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The Chapter - Angels & Demons (CD)

12

gothic doom metal

Jewel case version

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Bonesaw - Local Death Metal (CD) Digipak

12

death metal

Digipak

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Barús - Drowned (CD)

12

progressive death metal, Memento Mori

The jaw-dropping debut album by this French band. Hailing from Grenoble, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l'Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title "Drowned", this is a bolt-from-the-blue work of unimaginable vision and towering might. Indeed, the term "βαρύς" evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric -but, above all, completely and totally visceral- approach to Death Metal. Call it an alchemy of sorts, but "Drowned" presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into Black and Doom Metal territories -and effortlessly, at that- all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants and everything in between. Truly, it's a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting, to literally drown in the enormity they lay bare for the helpless listener. Drowned indeed! We don't usually dip our toes into "progressive" or "post" waters, favoring the musty odor of vintage Death Metal. However, when presented with Barús' "Drowned", we couldn't help but submit to their visionary onslaught on the senses. So, while we could describe them as "Autopsy reinterpreted by Meshuggah" or "Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate's instruments," we're confident Barús should definitely appeal to fans of such daring bands as Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars and Chaos Echoes. Featuring 9 songs in a vast yet time-evaporating 56 minutes, the production on "Drowned" is absolutely stellar. It was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording and additional reamping done at Octavox Studio, while mixing and mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen Wilson, Barús' "Drowned" is this year's dark-horse classic in the making!

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Ravenous Death - Chapters Of An Evil Transition (CD)

12

death metal, Memento Mori

The striking debut full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including 5 songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled "Chapters of an Evil Transition". Indeed displaying the band's transition into an evil Death Metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of 90's Metal of Death. Fucking fashion and trends and especially fickle tastes, "Chapters of an Evil Transition" is a gutsfucking time-warp to the days when Death Metal was supposedly "dead", lost in favor of Black Metal, Power Metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw and righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader and Finland's Demigod. No more but definitely no less, this is Death Metal by and for Death Metal maniacs: no bullshit and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you "Chapters of an Evil Transition"!

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Ruin - Drown In Blood (CD)

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death metal, Memento Mori

The long-awaited debut full-length of this U.S. band. Not much is known about the anonymous aural torturers known as Ruin. The small amount of information that we do know is that the band was formed back in 1991, somewhere in the United States. Due to various members of the band being incarcerated and institutionalized, Ruin was disbanded at some point later that year. Rumors have also swirled that the band members were/are part of some sort of cult. Now free from any obstacles, the Ruin Death Metal machine was re-started again in 2015, and work began in earnest for what was to become their debut album (at last!), "Drown in Blood". With roots firmly planted in utter and complete musical devastation, Ruin's sonic debauchery is mean, vicious, spiteful, raucous, and sickening Death Metal. Shit-heavy and strewn with shit, their long-brewing "Drown in Blood" is pure and utter ugliness enriched with doomed-out passages, crusty tempos, and sudden blasts that are meant to turn your stomach without care. Vile and viscous, filthy and foul, the influences seem to come from some sort of bastard child spawned from Hellhammer covers being slammed out by Realm of Chaos-era Bolt Thrower taking place in the jam room of Finnish sickos Abhorrence in 1989: that's how heavy and crushing their stuff is, offering no remorse and no escape for the helpless/hapless listener. That's how you Drown in Blood, y'know? If you're a fan of putrid old school Death Metal and the aforementioned bands as well as Sweden's Crematory, Rottrevore, Undergang, Demigod, Rippikoulu, Autopsy and Cianide, then you will put Ruin in the same puke-infested bucket. Memento Mori unleashes "Drown in Blood" on CD format, and toilets the world over will cower in fear! Mastered by Ted Tringo at The Ancient Way Mastering (U.S.A.). Cover art and layout by César Valladares.

