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719.86 Р 611.88 Р
death metal, Memento Mori
The debut full-length of Chile's INFAMOVS, "Under the Seals of Death". Hailing from the city of Coquimbo, the band was formed in late 2014 by drummer A.M (ex-Predator), guitar players S.D and C.H, and F.U on vocal duties. This line-up recorded the "Emanation of Impure Heresies" EP that was released through LMDT Records in October 2015. Later on, C.H left the band and was replaced by R.B (Swarm of Terror). With the addition of F.G (Swarm of Terror) on bass, the band recently recorded their debut full-length album, titled "Under the Seals of Death". Drawing their lyrical and conceptual inspiration from the occult, ancient deities and indigenous culture and history, Infamovs pay homage to the deeds and knowledge of yesteryear through a brand of Death Metal that's heinous, ruthless, sullen and primitive, influenced by acts such as Incantation, Dominus Xul, Dead Congregation, Imprecation, Immolation, Sadistic Intent, early Deicide and early Morbid Angel. However, it is the band's thirsty 'n' miserable execution which sets "Under the Seals of Death" as a breed apart. Every gnarled, gangrenous riff and rhythm burls forward with an irrational sense of possession, as if the players' very lives are depending on it. Through this foul, gooey haze, a slimy-yet-sinuous songwriting emerges, marrying ably contorted linearity to tangibly, disgustingly physical forward momentum. It sounds and smells and feels like DEATH, rotting deeper in a pool of its own forlorn fluid. From this, Infamovs emerge: South American madness has a new name.
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539.89 Р 458.91 Р
drone doom / post metal, Slow Burn Records
The new release by Cone Forest, “Universe”, is at the junction of the drone doom and post-metal genres, the CD is released on the eve of their large tour scheduled for fall 2019. Each musical movement of a more than a half-hour long monolithic track will tremble in your body, while female vocals will force you to drop all thoughts and meditate to observe the cosmos growing within. The artwork reflects the specific nature of the music: a calm and majestic atmosphere is revealed with convincing and melancholic power, like a sleeping forest with its naked nerves of roots.
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479.90 Р 407.92 Р
drone doom / post metal, Slow Burn Records
“Matter”, the first album of the Cone Forest group, recorded in the summer 2015, is being released for the first time in a CD format. The music basis consists in a mixture of different genres varying from drone doom to ambient combined with female vocals. The album cover is crafted according to the 4x4 formula: the square is repeated 4 times, raising simple black earth (matter) to the rank of a fundamental principle: the start of the group’s work and, probably, something more ...
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659.87 Р 560.89 Р
doom death metal, Aesthetic Death
Wonderful debut from French cavernous death metal act - EPITAPHE Claustrophobic, oppressive, doom-tinged death metal As heavy as Dead Congregation, Blood Incantation, Portal, Incantation, Chaos Echoes and suchlike. 3 panel Digipak
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479.90 Р 407.92 Р
doom metal
The NORNES are at work, melting the fibers of Cathedral, Warning or Pallbearer to make fuzzy yet strong yarns, weaving in secret the canvas of a past, a present and a common future.
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659.87 Р 560.89 Р
experimental black metal, Aesthetic Death
Limited pressing of 500 copies on Digi CD.
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539.89 Р 458.91 Р
dark ambient, Aesthetic Death
CD in jewel box with 4-page booklet. Limited edition of 500 hand-numbered copies.
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659.87 Р 560.89 Р
experimental black metal, Aesthetic Death
Tracklist: 1 Ia' Iaxa 2 Horn Bearer 3 Nails 4 Chains 5 They 6 Voidsworn
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599.88 Р 509.90 Р
avantgarde black metal, Aesthetic Death
Tracklist: 1 Alone With Everybody I 07:59 2 A Challenge To The Dark 11:22 3 Alone With Everybody II 12:11 4 Ruins 11:20
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719.86 Р 611.88 Р
black ambient
Digipack limited to 500 copies.
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659.87 Р 560.89 Р
black ambient
Tracklist: 1 I 21:43 2 II 20:41
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659.87 Р 560.89 Р
black ambient
Normal CD version.
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659.87 Р 560.89 Р
atmospheric black metal
Tracklist: 1 The Advent Of The Fall 2 Departure Of The Olden Folk 3 Nightfall By The High Hill 4 Midsummer Thunder 5 The Airs Carry Beneath The...
