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12
symphonic black metal, Hypnotic Dirge Records
However, Nachtterror - throughout the bulk of their existence - has been building and refining their debut concept album “Judgement” with songwriting for the album dating back to 2008. Previous renditions of songs from Judgement have appeared on past releases but Judgement as an aggregate entity has never been revealed – until now. Judgement, the amalgamation of Nachtterror’s universe is now ready for release. The album presented as a 6 panel digipack with nine tarot cards included, specifically conceived of and painted by guitarist and artist Lord Maelkleth (Eric Escott), to convey the story behind each track on the record. Metaphorically, this album is about embracing the negative aspects of the self and making the decision to become a god, or be destroyed by it. "Judgement is a black mirror, allowing its listener to view their own dark truth. It is a story of the power of self; embracing or succumbing to its desires and fears." - Erik "Saint Wikk" Labossiere
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black metal, Hypnotic Dirge Records
Combining abrasive and gritty black metal with hallucinatory ambience and spiralling postrock intricacy, Kassad’s name is synonymous with misery, futility, and madness of modern urban life. "London Orbital", the new album, centers around modern urban living and looks to a near future of megacities where the city itself is a personified, malevolent being where human empathy and culture have been replaced by artificial intelligence. The artist adds: "I wanted to create music for an imagined, future London - one where the city’s monoliths of glass and concrete have come alive to assert their malevolent control over the millions of people that live and toil amongst them. Workers travel in the vast shadows of these buildings, in the tunnels and transport systems that snake below or in the briefest snatches of sun that are yet to be blacked out. If you tilt your head and look at the city just right, you can already see the light starting to turn to darkness."
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12
black metal, Ashen Dominion
comes in digipak
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12
sludge doom metal
Recorded June 15th 2004 Tsunami Sound Portland ME
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12
atmospheric sludge metal
Released in digipak format in an edition of 500. Mixed and mastered at Soundsight Studio, winter - spring 2006. Total playing time 54:33.
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12
ambient funeral doom metal, GS Productions
digipak
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12
black metal, Dusktone
Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone. Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format. Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.
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12
black metal, Dusktone
Flukt perform harsh and cold Norwegian Black Metal. The music has clear reference to the oldschool Black Metal sound made infamous by the Norwegian Black Metal scene in the early 90s. The music has is aggressive and have a violent drive where the main focus is to create atmosphere. The unique thing with Flukt is the way dynamics is approached. Even when the music is fast, and harsh. Flukt is never afraid to mellow things down in slower passages and more groove oriented songs. FLUKT is a raw oldschool Black Metal band hailing from Vennesla, Norway. The band was launshed during the fall of 2014 but from the dark mood and the aggression in the music, every metalhead will get a flashback to the good old days of Norwegian Black Metal in the 90s. Their debut Ep «Holocaust» was released through SkyBurnsBlack Records in the winter of 2015. Late november 2017 the seven inch vinyl single «Fortapelse» was released by NordicMission Production. Flukt has performed several live shows in Norway and Sweeden. Like on the legendary Inferno Metal festival in Oslo, NordicFest and at the John Dee club.
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12
black metal, Dusktone
“Del Flusso Eterno” is a spiritual journey embracing the circularity of the Universe and its forces of destruction and creation. The human condition, spiritually barren, is represented by a waste land. Facing an eternal winter, men hinder the rebirth of a new cycle of life. Negating motion and changes, an unnatural stillness takes hold of body and spirit. We lack the energy and the will to break this staticity. But hope is not forlorn, there is only to kindle the embers and set aflame the pyre. A sacrifice is needed to return to the Earth, to re-ensablish the long forgotten link to Macrocosm. We have to lose ourselves, sacrifice ourselves to ourselves. Sublimating our identity in the Infinity we may reborn.
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12
folk metal, Sound Age Productions
digi-pack with 24 pages booklet
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12
symphonic black metal, Sound Age Productions
Ltd. edition digi-pack with booklet
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12
authentic folk ambient, FireStorm Production
Comes in 4-panel Digipak with 16-page booklet
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12
doom metal, Nine Records
Although their spectrum of influences is wide, Helsinki's Caskets Open still identify themselves as a doom metal band. Top-notch crushing heavy metal riffs and hardcore punk bursts are sewn together with their trademark DIY blue collar approach and innovative songwriting. Their fourth full-length album "Concrete Realms of Pain" is a 46 minutes long testament of a band in its prime.
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12
doom metal, Nine Records
The band’s third album, Vessels Into White Tides, brings new colours to their musical palette, taking the music through greater peaks & valleys than before. The multi-instrumental nature of the songs helps to explore & push the sound into a richer, more varied & ultimately more mature form without ever sacrificing their heavier roots.