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Dead Conspiracy - Dead Conspiracy (CD)

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death thrash metal, Memento Mori

The sophomore full-length album of the cult U.S. band Dead Conspiracy. Formed in 1986, Dead Conspiracy is to this day considered by many as a pioneer and influence to Death/Gore Metal bands worldwide. Originally released on vinyl, tape and digital in November 2016, "Dead Conspiracy" features 9 tracks of the band's trademark Thrash Metal-edged, Punk-infused, evil-minded, vicious and unadulterated savagery that should definitely appeal to fans of other primal and unrefined Death Metal acts that helped shape the genre in the 80's, such as Nunslaughter, Necrophagia, Mantas/Death, Master, Incubus, Possessed, Deceased, Autopsy/Abscess, Terminal Death, Massacre, Exmortis, Repulsion, Slaughter, N.M.E... The vocals drip with devilish flare, the bass is clear and punchy, guitars are treble and sound like scythes, and drums sound like they were recorded on a low-budget in the best way. There are no tricks here, just raw skill and Metal. "Dead Conspiracy" is a powerful album, even after many repeated listens. It displays everything you need old school Death Metal to display: bone-crunching riffs, pounding breakdowns and speed delivered with anger, atmosphere and energy by a band that’s riddled with acrimonious motivation and a burning passion for the genre. So dig up your favorite cadaver to sit with while you get kick your ears kicked in, for the deadliest have now returned!!!

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Fossor - Emergin From The Abyss (CD)

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death metal, Memento Mori

For the first time ever on CD format, here comes an official reissue of the obscure and solitary demo of the old Spanish band Fossor, originally released on tape back in 1994. Fossor first burst into the Spanish underground Death Metal scene back in August 1993, in the small northern town of Logroño. It came into being as a spin-off from the first two Aposento line-ups, another legendary then Spanish band and local pioneers of the genre. Their music approach was logically rooted in the soundings of the genuine and still effervescing international Death Metal scene, taking their cues from the ancient Florida sound (Obituary, Massacre and most specifically "Leprosy" and "Spiritual Healing" era Death) and the European tradition of bands such as Benediction, Entombed, Asphyx, Grave and Gorefest. Despite the lack of a proper distribution and promotion, "Emerging from the Abyss" would end up gaining some recognition within the underground domestic ranks and also positive reviews in places remote as Asia and other European countries, including the insertion of the song "The Bastard Son of God" on the 1995 compilation "Sometimes... Death is Better II" put out by the Belgian label Shiver Records. A truly unmissable gem of the 90's underground and happily exhumed at last, this very special reissue of "Emerging from the Abyss" was mastered by Dan Lowndes (of Cruciamentum fame) at his own Resonance Sound Studio in the U.K., and features brand new artwork by Raul Fuentes (a.k.a. Mortuus) as well as a fully detailed bio-interview conducted and compiled by David Bleak (Bleak 'zine).

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Pile Of Excrements - Escatology (CD)

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death thrash metal, Memento Mori

The loathsome debut full-length from this Greek band. Hailing from Athens, Pile of Excrements was crapped into existence when drummer Shit Eater (Necrovorous, Embrace of Thorns, Chainsaw) joined forces with guitar/bass-player and vocalist Necropervert (Nightbreed, Chainsaw) with the vile intention of delighting the listener with the aural equivalent of the nauseating stench of one hundred drains clogged with foul-smelling turds and urine. And as the title of their debut album promises, "Escatology" is exactly that! Pile of Excrements began clogging sewers last year with the Demo 2016 tape. In no uncertain terms, the duo laid bare their divinely depraved musical influences -Autopsy/Abscess, Pungent Stench, Master, Impetigo, Blood, Necrophagia, Mantas/Death, Carcass, Cianide, Massacre and Hellhammer- and completed it with a compulsive obsession with slasher/gore B-movies, shit of all kinds and high-cholesterol food. But, that demo was but a mere appetizer for the filthy feast to follow in "Escatology"! From the very first second "Bowel Rampage" shits itself into existence, it's crystal-clear these refined and suave Greek gentlemen are all about the FILTH in capital -and gushing- letters. From there, the foulness just starts flowing, one rough and rancorous rush after another. Indeed, Pile of Excrements pile high the punk-rocking hooks so crucial to early Death Metal -that is, the original template laid out by the aforementioned masters- and keep the crush coming. It's 15 almost-anthems in a tight and taut 40 minutes, but it's not all short/sharp/shocked: on the six-minute "Cult of the Unibrow", the duo go relatively epic whilst keeping the emphasis on the filth... where it should be! Featuring fittingly gross cover art by Raul Fuentes (a.k.a. Mortuus) and mastering by Cruciamentum's Dan Lowndes, Pile of Excrements make "Escatology" a masterclass in musical depravity!

