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12
death thrash metal, Memento Mori
The long-awaited debut full-length from this Romanian putrid ensemble. Rotheads was formed in Bucharest back in 2014 as an old-school Death Metal side-project to the experimental Doom/Noise/Stoner-improv band Keeng Ra'at; both bands contained the same three members. By 2015, five songs were written, and recordings began in December of that year. Ultimately, six songs (plus intro and outro) came out in April 2016 as the "Unfazed by Death" demo, which turned out to be a remarkable, sick trip into the bowels of murky and foul-smelling Death Metal. In the meantime, another guitarist joined the band, and the original bassist left and rejoined later on. The original drummer and vocalist also left the band in August, and another drummer has since joined, while the vocals are now handled by the original guitarist. Rotheads have played only a few times live, the most memorable being two gigs around Romania with the legendary Sadistic Intent. "Aptly fucking titled" is an understatement when it comes to "Sewer Fiends". Here, Rotheads take their aggregate influences -particularly from the classic early 90's Finnish scene (Abhorrence, early Sentenced, Demigod, Depravity), as well as other timeless crypt dwellers such as Autopsy, Incantation, Carnage, Accidental Suicide, Grave and Asphyx- and proceed to create a mesmerizingly murky 'n' moody work with their debut album. The sewage is piled high and plentifully, as foul 'n' fetid riffs flow fast and freely, but always with a clearly discernible direction; after all, Rotheads are firmly grounded in the timeless songwriting style of old school Death Metal, where feeling and texture are paramount over technique and other flashy wank. And those riffs continue to roll ever forward, malevolently and majestically, just like a (filth-strewn) tank. And yet, amidst all this crunch and carnage lay a layering of eerie melody atop, evoking fresh crypts opening slowly or the tension of wandering further into tomb-like sewers. Indeed, Rotheads are as aptly named as their album is titled, and we dare you to emerge from their moldy embrace completely clean... There's just no way to wash off this horror! As an appetizer, just stare deeply into Cesar Valladares' cryptic cover art. And, with mixing and mastering courtesy of Javier Felez at Moontower Studios, it's all but guaranteed that Rotheads' "Sewer Fiends" will be one of the best (if not THE BEST) Death Metal debuts of the year!
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12
death thrash metal, Memento Mori
The loathsome debut full-length from this Greek band. Hailing from Athens, Pile of Excrements was crapped into existence when drummer Shit Eater (Necrovorous, Embrace of Thorns, Chainsaw) joined forces with guitar/bass-player and vocalist Necropervert (Nightbreed, Chainsaw) with the vile intention of delighting the listener with the aural equivalent of the nauseating stench of one hundred drains clogged with foul-smelling turds and urine. And as the title of their debut album promises, "Escatology" is exactly that! Pile of Excrements began clogging sewers last year with the Demo 2016 tape. In no uncertain terms, the duo laid bare their divinely depraved musical influences -Autopsy/Abscess, Pungent Stench, Master, Impetigo, Blood, Necrophagia, Mantas/Death, Carcass, Cianide, Massacre and Hellhammer- and completed it with a compulsive obsession with slasher/gore B-movies, shit of all kinds and high-cholesterol food. But, that demo was but a mere appetizer for the filthy feast to follow in "Escatology"! From the very first second "Bowel Rampage" shits itself into existence, it's crystal-clear these refined and suave Greek gentlemen are all about the FILTH in capital -and gushing- letters. From there, the foulness just starts flowing, one rough and rancorous rush after another. Indeed, Pile of Excrements pile high the punk-rocking hooks so crucial to early Death Metal -that is, the original template laid out by the aforementioned masters- and keep the crush coming. It's 15 almost-anthems in a tight and taut 40 minutes, but it's not all short/sharp/shocked: on the six-minute "Cult of the Unibrow", the duo go relatively epic whilst keeping the emphasis on the filth... where it should be! Featuring fittingly gross cover art by Raul Fuentes (a.k.a. Mortuus) and mastering by Cruciamentum's Dan Lowndes, Pile of Excrements make "Escatology" a masterclass in musical depravity!
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12
death metal, Memento Mori