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heavy doom metal, Nine Records
Monasterium is a Polish band founded in 2014 and dedicated to epic heavy/doom metal. All members of the brotherhood are experienced musicians sharing passion, common vision and belief in the power of traditional metal. These virtues have brought them to their eponymous first full length album released in May 2016 by No Remorse Records. “Monasterium” won critical acclaim of the metal underground and was promoted live at the highly esteemed European metal festivals: Hammer Of Doom, Up The Hammers, Malta Doom Metal Festival, Doom over Vienna and Seeds of Doom. Their sophomore album, “Church Of Bones”, released via Nine Records. While offering a broad variety in the songwriting, all eight anthems are the worship of the classic sound and stand tall in the fight for true metal . Additionally, the new album features a special guest appearance by Leo Stivala from the Maltese doom masters Forsaken.
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epic doom metal, Nine Records
Recorded, mixed and mastered at JRStudio by Jacek "Racek" Gruszka Artwork drawing was created by Diego Spezzoni Illustration & Design and cover layout and packaging design were handled by Xaay
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12
traditional doom metal, Nine Records
The second full-length album from British, classic, traditional doom metal.
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12
funeral doom metal
"Feeding The Abyss" Recorded at Magick Sound Studio 2003 "Apocalyptic Plague Ritual MMXX" Recorded 2020 Alternative 2020 versions of old previously released compositions
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12
depressive black metal
Jewel case edition OAP2008 On Spine
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12
industrial metal, Relapse Records
ZONAL, the brainchild of Justin Broadrick (Godflesh/Jesu/JK Flesh) and Kevin Martin (The Bug/Ming Midas Sound) present their monumental Relapse Records debut, "Wrecked". ZONAL continues where their previous collaboration Techno Animal left off, and combines a brutal ongoing obsession with beats, bass, dub, drone, noise and riff. Under their new guise, the enigmatic duo push the parameters and atmospheres that have earned them critical acclaim further and deeper; ZONAL's sound has become ever more corrupted, corroded, slower and lower; with the theme of exploring inner/outer space acts as the gelling agent for this shockingly monolithic sound. Anyone who witnessed their sonic destruction and lyrical detonation c/o MOOR MOTHER at both ROADBURN and UNSOUND festivals will not be disappointed by the slo-mo meltdown.
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12
black doom metal
Recorded during 2019 in Dödsmord Studio All music and lyrics by Voluptas Jan: guitars Martin: guitars Michal: vocals Petr: drums Štěpán: bass Ondrax: saxophone in Desert Twilight Anders Axelsson: recording, mixing and mastering Kristýna Vašíčková: artwork Markét Bártová: band photography Vašek Kokeš: graphic design Dedicated to Vašek 'BlackDog' Zajíček Released by MetalGate Records © 2020 MetalGate
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12
post rock
Tracklist: 1 Prologue 2 Yidhra 3 Mutual Distortion 4 Spiritual Transcendence 5 Against Binding Gravity 6 Lost Home 7 Erich Zann Syndrome 8...
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12
industrial metal
Next album - next topic. Minority Sound like to experiment. Eventhough it might not be an experiment in common sense they like to try what they haven't tried before. And this is the case of Toxin. The album's topics are mental disorders, addictions, envy, hate and ... love. Love to a woman, love to a man, love to drugs, love to yourself and of course all of its dark sides. It is an album of many genres. Ranging from harsh industrials, through melodic Metal, Death Metal, Thrash Metal to very modern approach and it cannot be put into one specific box. Minority Sound have picked Dan Friml's The Barn studios to record the album. And it happened during 14 cold December days of 2018. Final mix and mastering has been yet again given to a canadian producer Rom di Prisco and the overall sound is once more way ahead of its predecessors. Interesting fact is that all the songs for Toxin were composed quite quickly during 4 month in Fall 2017. That's something unique if we take into account that previous records were composed in a matter of years. Maybe it was given by the mood of the main brain of the band: Otus Hobst who went through a couple of rock-bottom falls and mental breakdowns during 2017. We can say that Toxin is kind of a detox from the negative thoughts. It is about things that simply had to get out and that's what makes this album immediate and emotive. Lyrics were co-written by Tom F. Hanzl, better known as Chymus. Lyrics-wise they really were on the same line with Otus so even this matter takes everything to a new level.
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12
black metal
Tracklist: 1 Nechtějme To Rozhodnout 3:38 2 Život Jde Dál 4:24 3 Dogma 4:34 4 Masařka Hodujíc Na Výkalech Mého života 6:31 5 Maruška 5:06 6 Úspěch Se...