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Rotheads - Sewer Fiends (CD)

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death thrash metal, Memento Mori

The long-awaited debut full-length from this Romanian putrid ensemble. Rotheads was formed in Bucharest back in 2014 as an old-school Death Metal side-project to the experimental Doom/Noise/Stoner-improv band Keeng Ra'at; both bands contained the same three members. By 2015, five songs were written, and recordings began in December of that year. Ultimately, six songs (plus intro and outro) came out in April 2016 as the "Unfazed by Death" demo, which turned out to be a remarkable, sick trip into the bowels of murky and foul-smelling Death Metal. In the meantime, another guitarist joined the band, and the original bassist left and rejoined later on. The original drummer and vocalist also left the band in August, and another drummer has since joined, while the vocals are now handled by the original guitarist. Rotheads have played only a few times live, the most memorable being two gigs around Romania with the legendary Sadistic Intent. "Aptly fucking titled" is an understatement when it comes to "Sewer Fiends". Here, Rotheads take their aggregate influences -particularly from the classic early 90's Finnish scene (Abhorrence, early Sentenced, Demigod, Depravity), as well as other timeless crypt dwellers such as Autopsy, Incantation, Carnage, Accidental Suicide, Grave and Asphyx- and proceed to create a mesmerizingly murky 'n' moody work with their debut album. The sewage is piled high and plentifully, as foul 'n' fetid riffs flow fast and freely, but always with a clearly discernible direction; after all, Rotheads are firmly grounded in the timeless songwriting style of old school Death Metal, where feeling and texture are paramount over technique and other flashy wank. And those riffs continue to roll ever forward, malevolently and majestically, just like a (filth-strewn) tank. And yet, amidst all this crunch and carnage lay a layering of eerie melody atop, evoking fresh crypts opening slowly or the tension of wandering further into tomb-like sewers. Indeed, Rotheads are as aptly named as their album is titled, and we dare you to emerge from their moldy embrace completely clean... There's just no way to wash off this horror! As an appetizer, just stare deeply into Cesar Valladares' cryptic cover art. And, with mixing and mastering courtesy of Javier Felez at Moontower Studios, it's all but guaranteed that Rotheads' "Sewer Fiends" will be one of the best (if not THE BEST) Death Metal debuts of the year!

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Damnatory - The Complete Disgoregraphy 1991-2003 (CD)

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death metal, Memento Mori

A CD that compiles the body of work of this old, obscure Swiss Death Metal band. "The Complete Disgoregraphy 1991-2003" features the "The Persistence of Archaic Dogma..." demo (1991), the "In My Darkest Vision..." promo (1991), the "Hybridized Deformity" EP (1992), the "Docta Ignorantia" EP (1993) and the "The Second Side of the Coin..." demo (2003). To depict Damnatory's own brand of Death Metal ain't no simple task, for it encapsulates a number of different features and influences, namely the grinding brutality of early Pungent Stench, the fondness for intricacy of early Disharmonic Orchestra, the rawness and the filth of early Grave, and the uncanniness of Mangled Torsos, molding a Death Metal mongrel that bounces back and forth from sick tremolo-picked riffs, to thrashy headbanging sections and to slow, doomish passages. The casket has yet again been opened for all zealots of the early 90's undeground Death Metal to inhale the odor of the lifeless ones! All songs restored and mastered by Patrick Engel (of Hatespawn fame) at Temple of Disharmony, Germany. Artwork and layout by Marco Gemmet, the band's vocalist on the 1992 EP and the 2003 demo.