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659.87 Р 560.89 Р
black metal
Never before released demo from 1994 Original recording done at Gamlebanken, Akkerhaugen, 1994 Additional recordings done at Nidhogg Studios, Drangedal, 2014 Photos taken at Mølen, Norway
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659.87 Р 560.89 Р
cult dark ambient
Best Of Album - Limited to 500 copies
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719.86 Р 611.88 Р
death metal, Memento Mori
The atrocious debut full-length by this U.S. based band. Filtheater began back in 2010 when founder and sole member K.J.'s bands dissipated. This led to the exploration of the abysmal, primal, stripped-down Death Metal that he had worshiped as a teen, spewed forth by bands such as Incantation, Phlegm, Grave, Entety, Rottrevore, Baphomet, Autopsy, Nuclear Death, Embalmer, Goreaphobia and Corpus Rottus. Unable to find like-minded musicians in Mississippi, K.J. went on to write and perform all aspects of the music, releasing several EP's over the next three years. Then in 2018, three like-minded maniacs (C.E., R.S. and A.W.) were added to the lineup in order to fully flesh out the band's ancient and primitive sound, and keep the utter disgust going. And indeed, utter disgust is all you'll find on Blight of Sempiternal Putrefaction! Aptly titled, Filtheater's debut album unleashes undulating waves of filth and foulness, an unyielding and cruel cascade of garbage and grime that simply refuses to be washed off. Raw and eldritch is their Death Metal, with no "modern" seasonings/neuterings: simply, lurch 'n' crunch with palpitating plunges into blastbeaten speed. Death Metal for Death Metal maniacs, no more but certainly no less. Prepare to be crushed under the weight of filthy and dismal Mississippi Death Metal! With fittingly foul cover art by Mörtuus and disgusting mastering by Dan Lowndes, Blight of Sempiternal Putrefaction is guaranteed to live up to its title, and then some!
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839.83 Р 713.86 Р
death thrash metal, Memento Mori
As a special celebration of the band's 35th anniversary, Memento Mori is thrilled to unleash a 2CD set that compiles all studio demos + rarities by this seminal Thrash/Death Metal band from The Netherlands, absolute precursors of the extreme side of Metal in their country. All songs were digitalized from the original sources and subtly mastered for an even more pleasurable listening experience. Also included as a very special treat for this compilation, two old songs re-recorded in early 2019 featuring former guitar player and original member Remco de Maaijer as guest musician. Cover art by Mörtuus. Tracks 1-1 and 1-2: old songs re-recorded in early 2019 (including a guest appearance by one original band member from 1984) Tracks 1-3 to 1-9: Speed Kills demo (1984) Tracks 1-10 to 1-17: Live at the Lede (1985) Tracks 2-1 to 2-4: Promo demo (1985) Tracks 2-5 to 2-8: Rebirth demo (1986) Tracks 2-9 to 2-11: The Day Before Tomorrow... demo (1987) Tracks 2-12 to 2-15: Omnicoitor demo (1989) Tracks 2-16 to 2-20: Pre-production Tape (1991)
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719.86 Р 611.88 Р
death metal, Memento Mori
The stunning debut full-length by this Australian band. Hailing from Sydney, Horrisonous formed in late 2015 and comprise a handful of hardened members of the local underground scene, including past or current members of such acts as Temple Nightside, Backyard Mortuary, The Slow Death, Illimitable Dolor and Pestilential Shadows among others. Not surprisingly, Horrisonous deliver aural slime, decay and misery by means of the ageless brand of Death Metal that's equally ponderous, crushing and fervent, enhanced with slithering tempos and influenced by the likes of Bolt Thrower, Asphyx, Autopsy, Death, early Paradise Lost, Celtic Frost, Carcass, Dismember and Incantation. They proved it on their debut EP, "The Plague Doctors", in 2016 and they proved it with the Asphyx and Celtic Frost covers comprising the follow-up "The Plague Doctors B-sides" EP two years later, and they fully prove it with their debut full-length, "A Culinary Cacophony". A cursory glance at some of the album's song titles ("Crispy Chunks of the Obese", "Nourishment Through Excrement", "Number of the Feast"...) and one could potentially assume Horrisonous are a hokey gore band. While their noses are no doubt in tune with life's foulest recesses, Horrisonous are deadly serious about their juggernauting Death Metal. Requisitely filthy as any Memento Mori release, "A Culinary Cacophony" digs deeply into the doom and serves up serious helpings of up-tempo gallop and blast. It's a world-eating sound that evokes a creepiness quite at odds with such otherwise tongue-in-cheek titles, but only Horrisonous know the methods to their madness... Brazenly adorned with garishly gruesome cover art courtesy of Rod Scott, Horrisonous offer a symphony of sickness with "A Culinary Cacophony"!