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12
acoustic folk / post rock
Tracklist: 1 One World Is Not Enough 4:42 2 From The Bottom Of The Ocean 3:01 3 Owls Not What They Seem 3:31 4 2nd Of April 3:24 5 Thousand Years For Us...
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12
post black / shoegaze
Tracklist: 1 Foreword 2 Chapter One 3 Intermezzo Before Second Chapter 4 Chapter Two 5 Intermezzo Before Third Chapter 6 Chapter Three 7...
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12
melodic death metal
Tracklist: 1 Rise To The Victory 6:03 2 Utopia Treasure 4:49 3 Black Night 5:18 4 Only For One Day 5:31 5 Fateful 5:42 6 (Sin)cere World 7:57 7...
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12
post-rock / metal
Tracklist: 1 The Kvlt ov Dream 3:42 2 Owls Not What They Seem 4:37 3 Thoughts Like Silver Bullets 4:11 4 Symmetric Kakophony 3:20 5 Leviathan 2:40...
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12
melodic black metal
Tracklist: 1 Cold Cell 1:25 2 Resurrection 3:24 3 Take The World 4:16 4 Visions 4:29 5 Army Of The Dying 3:55 6 Edge Of Abyss 3:15 7 Undead Thralls...
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12
blackened doom metal, Relapse Records
Tracklist: 1 Tyrant Cold 2 Social Control 3 Place Of Skulls 4 Heel On Your Neck 5 Gunburn 6 The Latter Fire
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12
atmospheric black metal, GS Productions
Limited edition 100 copies
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12
folk death metal, GS Productions
Produced by Thomas Stoll Engineered by Fred Rapp Recorded & Mixed at Viking Sound Studio Schoemberg 2 All Songs by Dark Reality reussue in jewelcase
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12
cult folk rock, GS Productions
Limited edition of 100 hand-numbered copies.
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12
death metal, Memento Mori
The terrific 4th full-length by this Italian band. Valgrind was born from the ashes of the ultra-underground act Necrospell in 1993, as a Death/Black Metal project with both extreme and melodic influences. Over the following years, the band released four demos and developed its own style, combining the main influences (Morbid Angel, Pestilence, Death, Nocturnus, Possessed, Monstrosity, Immolation) with a passion for the epically dark atmospheres of bands like Candlemass and early Paradise Lost. Disbanded in 2003, the strong will to return on stage of both founding member/main songwriter Massimiliano Elia and vocalist Daniele Lupidi (also frontman of Hateful) made Valgrind's return possible in 2008. With the addition of new motivated members, the band released their debut full-length, "Morning Will Come No More", in 2012. The album contained almost one hour of classic Death Metal filled with killer solos, memorable riffs and obscure vocals. Following the release, a series of shows were held in Italy, Germany, Holland, and Sweden. In 2016, the band delivered their sophomore full-length, "Speech of the Flame". The music strayed away from some of the early influences to become more personal, while the lyrical concept dealt with the darkest sides of the ancient Mediterranean civilizations. An EP called "Seal of Phobos" followed in 2017, and only one year later, Valgrind delivered their 3rd full-length, their most ambitious work to date. "Blackest Horizon" saw an increasing level of technicality in the guitar department, while retaining the old school vibe of the previous works. Vocals became less guttural and more aggressive, while a more organic production gave the listener a wider musical spectrum to dive into. Again, the public was introduced to the new songs in some memorable shows, including Helsinki Deathfest in 2018. Entering the studio again in mid 2019, Valgrind have now arguably delivered their masterwork: "Condemnation". Undeniably and 1000% Death Metal to the core, there's an intangible "something", a never-belabored uniqueness, that now sets these Italians apart from so much stock-standard Death Metal. For sure, their roots lay in the genre's old school still, but the bits and pieces they pull and recombine are unexpected but most definitely welcome; no particular scene or substyle or specific year is selected, just the focus on strong songwriting and impassioned performance. Likewise, the lyricism doesn't betray Death Metal's rigorous boundaries -here, it's the myths of legendary creatures and beasts in various ancient cultures- but Valgrind bring an artful touch to fantastical horror, all of it rolling out of bassist Lupidi's lugubrious throat with commanding clarity. To that, the power trio's clarity of execution is also a thing of (ugly) beauty, firing off one flowing, furious part after another with seamless construction and solos that are the absolute definition of class. In fact, calling "Condemnation" classy Death Metal would not be much of a stretch: the songwriting itself is that poignant and powerful, and the production -mixed by Cristiano Copat at KK Recording Studio, and mastered by Damian Herring at Subterranean Watchtower Studios- is perfectly matched, skillfully balancing that clarity with crush. Giving this special album an ever-more-distinctive touch is the cover art courtesy of Lupidi himself, hereby making "Condemnation" truly Valgrind's triumph of death!