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The Fog - Perpetual Blackness (CD)

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death doom metal, Memento Mori

The outstanding debut full-length from this up and coming German band. Formed back in early 2014 by seasoned devotees of the German underground (featuring past and present members of bands such as Beyond and Nocturnal), this three-headed beast spreads an aural plague in the form of primal, decayed, malevolent, venomous, eerie and crawling Death/Doom Metal with extremely rotten vocals that sound like desperate yells being vomited forth, and a gloomy atmosphere that reeks of mouldy crypts, nocturnal fears and god-forsaken places, very much influenced by ancient entities such as Goatlord, Delirium, Hellhammer, Necro Schizma, Winter, early Asphyx and Autopsy. Finished up with a solid mastering work (courtesy of Ted Tringo at The Ancient Way Mastering, U.S.A.) that enhances the morbidity of their sound, and the bleak artwork crafted by the German artist known as Misanthropic Art, "Perpetual Blackness" is an unquestionable tribute to all things uncanny and putrescent.

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Black Flame - Necrogenesis: Chants From The Grave (CD) Digipak

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occult black death metal, Dusktone

Active since late '90 Black Flame is one of the most important occult black death metal band in italy. "Necrogenesis: Chants From The Grave" is the sixth full-length album released on Dusktone and represents the highest peak of their career offering eight tracks of an indescribable violence, technique and darkness in music. Although those tracks are shot through with moments of dark majesty and crushing black death metal riffage, BLACK FLAME's sound is about as extreme and as technical as it gets within the realm of extreme music, with tendency towards total sonic overload that'll test the most ardent necro and satanic-addicts This new album has moved deeper into stranger and more sharp realms of demonic death metal, this is seriously heavy stuff and ain't no fun, that's for sure. Fans of most radical sounds will find much to enjoy here. All others, beware... It has been recorded by Federico Pannazzato (Death SS) at the Music Ink Studios (already producers of the last album of Official Opera IX) Comes in a 4-panel Digipak with booklet.

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Kvalvaag - Seid (CD) Digipak

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black metal, Dusktone

“Seid” is the third studio album of norwegian black metallers KVALVAAG. It`s more aggressive but at the same time more diverse and unpredictable than our previous albums The unmistakable style of the Norwegian duo will take you in very cold atmospheres, impetuous rides and clearly epic parts. The atmosphere reminds the previous Malum album, but there is a lot more going on at all times. Haunting atmospheric touches and violent rhythmic elements produce something far bleaker and more unsettling than anything else. Kvalvaag has this to say about the new album: “When I started working on the new material, I wanted to surpass our previous work in every way possible. Much more time, effort and better equipment were used compared to our earlier works this time. We also received financial support from “Norsk fond for utøvende kunstnere” who gave us the ability to give the album the production it deserved. It was awesome working with Tom Kvalsonic as he is the man behind the sound of many of the albums we grew up with. He completely understood our vision and significantly raised the quality of the album. I feel we have successfully raised the bar as high as possible this time. We had to evolve a lot as musicians to be able to perform our parts during the recording. It has been a educational journey with a lot of hard work and technical challenges in the studio, but I am really satisfied with the end result and our musical progression”. Digipak CD.

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Dinner Auf Uranos - 50 Sommer - 50 Winter (CD)

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avantgarde rock, Cold Dimensions

Треклист: 1 6786 8:09 2 Zwischen Dem Salz Und Montpellier 7:02 3 Texas Della Morte 3:19 4 Frost 1 1:26 5 Töte Das Jahr Für Mich 22:30 6 Frost 2 3:01

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Maeskyyrn - Interlude (CD) Digipak

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depressive black metal, Hypnotic Dirge Records

Maeskyyrn is a black metal entity born of Montreal, Quebec, in 2017. It released a first demo, “Thoughts Of Shattered Dreams,” in January 2018, and assembled as a live band. On October 17, 2019, the sky will turn black as Maeskyyrn prepares to reveal Interludes, their first full length, to the mortal world. With its raw guitars and tortured screams, the full band’s aesthetic is reminiscent of the second wave of black metal. But deep under its charcoaled skin, Maeskyyrn takes advantage of modern technologies, as can be seen in the drum recording, overall production, and layers of discrete background synth. Indeed, as the album title suggests, Maeskyyrn brings forth a number of atmospheric interludes, thus pacing the album with brief uncomfortable moments of respite, before dragging you into the darkest pits with a series of long, punishing tracks. The end result is a traditional but highly unorthodox black metal album, with hints of eclecticism that reveal themselves and grows on you upon each listen, slowly rotting you to the core. This album will appeal to fans of black metal in general, but also to those who have been following Hypnotic Dirge Records since its very first inception. The label is proud to add Maeskyyrn’s Interlude to a long tradition that also includes classic black metal albums from bands like Silent Path, Neige et Noirceur, Funeral Fornication, and Obsidian Tongue.