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719.86 Р 611.88 Р
death metal, Memento Mori
The staggering debut full-length by this Australian band. Oozing out of Melbourne, Vile Apparition is a new project of Oliver Ballantyne (drums) and Jamie Colic (guitar, bass, vocals), both ex-members of the mighty Sewercide that left shortly after the recording of that band's debut album, "Immortalized in Suffering", in order to pursue other endeavors. Vile Apparition's self-released debut 4-song demo, "Atrocious Captivity", was picked up for a cassette release in early 2018 on Transylvanian Tapes, just in time for the band to fill their live lineup for their first run of shows starting January 2018. Alas, "Atrocious Captivity" was but a brief taste of the nastiness to come, now in the form of Vile Apparition's full-length debut, "Depravity Ordained". No lies in that title: this is fetid and filthy Death Metal that puts a premium on the bludgeon! Old school as it comes, of course, Vile Apparition's no-frills approach hearkens to the likes of Morpheus Descends, Ripping Corpse and Deteriorot, as well as the early works of Suffocation, Deeds of Flesh and Cryptopsy. An astounding exhibition of ridiculous, malignant heaviness that'll drill a hole in your skull and blow your brain cells to smithereens, the album also includes the preceding demo as bonus tracks. With suitably classic cover art courtesy of Chaostouched and mastering by Dan Lowndes at Resonance Sound Studio, Vile Apparition bring you blunt-force trauma with "Depravity Ordained"!
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719.86 Р 611.88 Р
death metal, Memento Mori
The striking debut full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including 5 songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled "Chapters of an Evil Transition". Indeed displaying the band's transition into an evil Death Metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of 90's Metal of Death. Fucking fashion and trends and especially fickle tastes, "Chapters of an Evil Transition" is a gutsfucking time-warp to the days when Death Metal was supposedly "dead", lost in favor of Black Metal, Power Metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw and righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader and Finland's Demigod. No more but definitely no less, this is Death Metal by and for Death Metal maniacs: no bullshit and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you "Chapters of an Evil Transition"!
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719.86 Р 611.88 Р
progressive death metal, Memento Mori
The jaw-dropping debut album by this French band. Hailing from Grenoble, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l'Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title "Drowned", this is a bolt-from-the-blue work of unimaginable vision and towering might. Indeed, the term "βαρύς" evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric -but, above all, completely and totally visceral- approach to Death Metal. Call it an alchemy of sorts, but "Drowned" presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into Black and Doom Metal territories -and effortlessly, at that- all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants and everything in between. Truly, it's a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting, to literally drown in the enormity they lay bare for the helpless listener. Drowned indeed! We don't usually dip our toes into "progressive" or "post" waters, favoring the musty odor of vintage Death Metal. However, when presented with Barús' "Drowned", we couldn't help but submit to their visionary onslaught on the senses. So, while we could describe them as "Autopsy reinterpreted by Meshuggah" or "Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate's instruments," we're confident Barús should definitely appeal to fans of such daring bands as Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars and Chaos Echoes. Featuring 9 songs in a vast yet time-evaporating 56 minutes, the production on "Drowned" is absolutely stellar. It was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording and additional reamping done at Octavox Studio, while mixing and mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen Wilson, Barús' "Drowned" is this year's dark-horse classic in the making!