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12
sludge doom metal, Relapse Records
Richmond’s COUGH delivers thoroughly massive, psychedelic doom on their aptly titled Relapse debut ‘Ritual Abuse’. The albums five epic tracks are impenetrable walls of sludge; at points suffocating and claustrophobic, at others warped and hallucinogenic. ‘Ritual Abuse’ is an impressive monolith of sound and volume, and one of the finest moments yet of 21st century doom.
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12
math rock / hardcore
The disc is a 3" CD filled out with clear plastic to fit a full 5" sized disc. Ion Dissonance: ".357" Demo 2002 Track 1 has been re-recorded in 2005 for Ion Dissonance's second album "Solace" on Abacus Recordings. Track 2 and 3 have been entirely re-recorded in 2003 for Ion Dissonance's debut album "Breathing Is Irrelevant" on Willowtip Records. Track 1 recorded at Tweak Studio in 2004. Recorded and mixed in between September and October 2002 at Sonogram Studio by the Montréal Showbusiness School. Mastered Dec. 2002. Re-mastered March 2006. Despised Icon: "Syndicated Murderers" Promo-EP 2004 Both these songs have been entirely re-recorded for Despised Icon's second album The Healing Process (2005) on Century Media Records. 2006 Galy Records. Made in Canada.
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12
black metal
6-panel hardback CD limited to 266 hand-numbered copies.
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12
black metal
Tracklist: 1 I 3:21 2 II 6:39 3 III 5:39 4 IV 6:39 5 V 7:44 6 VI 4:24 7 VII 5:49 8 VIII 3:41
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12
sludge doom metal
Graves At Sea recorded at Larry Elyea's Mind's Eye Digital Studio, Mesa, Arizona in October 2004. Asunder recorded at Earhammer Studios, Winter 2004/2005.
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depressive black doom metal, Aesthetic Death
Tracklist: 1. Phanes 13:07 2. Asulon 14:18 3. Moros 12:09 4. Elpis 13:03
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12
grove metal, Metal Scrap Records
The third full-length studio album by Hungarian Extreme Groove Metal band. Hungarian Extreme horde is back with their 4th studio record and showed us again they're still the best in the game! Premium production with monstrous grooves and polyrhythmic elements, including deep melodies, which drive through your inner-self. This sonic massacre arrived into a new level with even stronger songs and deeper lyrics than ever before. Produced by Gergo Hajer at 515 Studio, and mastered by the legendary Swedish producer Jens Bogren at Fascination Street Studios. Absolutely an eye-catcher release of 2020, highly recommended for fans of Meshuggah, Whitechapel, Machine Head, and Fear Factory!!
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12
doom death metal
Limited to 500. Includes 8-page booklet and Pit-Art.
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12
funeral doom metal
Limited to 500. Includes 8-page booklet and Pit-Art.
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12
melodic black / death metal
Limited to 500. Includes 8-page booklet and Pit-Art.
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12
black doom metal
Tracklist: 1. Erhebt Eure Mit Blut Gefüllte Hörner 11:12 2. Der Geheimnisvolle Käfig 9:13 3. Vergessene Stille 6:17 4. Zerbrechlicher Kleiner Geist 11:11...
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12
funeral doom metal
Limited to 500 copies. Includes 8-page booklet. All songs and instruments by Bornyhake 2013-2020. Recorded, mixed and mastered at Chaos Studio, 2020.
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12
funeral doom metal
6-panel digipak. Limited to 300.
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12
atmospheric doom death metal, Solitude Productions
Spanish masters of atmospheric doom death metal EVADNE are back with a new full-length album that marks a milestone in their musical activity. This is the most elaborate work of the band to date, with many emotions engrained. EVADNE's music has become even deeper and more sophisticated and, despite its genre; it exists out of time, combining the heaviness of metal and the transparency of symphony. It has everything to express emotions. And night falls here, and in the depths of shadows the pale glow of fireflies is born. Carlin van Ross (Remembrance, Lethian Dreams, Aythis) and Jaani Peuhu (Iconcrash, worked with Before The Dawn, Swallow The Sun, To / Die / For, Thunderstone, etc.) took part in the album recording. Svante Forsbäck (Rammstein, Entombed, Candlemass, 69 Eyes, etc.) from Chartmakers West studio was in charge of the sound on the album, and it is truly amazing! The album comes as a four-panel digipack with a twelve-page booklet. The visual part is represented by photos by Russian photographer Natalia Drepina, a psychologist of dark nature and deep images that make you to comprehend the surrounding reality and explore your inner world.