For the first time ever on CD format, here comes an official reissue of the obscure and solitary demo of the old Spanish band Fossor, originally released on tape back in 1994. Fossor first burst into the Spanish underground Death Metal scene back in August 1993, in the small northern town of Logroño. It came into being as a spin-off from the first two Aposento line-ups, another legendary then Spanish band and local pioneers of the genre. Their music approach was logically rooted in the soundings of the genuine and still effervescing international Death Metal scene, taking their cues from the ancient Florida sound (Obituary, Massacre and most specifically "Leprosy" and "Spiritual Healing" era Death) and the European tradition of bands such as Benediction, Entombed, Asphyx, Grave and Gorefest. Despite the lack of a proper distribution and promotion, "Emerging from the Abyss" would end up gaining some recognition within the underground domestic ranks and also positive reviews in places remote as Asia and other European countries, including the insertion of the song "The Bastard Son of God" on the 1995 compilation "Sometimes... Death is Better II" put out by the Belgian label Shiver Records. A truly unmissable gem of the 90's underground and happily exhumed at last, this very special reissue of "Emerging from the Abyss" was mastered by Dan Lowndes (of Cruciamentum fame) at his own Resonance Sound Studio in the U.K., and features brand new artwork by Raul Fuentes (a.k.a. Mortuus) as well as a fully detailed bio-interview conducted and compiled by David Bleak (Bleak 'zine).
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12
death thrash metal, Memento Mori
The sophomore full-length album of the cult U.S. band Dead Conspiracy. Formed in 1986, Dead Conspiracy is to this day considered by many as a pioneer and influence to Death/Gore Metal bands worldwide. Originally released on vinyl, tape and digital in November 2016, "Dead Conspiracy" features 9 tracks of the band's trademark Thrash Metal-edged, Punk-infused, evil-minded, vicious and unadulterated savagery that should definitely appeal to fans of other primal and unrefined Death Metal acts that helped shape the genre in the 80's, such as Nunslaughter, Necrophagia, Mantas/Death, Master, Incubus, Possessed, Deceased, Autopsy/Abscess, Terminal Death, Massacre, Exmortis, Repulsion, Slaughter, N.M.E... The vocals drip with devilish flare, the bass is clear and punchy, guitars are treble and sound like scythes, and drums sound like they were recorded on a low-budget in the best way. There are no tricks here, just raw skill and Metal. "Dead Conspiracy" is a powerful album, even after many repeated listens. It displays everything you need old school Death Metal to display: bone-crunching riffs, pounding breakdowns and speed delivered with anger, atmosphere and energy by a band that’s riddled with acrimonious motivation and a burning passion for the genre. So dig up your favorite cadaver to sit with while you get kick your ears kicked in, for the deadliest have now returned!!!
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12
death metal, Memento Mori
The long-awaited debut full-length of this U.S. band. Not much is known about the anonymous aural torturers known as Ruin. The small amount of information that we do know is that the band was formed back in 1991, somewhere in the United States. Due to various members of the band being incarcerated and institutionalized, Ruin was disbanded at some point later that year. Rumors have also swirled that the band members were/are part of some sort of cult. Now free from any obstacles, the Ruin Death Metal machine was re-started again in 2015, and work began in earnest for what was to become their debut album (at last!), "Drown in Blood". With roots firmly planted in utter and complete musical devastation, Ruin's sonic debauchery is mean, vicious, spiteful, raucous, and sickening Death Metal. Shit-heavy and strewn with shit, their long-brewing "Drown in Blood" is pure and utter ugliness enriched with doomed-out passages, crusty tempos, and sudden blasts that are meant to turn your stomach without care. Vile and viscous, filthy and foul, the influences seem to come from some sort of bastard child spawned from Hellhammer covers being slammed out by Realm of Chaos-era Bolt Thrower taking place in the jam room of Finnish sickos Abhorrence in 1989: that's how heavy and crushing their stuff is, offering no remorse and no escape for the helpless/hapless listener. That's how you Drown in Blood, y'know? If you're a fan of putrid old school Death Metal and the aforementioned bands as well as Sweden's Crematory, Rottrevore, Undergang, Demigod, Rippikoulu, Autopsy and Cianide, then you will put Ruin in the same puke-infested bucket. Memento Mori unleashes "Drown in Blood" on CD format, and toilets the world over will cower in fear! Mastered by Ted Tringo at The Ancient Way Mastering (U.S.A.). Cover art and layout by César Valladares.
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9
drone doom / post metal, Slow Burn Records