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719.86 Р 611.88 Р
death metal, Memento Mori
The long-awaited second album of America's Ruin. Not much is known about the anonymous aural torturers known as Ruin. At least, that was the case a couple years ago, before the band's rebirth. The small amount of information that we did know was that the band was formed back in 1991, somewhere in the United States. Due to various members of the band being incarcerated and institutionalized, Ruin was disbanded at some point later that year. Rumors have also swirled that the band members were/are part of some sort of cult. Now free from any obstacles, the Ruin Death Metal machine was re-started again in 2015, and work began in earnest for what was to become their debut album, "Drown in Blood". Released last year by us to worldwide critical acclaim, Ruin's "Drown in Blood" was everything that everyone had been waiting for, and then some: mean, vicious, spiteful, raucous and sickening Death Metal. Sonic debauchery is what you wanted? Sonic debauchery is what you got! Alas, Ruin strike while the iron's red-hot and deliver another foul cauldron of filth with "Human Annihilation". Shit-heavy and strewn with shit, "Human Annihilation" picks up exactly where their "Drown in Blood" ended, and delivers pure and utter ugliness enriched with doomed-out passages, crusty tempos and sudden blasts that are meant to turn your stomach without care. And yet, compared to its predecessor, "Human Annihilation" goes even deeper into the creepiness; its soundfield is still vile and viscous, but there's an even-more-pronounced lurking dread haunting their no-less-heavy ruminations. If "Drown in Blood" was some sort of bastard child spawned from Hellhammer covers being slammed out by "Realm of Chaos"-era Bolt Thrower taking place in the jam room of Finnish sickos Abhorrence in 1989, then "Human Annihilation" is the beyond-drunk and drugged-out aftermath, where there's simply no escape from the disease-ridden basement. They say absence makes the heart grow fonder. Well, this time, Ruin weren't gone very long for us to feel any warm feelings for them, and so they deliver the more sickening and hateful "Human Annihilation". Cover art by Caleb Dickenson (Cosmic Void Dark Art) and mastering by Ted Tringo, so you know this one's gonna rot your soul with Ruin!
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719.86 Р 611.88 Р
death metal, Memento Mori
The highly anticipated debut album by this upcoming Mexican band. Morbid Messiah was formed in 2015 after Anubis Sandoval (drums) moved from Cancun to Guadalajara, and teamed up with Roberto Trejo (guitar) and Jose Rivas (vocals). All three young musicians shared a burning passion for the authentic sound of underground death metal that blossomed during the late 80's and early 90's, and felt compelled to give shape to a brand-new, iniquitous entity that would follow in the gods of yore's footsteps. Morbid Messiah played their first live show a few months later and then proceeded to record their debut EP, suitably titled "In the Name of True Death Metal", which was self-released in October 2016 on CD format. Guillermo Lopez (bass) had already joined their ranks by then, solidifying the lineup for depraved endeavors yet to come. Fast forward to April 2017 and the Polish label Godz ov War Productions gave the EP the tape treatment, and all 100 copies sold out shortly after. To depict Morbid Messiah's approach to the Metal of Death is no laborious chore, for it is nothing more -but certainly nothing less- than a dank, impenetrable, lightless, decimating and unadorned concoction of the finest, heaviest and vilest elements of bands such as Sadistic Intent, Possessed, Incantation, Grotesque, Mortem, Death and Imprecation, as well as those prevalent in the early works of their countrymates Cenotaph and Shub Niggurath. Thus girded with such proud and powerful influences, "Demoniac Paroxysm" thus invokes its very title, whipping the listener into a fury of rotten, sewer-dwelling possession. Rubbed raw and blasted about like a boombox from the bowels of Hell, this is DEATH METAL in all caps, and forever be it so: Morbid Messiah are not recommended for trendy ears nor those with weak stomachs. But if the flame burns true within you, by all means, take this torch now! Naturally, for a record so foul and filthy, it's only fitting that "Demoniac Paroxysm" is gracelessly graced with classic cover artwork courtesy of the esteemed Mark Riddick. Bow down and pray to Morbid Messiah!
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719.86 Р 611.88 Р
death metal
Digipak
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659.87 Р 560.89 Р
death metal
Remastered XX Anniversary Edition. Recorded at the Heathen Sound studios, September 18-19, 25-26, 30, 1993. Produced by Decayed. Remastered at the Hell-Mayhem studio on the last days of June year 2013. Tracks 12-22 originally released on [url=https://www.discogs.com/Decayed-Pure-Fucking-Mayhem-Live-In-1993/master/517878]"Pure Fucking Mayhem – Live In 1993 "[/url].