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doom death metal, Solitude Productions
The second full-length album of German band. New material, even more harsh and gloomy is professionally produced and ready both to bring joy to old fans of traditional doom-death metal and to attract interest of those who just has started to get familiar with the genre. "Withered Shades" accumulated heavy riffs and acoustic passages, combined dynamic parts and atmospheric interludes. The new album of Ophis is a new precious book in the world library of doom.

Released in a digipak with a 12-page booklet with lyrics.

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12
avantgarde doom death metal, Solitude Productions
The second full-length album from the German atmospheric doom metal project EIRÐ, created by Andreas Georg Libera (ex-Cold Embrace, ex-Spirit Descent), continues to immerse the listeners in serenity, while not letting go of it at the same time. The long majestic and atmospheric tracks were influenced not only by doom music, but also by classical etherealgothic, which makes EIRÐ music even deeper and more sophisticated. Plunge into the abyss «A Voidchaser's Elegy» and feel the breath of eternity on your face.
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gothic doom metal, BadMoodMan Music
The second full-length album of the Spanish band Shattered Sigh is sustained in the best traditions of gothic doom death metal, delicious melodies, and dark mood. And the musicians do not forget about the atmosphere, enveloping into it a traditional combination of guitars, drums, and keyboards. Growls with pure male vocals are soaring over them. Shattered Sigh, having found its original sound, showed true to itself and the genre.
Album released as a four-page digipak with an eight-page booklet.
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doom metal, Doom Metal Rebirth
The third album from OLD NIGHT, a Croatian band formed by Luka Petrović of ASHES YOU LEAVE. From the very first album the band has established itself as an adherent of the tradition of doom metal with the surprise of rock, the value of heavy metal and atmospheric music in general. "Ghost Light" became, without exaggeration, the most mature work of the group. Balanced sounds and inclusions (including amazing lead guitar parts), polished arrangements and smells of atmosphere - all this makes the album one of a kind and excludes listening. It is also the album and the closure of a trilogy that began on their first full-length album. This intimate concept album takes an even more adventurous turn into the darkest corners of the human mind. The cover and booklet design was done by none other than All Things Rotten, who also worked on the band's first two albums. The album was released as a four-panel digipak with a 12-page booklet.
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folk metal, Sound Age Productions
Ltd. digipak
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symphonic metal, Sound Age Productions
Packaged in a double jewel case, a 16-page booklet. "Asagao" is listed as a Japanese bonus track. Recorded between February and June 2019 at SoundWay Records. Mixed and mastered at Morton Studio. The lyrics of "Эй, Ухнем" are taken from a Russian folk song.
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12
shoegaze / post metal, Sound Age Productions
ltd. digipak with 12 pages booklet.
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12
depressive black metal, Ksenza Records
Limited edition 6 pannel digipak + pit art (Limited to 200 copies) Guest Vocals Scorpos (Apokefale, Gnida, Sleepwalker)
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12
drone doom metal, Ksenza Records
Ether is a bunch of barely related sketches showing unachievable goals that are frozen in a static condition of endless trepidation. The indifference of the cold universe to all living creatures exposes trivial and tragic fates condemned to their own ambitions. The time is filled with paths that lead to no goals. The space is filled with unseen ether of worries and indifference. Limited edition of 150 copies in 6-panel glossy digipak.
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12
death metal, Memento Mori
The long-awaited 2nd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, CA in 2013, Dipygus began as a 4-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons. A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations, and ominous sightings of a Mesozoic relic in the heart of the Congo. The debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, the debut album -exhibited in North America by Expansion Abyss and Caligari Records- attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band's exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of Dipygus' 2nd full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presents an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it is fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others have been warned... Memento Mori recommends Dipygus for fans of Autopsy, Impetigo, Undergang, Asphyx and Nuclear Death. But why not enter the jungle in search of "Bushmeat" and find out for yourself? The album was tracked at Darker Corners Studios, the new venture of Matt Harvey (Exhumed, Pounder, Gruesome) and Alejandro Corredor (Nausea, Pounder), ensuring utterly crushing sound. And with mixing by Earhammer Studios and mastering by Mammoth Sound, not to mention form-fitting cover art courtesy of Doug Camp, Dipygus' "Bushmeat" is guaranteed to be a grisly good time!
