of the 70s heavy classics of UFO and Hawkwind with the rhythmic intensity of Sun Ra and Amon Düül II, ECSTATIC VISION are sure to be a huge hit for fans of High On Fire and Fela Kuti alike. Massive riffs vibe seamlessly with deep rhythms to create one of the most original and best HEAVY PSYCH debuts in years!
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733.33 Р
atmospheric post-black metal, Relapse Records
Australian atmospheric black/sludge metal quartet Hope Drone emerge with their Relapse debut LP Cloak of Ash. A richly captivating, seven song stroke of extreme brilliance, Cloak of Ash combines devastatingly beautiful atmosphere with the uncompromising heaviness of a thousand tidal waves. This is music that is dynamic and textured, supremely nihilistic and earth shaking. Hope Drone have arrived with incredible force and are here to crash violently upon your shores.
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800.00 Р
blackened doom metal, Relapse Records
Треклист: 1 Tyrant Cold 2 Social Control 3 Place Of Skulls 4 Heel On Your Neck 5 Gunburn 6 The Latter Fire
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1 333.33 Р
blackened doom metal, Relapse Records
CD in a four-panel Digipak with clear tray. Recorded in Gothenburg, Sweden and Winnipeg, Canada 2007-2008. Mixed late Summer 2008. Mastered September 2008.
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733.33 Р
acid rock, Relapse Records
An infectious display of fuzzed-out guitar shredding instrumentals from Toxic Holocaust mainman JOEL GRIND and legendary surf rock pioneer / innovator of modern guitar distortion DAVIE ALLAN! The perfect soundtrack to an acid-drenched biker movie from hell!
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533.33 Р
stoner metal, Relapse Records
Recorded at Machines With Magnets, Pawtucket, Rhode Island. ℗&© 2008, 2009
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666.67 Р
stoner metal, Relapse Records
Треклист: 1 Attrition 3:15 2 Midnight Eyes 4:14 3 Demonic 3:29 4 One Last Nail 3:06 5 Down So Low 3:29 6 Your Hell Begins 4:50 7 With A Blade 5:22 8...
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733.33 Р
noise rock, Relapse Records
Rightfully hailed as “the noisiest pop music on the planet” by Pitchfork, Austin, TX’s cult noise rock trio CHERUBS have been purveyors of sonic bedlam since their inception in 1991. After an unforeseen return to the scene from a two-decade hiatus in 2014, the CHERUBS have now joined forces with the equally revered Relapse Records for the release of their fifth long-player Immaculada High. Recorded and engineered by Erik Wofford (Explosions in the Sky, The Black Angels, My Morning Jacket) at Cacophony Studio in Austin, Immaculada High is 11 songs of signature CHERUBS clamor with an added twist of Texas-sized, psychedelic racket. Smooth, rumbling low-end rhythms interplay with feedback drenched, chuggin’ guitars, relentless tone and vocalist Kevin Whitley’s shrill, life-of-the-LSD-party vocals. On Immaculada High, CHERUBS loudly proclaim their title as bonafide noise rock legends who continue to forge transgressive yet remarkably accessible punk for a jaded world.
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733.33 Р
hardcore / crust-punk, Relapse Records
"For nearly twenty years, Stockholm’s Victims have dished out an onslaught of crusty d-beat, hardcore punk, and Motörhead-quality rock ‘n’ roll" - Noisey Stockholm’s hardcore crust-punk veterans VICTIMS make their Relapse Records debut with their highly anticipated new album, The Horse and Sparrow Theory. Recorded by producer Karl Daniel Lidén (Bloodbath, Katatonia, Craft and more), The Horse and Sparrow Theory clocks in at 28 minutes of relentless insurrection. VICTIMS' uncompromising take on d-beat and hardcore is a definitive statement of intent, as the band is set to deconstruct the current socio-political climate, bleak outlook of mass class division, industrialization, and the self-absorbed pursuit of greed and corruption. The track “We Fail” features a sample from speaker Brigadier General Stephen Cheney from the Swedish Institute of Internal Affairs, UI Podcast, episode “The Climate Change and Security - Nexus”.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Original soundtrack to the major motion picture Cub scored by STEVE MOORE (Zombi). Cub is a brutal horror film from Belgium that tells the tale of a young cub-scout bullied by his troop-mates. When the kids take a scout camping trip to the woods, things get bloody quickly when a deranged poacher sets his sites on the young kids. STEVE MOORE's haunting synth based score is the perfect soundscape for this acclaimed horror film. Whether you're familiar with the movie Cub or not, STEVE MOORE's score sits perfectly with your Zombi discography.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Critically acclaimed multi instrumentalist STEVE MOORE (ZOMBI) presents the score to the 2019 feature film "Bliss". From pulsing, panic-inducing freneticism of tracks such as "The Bite" to calm and contemplative melodies and guitar leads endearing the listener to the film's lead character,"Bliss" sees STEVE MOORE at his most dynamic, intense, and nuanced.
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800.00 Р
melodic doom death metal, Relapse Records
Recorded on location at the Balcony, Philadelphia, PA Saturday, January 18, 2003 Limited Edition of 1000 copies
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