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491.90 Р 418.12 Р
black metal, FONO ltd
ENTHRONED - бельгийская black metal группа, сформированная в 1993-м году и являющися одними из ключевых артистов бельгийской блэк-метал сцены. В дискографии ENTHRONED несколько сплитов и EP, бокс-сэт, один концертник и десять полноформатных альбомов. Из оригинальных участников на сегодняшний день в ENTHRONED остался только вокалист Nornagest, присоединившийся к группе в качестве гитариста после того, как они записали дебютный альбом "Prophecies of Pagan Fire" (1995). "Cold Black Suns" - одиннадцатый полнформатный альбом ENTHRONED, вышедший 7-го июня на Season of Mist. Мастерингом "Cold Black Suns" занимался Jaime Gomez Arellano из Orgone Studios, работавший с PRIMORDIAL, MYRKUR, ULVER и многими другими, оформлением - гитарист ENTHRONED Neraath, приложивший руку к половине предыдущих релизов группы. Packaged in a jewel case, a 12-page booklet.
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491.90 Р 418.12 Р
power metal, FONO ltd
EDGUY - немецкая power metal группа, основанная в 1992-м году 14-летними студентами, в основе которой был вокалист (и басист на ранних работах) Tobias Sammet, гитарист Dirk Sauer, барабанщик Dominik Storch и гитарист Jens Ludwig. Для названия группы они взяли прозвище своего учителя по математике, которого между собой называли "Edguy". В дискографии группы несколько дэмок, EP и синглов, пара концертных релизов и компиляций, DVD и десять полноформатных альбомов. "Vain Glory Opera" - третий полноформатный альбом EDGUY, релиз которого состоялся в январе 1998-го года на AFM Records. Данное anniversary edition издание "Vain Glory Opera" вышло на AFM Records в апреле 2019-го, является ремастированным и дополнено тремя бонус-треками.
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491.90 Р 418.12 Р
medieval rock, FONO ltd
TANZWUT - немецкая индустриальная фолк-метал группа, берущая свое начало в 1998 году и сформированная участниками CORVUS CORAX. Делая упор на средневековую тематику и обширное использование народных инструментов, а также используя хореографию и костюмы в сценическом образе, TANZWUT нашли то самое, что выделило их из десятка подобных коллективов. "Seemannsgarn" - одиннадцатый полноформатный альбом немцев, вышедший 7-го июня 2019-го на AFM Records. Продюсировать альбом взялся Benjamin Schwenen, работавший с XANDRIA, EISBRECHER и STAHLMANN. Релиз выпущен в формате CD с 20-страничным буклетом и включает 14-ть треков классического "танзвутовского" medieval-рока, с цепляющими мелодиями, волынками, тяжелыми гитарными риффами и немецкоязычной лирикой. Packaged in a jewel case, a 20-page booklet.
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419.92 Р 356.93 Р
death metal, More Hate Productions
The debut full-length album by a thrash/death core band from Czech Republic. SPACE HAMSTER is remarkable for its line-up consisting of the members of other famous Czech extreme bands: CINZANA BIANCA (R.I.P.), MINCING FURY AND GUTTURAL CLAMOUR OF QUEER DECAY and KANDAR. Despite the commitment of the musicians to brutal sound of their main bands, this project can be characterized by more technical and kind of delicate approach. Bands music roots in death thrash metal where tough guitar foundation is combined with melodic lines and groovy elements. The vocalist mainly growls yet sometimes switching to clean singing that makes SPACE HAMSTER sound closer to modern death core. Booklet artwork is another thing worth mentioning. This is a comic book telling the story of a space hamster that leaves the dying Earth for distant worlds of the unknown galaxies.
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455.91 Р 387.52 Р
thrash metal, FONO ltd
SODOM - ветераны немецкого thrash metal, сформированные в 1981-м году и оказавшие сильное влияние на современную метал сцену. На сегодняшний день из оригинального состава в группе остался только Tom Angelripper, басист/вокалист и основатель SODOM. В дискографии группы несколько синглов, EP, концертников и компиляций, а также пятнадцать полноформатных альбомов. "Code Red" - девятый полноформатный альбом SODOM, вышедший в мае 1999-го на лэйбле Drakkar Entertainment. Сведением и мастерингом занимался продюсер Harris Johns, работавший с KREATOR, TANKARD, VOIVOD, а также над ранними альбомами SODOM. Обложку для "Code Red" нарисовал Axel Hermann, делавший оформление для ASPHYX, UNLEASHED, BLOODBATH и других. Packaged in a jewel case, an 8-page booklet.
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