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death metal, Memento Mori
The highly anticipated 2nd full-length by this Canadian band. With beginnings in 2011, Altered Dead are a two-piece contributing to the tradition of early Death Metal with a simple and therefore genuine approach: no frills, filthy and raw, proudly influenced by the likes of Autopsy, Death Breath, Grave, Asphyx, Darkthrone, Unleashed, Exhumed and Carnage. Released in 2016, Altered Dead's debut album, simply self-titled, was a cornucopia of darkness and utter death. Twisted and gross riffs ripped alongside warring treads of percussion, with the accompaniment of scalded and bellowing dual vocals mangling the listener's mind. Similarly, lyrical themes revolved around physical and mental warfare, mutating human nature and imminent conflict and collapse. Currently residing in Esquimalt, on southern Vancouver Island, the duo have had numerous live performances and subsequently started work on their long-awaited 2nd full-length. At last it arrives, bearing the ever-fitting title "Returned to Life". Be forewarned, though, as there's no "Life Metal" here: only utter death, once again, and darkness eternal, of course. The strikingly sick and psychedelic cover art by Matt Sidney should give some clues as to where Altered Dead are coming from here: tendrils of slimy and viscous riffage rising from the muck to ensnare martial mid-tempo gallops and frequent detours into doomed-out despair. The sum effect is infinitely headbanging as it is scabrously sewer-dredging, but rest assured that Altered Dead place a premium on stridently classic songwriting as their aforementioned forebears did at the dawn of the 90's: hooks, line and sinking... into the primordial abyss! Thus, "Returned to Life" is both backwards-looking as well as inward-looking -as in inward into that very same abyss. And, it also bears re-emphasizing that Altered Dead are a duo; however, for only two people, the band create a world-eating sound far larger than their pared-down membership may convey on paper. Credit due to Loïc Fontaine for his clear and crushing mastering job at Krucyator Studio, France. Closing with a faithful cover of Celtic Frost's "Into the Crypts of Rays", Altered Dead deliver traditional Death Metal perfection with "Returned to Life".
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death metal, Memento Mori
The crushing debut full-length by this German Death Metal warmachine that was previously only available on vinyl/tape/digital since its April 2019 release. Minenfeld started as a rehearsal room project in summer 2016. They never intended to record anything, particularly no album. Actually they started the band as a drunken idea, born from their passion for old school Death Metal (most notably Bolt Thrower, Hellhammer and Beherit), but immediately got to play a show, so they were pretty much forced to write a few songs. Afterwards, they decided to record those songs, which led to the split w/ Kriegszittern. After another split w/ Cryptic Brood and the release of a promo tape in between splits, they decided to record their debut album, "The Great Adventure", at the Tonmeisterei Oldenburg studios in Autumn 2018, which was released by Fucking Kill Records (vinyl) and Lycanthropic Chants (tape). The band's topic of choice for the lyrics since day one has been WW1. The idea has always been to create music that captures this war in all its crudeness and primitivism, and sonically conjure up the mud, steel, blood and death in these battlefields. To achieve this, the music is heavy, rumbling, apocalyptic, grinding and thundering, accentuated by many original samples from those times: songs, speeches and excerpts from radio broadcasts, most especially taken from the U.S. propaganda after their entry into the war. The idea to contrast this propaganda of a "great adventure" that awaits on the other side of the world with the sad reality of war, where many searched for glory yet only found death, fascinated them and led them to write the album, and ultimately use that "great adventure" expression as the title. Utterly recommended for fans of Bolt Thrower, Asphyx, Hail Of Bullets, Just Before Dawn, Decaying, early Sacrilege...
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death metal, Memento Mori
The striking debut full-length by this U.S. band. Unearthed in Florida in early 2019 and comprised of past and current members of other impious hordes such as Gnosis and Devastator, Hexorcist summon old school and blasphemous Death Metal that may as well fall under the "proto-Death Metal" category, for their ferocious and relentless approach to the genre harkens back to the mid-to-late 80's, when all things extreme were still boiling in the same malignant cauldron and all boundaries were nothing but a blur that no diehard dweller of the underground gave a damn about. Hexorcist's aural and lyrical offering is uncompromising and exudes utter vileness, leaving no room for absolutely anything that could remotely be considered modern or trendy. And Hexorcist accomplish precisely that on their scathing debut album, "Evil Reaping Death". Ridiculously accurate in its title, "Evil Reaping Death" is exactly evil reaping death: steeped in the ancients, billowing sulfur, divebomb leads flying right and left, and the unhinged yet locked-in execution that can only come from true and total diehards. Not everything goes in Death Metal, and Hexorcist keep a closed mind when it comes to the Metal of Death. For them, the archaic ways of Morbid Angel, Necrovore, Sarcofago, Death, Incubus, Possessed, Vital Remains, Slayer and Peru's Mortem do not need to be messed with, only upheld, and uphold Hexorcist do here. No more but definitely no less, "Evil Reaping Death" is 666% maniacal Death Metal for Death Metal maniacs exclusively! With utterly ripping mastering courtesy of Loïc Fontaine at Krucyator Studio (France), and classically evil cover art courtesy of Art Militia, Hexorcist soundly erase 30 years of 'progression' with "Evil Reaping Death". Expel the flesh! Revere the sacrificial rites!