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Wills Dissolve - The Heavens Are Not On Fire... (CD) Digipak

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progressive post metal, Hypnotic Dirge Records

“The Heavens Are Not On Fire...is the debut album from Wills Dissolve, a progressive death metal band from Houston, TX. Equally atmospheric and aggressive, this album weaves its concept (“a meditation on religion, violence, and cosmic chaos”) through seamless, satisfying transitions between ambient and bold passages. Led by masterfully executed drum grooves and finished with blazing, melodic leads and crushing vocals, Heavens… is progressive, but never wandering. Although one can certainly recognize influences both named by the band (Opeth, Katatonia, Ihsahn) and surprising (Rotting Christ, In Vain, Kozeljnik, November’s Doom), nothing about this spectacular debut is derivative. The production is clean and balanced, perfectly restrained, allowing each element to shine through organically. The Heavens Are Not On Fire… transports the listener to The Great Meteor Storm of 1833, an event erroneously interpreted by North American Christians as the biblical apocalypse and later recognized as the beginning of a critical shift towards a secular understanding of celestial phenomena. Lyrically and musically, Wills Dissolve’s debut is worth the many listens it takes to appreciate its authenticity and originality. “No More Sanctity!”

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Nachtterror - Judgement (CD) Digipak

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symphonic black metal, Hypnotic Dirge Records

However, Nachtterror - throughout the bulk of their existence - has been building and refining their debut concept album “Judgement” with songwriting for the album dating back to 2008. Previous renditions of songs from Judgement have appeared on past releases but Judgement as an aggregate entity has never been revealed – until now. Judgement, the amalgamation of Nachtterror’s universe is now ready for release. The album presented as a 6 panel digipack with nine tarot cards included, specifically conceived of and painted by guitarist and artist Lord Maelkleth (Eric Escott), to convey the story behind each track on the record. Metaphorically, this album is about embracing the negative aspects of the self and making the decision to become a god, or be destroyed by it. "Judgement is a black mirror, allowing its listener to view their own dark truth. It is a story of the power of self; embracing or succumbing to its desires and fears." - Erik "Saint Wikk" Labossiere

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Kassad - London Orbital (CD) Digipak

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black metal, Hypnotic Dirge Records

Combining abrasive and gritty black metal with hallucinatory ambience and spiralling postrock intricacy, Kassad’s name is synonymous with misery, futility, and madness of modern urban life. "London Orbital", the new album, centers around modern urban living and looks to a near future of megacities where the city itself is a personified, malevolent being where human empathy and culture have been replaced by artificial intelligence. The artist adds: "I wanted to create music for an imagined, future London - one where the city’s monoliths of glass and concrete have come alive to assert their malevolent control over the millions of people that live and toil amongst them. Workers travel in the vast shadows of these buildings, in the tunnels and transport systems that snake below or in the briefest snatches of sun that are yet to be blacked out. If you tilt your head and look at the city just right, you can already see the light starting to turn to darkness."

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Barkasth - Hear My Void (CD) Digipak

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black metal, Ashen Dominion

comes in digipak

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Woburn House - Message To Ourselves Outside The Dreaming Machine (CD) Digipak

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atmospheric sludge metal

Released in digipak format in an edition of 500. Mixed and mastered at Soundsight Studio, winter - spring 2006. Total playing time 54:33.

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Fungoid Stream - The Winds Among The Stars (CD) Digipak

12

ambient funeral doom metal, GS Productions

digipak

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Hovmod - Doedsformasjon (CD)

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black metal, Dusktone

Norway’s cold Black Metal act HOVMOD arise at their debut full length studio album, “Doedsformasjon”, which has been released in winter 2019 on Dusktone. Formed in Toten, Norway, HOVMOD is one of the seven deadly sins, and it represents aggression, rage, pride and the opposite of humility- something that reflects in HOVMOD’S music in the upcoming debut album “Doedsformasjon” that has been released in both CD and Vinyl format. Expect a thick and impenetrable blanket of cold northern fog that becomes sound, this grim graveyard of straight nowegian black metal is some of the creepiest music that Dusktone has released so far.