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12
death metal, Memento Mori
Official reissue of the debut full-length, originally released in 2019, by this U.S. band. Based in Minneapolis, Nothingness spew forth a brand of Death Metal that features crushing Death/Doom Metal sections that help build up a tense atmosphere, with a permanent focus on -and reverence to- the riff, and including a wide array of influences, such as Morbid Angel, Spectral Voice, Justin Broadrick, Rippikoulu, Incantation, Convulsing, Winterfylleth, Primitive Man, Suffocation and Profanatica. Aiming for universal heaviness filtered through the lens of Death Metal, and performed with respect for the history of extreme music, Nothingness are on a mission to forge a sound rooted in the ancient ways, yet also embracing more recent takes and experimentations; a sound that doesn't need to be defined by rigid genres, whose only goal is to be honest and heavy, and honestly just heavy. If anything, Nothingness is Death.
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12
melodic doom death metal, Relapse Records
Recorded on location at the Balcony, Philadelphia, PA Saturday, January 18, 2003 Limited Edition of 1000 copies
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12
dark ambient
Kuggur is a new musical entity and it's sole member Guðmundur Óli Pálmason is no newcomer to music, being currently active in Icelandic post-doom/black metal band Katla, as well as having been a founding member and drummer for twenty years in Sólstafir. Kuggur's music is of a new ilk though, being mostly electronic and ambient in nature, Guðmundur uses Kuggur to explore previously unvisited musical landscapes without any pre-set limitations. حصاد ضَوْءٌ النُّجُومِ (which translates to Harvesting the light of the stars) was inspired by conversations Guðmundur had with his Lebanese wife about the maybe not-so-obvious musical similarities between Middle Eastern folk music and Icelandic folk music. Both styles relay heavily on minor scales, which tend to sound melancholic. For reasons he can't explain, Guðmundur says he's always been drawn to melancholic music. With حصاد ضَوْءٌ النُّجُومِ Guðmundur tries to visualize his connection to both countries. All music and artwork by Guðmundur Óli Pálmason Mixed and mastered by Henry Barboza Translations and Arabic handwriting by Yara Zein
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12
avant-garde black metal
PERSONAL RECORDS is proud to present LE CHANT NOIR's highly anticipated second album, La Société Satanique des Poètes Morts, on CD format. Digital distribution will be handled by Blood Blast. Formed in 2016, LE CHANT NOIR arrived on the international metal map with single-minded purpose: deliver a grandiose statement of the majestic and macabre. And that's exactly what they did with their debut album, Ars Arcanvm Vodvm, in 2017. Then again, LE CHANT NOIR was hardly a "new" band, comprising as they do a veritable "supergroup" of the Brazilian underground: vocalist Lord Kaiaphas, well known for the classic albums of Norway's Ancient, Mad Grandiose Bloodfiends and The Cainian Chronicles, as well as Thokkian Vortex among others; guitarist Mantus AKA Marcelo Vasco, known for such bands as The Troops of Doom, Patria, and Mysteriis as well as being an acclaimed graphic artist for the likes of Slayer, Kreator, Machine Head, Soulfly, and Hatebreed; and the drummer Malphas, who's a bandmate of Vasco's in Mysteriis. At long last, LE CHANT NOIR deliver their second statement of the majestic and macabre: La Société Satanique des Poètes Morts. Building upon the firm foundation of its acclaimed predecessor, LE CHANT NOIR's second album threads together the darkest fibers of archaic black metal, doom metal, and even dark metal, arriving at a sort of avant-garde symphonic black metal that's simultaneously authentic throwback and refreshingly modern. Taken another way, immerse thyself in the chilling waters of La Société Satanique des Poètes Morts and one can imagine this sort of high drama slotting well alongside Rotting Christ, Bethlehem, and Arcturus during the late '90s - indeed, the very era where DARK METAL was in legitimate parlance. References or none, however, there's no disputing the spindly, spellbinding power of LE CHANT NOIR here, as their unsettlingly odd textures and vampiric, olde-worlde atmospheres easily transport the listener to centuries long ago and perhaps long forgotten, of French cabarets populated by aristocratic Satanists and those practicing medieval witchcraft. Simply, it's an entire sonic/psychic landscape unto itself, and one you'd be hard pressed to locate in today's metal scene. Bells toll, and fog rolls in. The symphony of the damned strikes its first chord. Casks of bloodiest vintage are cracked open. Tread warily into LE CHANT NOIR's La Société Satanique des Poètes Morts! credits
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12
funeral doom metal, Solitude Productions
International death/funeral doom metal act MESMUR have returned to release their fourth album, entitled “Chthonic”. The title is based on the Greek word for "underworld", and where the band's previous albums have explored themes of cosmic entropy and earthly apocalypse, “Chthonic” looks to the spirit world for its inspiration. Formed as a collection of paranormal horror tales, it speaks of fabled entities making contact through the veil of sleep, summoning prey to subterranean depths, or haunting a post apocalyptic landscape. Musically, the album continues the trajectory that MESMUR have established through previous works. Featuring viola and cello performances from Brianne Vieira and guest organ from Kostas Panagiotou of UK funeral doom act Pantheist (for whom Jeremy and John of Mesmur recently contributed guitars and drums on their 2021 record “Closer to God”), “Chthonic” strikes a careful balance between melody and dissonance as it displays its haunted imagery. Crushing doom riffs are overlain with ethereal synths and cavernous vocals to build a dark and vivid atmosphere, and the intricate compositions utilize a narrative approach influenced as much by 70's progressive rock as by extreme doom metal. Like the band's previous two releases, the album features beautifully eerie and vibrant cover art from Ukrainian painter Vladislav Cadaversky.
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12
atmospheric black doom metal, folk ambient, Ksenza Records
special edition limited digipak to 70 copies
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11
martial
Tracklist: 1 Orientation 10:12 2 Autorité Spirituelle Et Pouvoir Temporel 4:56 3 Les Compagnons Secrets Du Général De Gaulle 10:34 4 L’Epée De Justice Et...
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11
post rock
Tracklist: 1 Evolution 1 2 Evolution 2 3 Evolution 3 4 Evolution 4 5 Evolution 5 6 Progress 1 7 Progress 2 8 Progress 3 9 Progress 4 10 Progress 5...
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11
funeral doom metal, GS Productions
Tracklist: 1 Funeral Procession 13:40 2 Ashes To Ashes, Dust To Dust 17:10 3 Winter Sacrament 20:35
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11
traditional doom
Tracklist: 1 The Dissection Of An Evil Mind 2 Spiritual Disaster 3 Epitaph 4 Behind The Door 5 Nyarlathotep (Harvester Of Souls) 6 A Future So Dark 7...
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11
black metal
Tracklist: 1 Brutal Destruction 5:24 2 I Need Enemies 6:28 3 Torment Dominator 8:17 4 Man Slayer 5:38 5 Barbarian Steel 5:47 6 Corpse 5:47 7 Veincut Exctasy...
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11
black / thrash metal
Tracklist: 1 Doomed to Encirclement 2 This is War 3 Killed, Wounded and Missing 4 Horizon of Destruciton 5 Fury of the Enemy 6 Incendiary Bombs of Ruin...
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11
doom death metal, Aesthetic Death
Fatum Elisum plays doom death metal in the old way, without keyboards or female vocals. The band is inspired by My Dying Bride, Paradise Lost, Anathema, Cathedral, Saint Vitus, Mourning Beloveth, Evoken, Ataraxie, Indesinence, Deinonychus, Bethlehem, Shining, Silencer, Hellhammer and Celtic Frost; and by these following literary references: Antonin Artaud, Cioran, William Blake, the Coran, the Bible, Bardo Thodol, Charles Beaudelaire, Lautr_amont, Fran_ois Villon, Joachim Du Bellay, Nietzche and Schopenhauer.
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11
progressive rock
Tracklist: 1 Krunching Down 2 Year Ram 3 Mad Airpunch
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11
sludge doom
Tracklist: 1 The Supreme Moment 6:57 2 Let Sleeping Corpses Die 6:15 3 Only The Strong Can Survive 3:27 4 Black Hearts Will Break 5:01 5 The Great Work 0:47...
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11
darkwave
Tracklist: 1 Ouvertüre 3:54 2 Schatten Der Nacht 5:51 3 Albatros 8:16 4 Orthosia 1:13 5 Nostalghia 7:15 6 Krumme Schatten Im Stummen Muster 5:08 7 Hommage...
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11
traditional doom
Tracklist: 1 Sown Are The Seeds Of Doom 8:03 2 Atonement For The One 7:37 3 The Grand Act 5:12 4 Agonies Be Thy Children 7:55 5 Keep Wandering The Night...
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11
traditional doom
Tracklist: 1 Nosophoros 8:47 2 The Conqueror Worm 6:58 3 At The Birth Of The Human Shadow 6:56 4 My Home The Gallows 11:24 5 Cathedral Of Doom 6:59 6 Cold...
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