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Flukt - Darkness Devour (CD)

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black metal, Dusktone

Flukt perform harsh and cold Norwegian Black Metal. The music has clear reference to the oldschool Black Metal sound made infamous by the Norwegian Black Metal scene in the early 90s. The music has is aggressive and have a violent drive where the main focus is to create atmosphere. The unique thing with Flukt is the way dynamics is approached. Even when the music is fast, and harsh. Flukt is never afraid to mellow things down in slower passages and more groove oriented songs. FLUKT is a raw oldschool Black Metal band hailing from Vennesla, Norway. The band was launshed during the fall of 2014 but from the dark mood and the aggression in the music, every metalhead will get a flashback to the good old days of Norwegian Black Metal in the 90s. Their debut Ep «Holocaust» was released through SkyBurnsBlack Records in the winter of 2015. Late november 2017 the seven inch vinyl single «Fortapelse» was released by NordicMission Production. Flukt has performed several live shows in Norway and Sweeden. Like on the legendary Inferno Metal festival in Oslo, NordicFest and at the John Dee club.

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Taur-Im-Duinath - Del Flusso Eterno (CD)

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black metal, Dusktone

“Del Flusso Eterno” is a spiritual journey embracing the circularity of the Universe and its forces of destruction and creation. The human condition, spiritually barren, is represented by a waste land. Facing an eternal winter, men hinder the rebirth of a new cycle of life. Negating motion and changes, an unnatural stillness takes hold of body and spirit. We lack the energy and the will to break this staticity. But hope is not forlorn, there is only to kindle the embers and set aflame the pyre. A sacrifice is needed to return to the Earth, to re-ensablish the long forgotten link to Macrocosm. We have to lose ourselves, sacrifice ourselves to ourselves. Sublimating our identity in the Infinity we may reborn.

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E-an-na - Nesfârşite (CD) Digipak

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folk metal, Sound Age Productions

digi-pack with 24 pages booklet

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Grailight - Sic Luceat Lux!!! (CD) Digipak

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symphonic black metal, Sound Age Productions

Ltd. edition digi-pack with booklet

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ВеданЪ КолодЪ - Волчья Тропа (CD) Digipak

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authentic folk ambient, FireStorm Production

Comes in 4-panel Digipak with 16-page booklet

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Caskets Open - Concrete Realms of Pain (CD)

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doom metal, Nine Records

Although their spectrum of influences is wide, Helsinki's Caskets Open still identify themselves as a doom metal band. Top-notch crushing heavy metal riffs and hardcore punk bursts are sewn together with their trademark DIY blue collar approach and innovative songwriting. Their fourth full-length album "Concrete Realms of Pain" is a 46 minutes long testament of a band in its prime.

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The River - Vessels Into White Tides (CD)

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doom metal, Nine Records

The band’s third album, Vessels Into White Tides, brings new colours to their musical palette, taking the music through greater peaks & valleys than before. The multi-instrumental nature of the songs helps to explore & push the sound into a richer, more varied & ultimately more mature form without ever sacrificing their heavier roots.

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Monasterium - Church Of Bones (CD)

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heavy doom metal, Nine Records

Monasterium is a Polish band founded in 2014 and dedicated to epic heavy/doom metal. All members of the brotherhood are experienced musicians sharing passion, common vision and belief in the power of traditional metal. These virtues have brought them to their eponymous first full length album released in May 2016 by No Remorse Records. “Monasterium” won critical acclaim of the metal underground and was promoted live at the highly esteemed European metal festivals: Hammer Of Doom, Up The Hammers, Malta Doom Metal Festival, Doom over Vienna and Seeds of Doom. Their sophomore album, “Church Of Bones”, released via Nine Records. While offering a broad variety in the songwriting, all eight anthems are the worship of the classic sound and stand tall in the fight for true metal . Additionally, the new album features a special guest appearance by Leo Stivala from the Maltese doom masters Forsaken.

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