Новый релиз Шишкин Лес "Универс" находится на стыке жанров drone doom и post metal, диск вышел накануне их большого тура осенью 2019 года. Каждое музыкальное движения более чем получасового монолитного трека будет отдаваться в вашем теле, а женский вокал заставит отбросить все мысли и медитативно наблюдать за разрастающимся внутри космосом.

Оформление соответствует специфическому характеру их музыки: спокойная и величественная атмосфера раскрывается убедительной и отчасти печальной мощью, как спящий лес - внутренностями, оголёнными нервами корней.

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8
drone doom / post metal, Slow Burn Records

"Материя", первая запись группы "Шишкин Лес", сделанная летом 2015 года, впервые издается в формате CD. В основе музыки – смесь различных жанров от drone doom до ambient вкупе с женским вокалом.

Обложка альбома выполнена по формуле 4х4: квадрат повторяется 4 раза, возводя простую чёрную землю (материю) в степень первоосновы - старта творчества группы и, вероятно, чего-то большего…

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11
doom death metal, Aesthetic Death
Wonderful debut from French cavernous death metal act - EPITAPHE Claustrophobic, oppressive, doom-tinged death metal As heavy as Dead Congregation, Blood Incantation, Portal, Incantation, Chaos Echoes and suchlike. 3 panel Digipak
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8
doom metal
The NORNES are at work, melting the fibers of Cathedral, Warning or Pallbearer to make fuzzy yet strong yarns, weaving in secret the canvas of a past, a present and a common future.
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11
experimental black metal, Aesthetic Death
Limited pressing of 500 copies on Digi CD.
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9
dark ambient, Aesthetic Death
CD in jewel box with 4-page booklet. Limited edition of 500 hand-numbered copies.
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11
experimental black metal, Aesthetic Death
Треклист: 1 Ia' Iaxa 2 Horn Bearer 3 Nails 4 Chains 5 They 6 Voidsworn
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10
avantgarde black metal, Aesthetic Death
Треклист: 1 Alone With Everybody I 07:59 2 A Challenge To The Dark 11:22 3 Alone With Everybody II 12:11 4 Ruins 11:20
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11
cult dark ambient
Best Of Album - Limited to 500 copies
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14
death thrash metal, Memento Mori
As a special celebration of the band's 35th anniversary, Memento Mori is thrilled to unleash a 2CD set that compiles all studio demos + rarities by this seminal Thrash/Death Metal band from The Netherlands, absolute precursors of the extreme side of Metal in their country. All songs were digitalized from the original sources and subtly mastered for an even more pleasurable listening experience. Also included as a very special treat for this compilation, two old songs re-recorded in early 2019 featuring former guitar player and original member Remco de Maaijer as guest musician. Cover art by Mörtuus. Tracks 1-1 and 1-2: old songs re-recorded in early 2019 (including a guest appearance by one original band member from 1984) Tracks 1-3 to 1-9: Speed Kills demo (1984) Tracks 1-10 to 1-17: Live at the Lede (1985) Tracks 2-1 to 2-4: Promo demo (1985) Tracks 2-5 to 2-8: Rebirth demo (1986) Tracks 2-9 to 2-11: The Day Before Tomorrow... demo (1987) Tracks 2-12 to 2-15: Omnicoitor demo (1989) Tracks 2-16 to 2-20: Pre-production Tape (1991)
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11
death metal, Memento Mori
The stunning debut full-length by this Australian band. Hailing from Sydney, Horrisonous formed in late 2015 and comprise a handful of hardened members of the local underground scene, including past or current members of such acts as Temple Nightside, Backyard Mortuary, The Slow Death, Illimitable Dolor and Pestilential Shadows among others. Not surprisingly, Horrisonous deliver aural slime, decay and misery by means of the ageless brand of Death Metal that's equally ponderous, crushing and fervent, enhanced with slithering tempos and influenced by the likes of Bolt Thrower, Asphyx, Autopsy, Death, early Paradise Lost, Celtic Frost, Carcass, Dismember and Incantation. They proved it on their debut EP, "The Plague Doctors", in 2016 and they proved it with the Asphyx and Celtic Frost covers comprising the follow-up "The Plague Doctors B-sides" EP two years later, and they fully prove it with their debut full-length, "A Culinary Cacophony". A cursory glance at some of the album's song titles ("Crispy Chunks of the Obese", "Nourishment Through Excrement", "Number of the Feast"...) and one could potentially assume Horrisonous are a hokey gore band. While their noses are no doubt in tune with life's foulest recesses, Horrisonous are deadly serious about their juggernauting Death Metal. Requisitely filthy as any Memento Mori release, "A Culinary Cacophony" digs deeply into the doom and serves up serious helpings of up-tempo gallop and blast. It's a world-eating sound that evokes a creepiness quite at odds with such otherwise tongue-in-cheek titles, but only Horrisonous know the methods to their madness... Brazenly adorned with garishly gruesome cover art courtesy of Rod Scott, Horrisonous offer a symphony of sickness with "A Culinary Cacophony"!
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11
death metal, Memento Mori
The staggering debut full-length by this Australian band. Oozing out of Melbourne, Vile Apparition is a new project of Oliver Ballantyne (drums) and Jamie Colic (guitar, bass, vocals), both ex-members of the mighty Sewercide that left shortly after the recording of that band's debut album, "Immortalized in Suffering", in order to pursue other endeavors. Vile Apparition's self-released debut 4-song demo, "Atrocious Captivity", was picked up for a cassette release in early 2018 on Transylvanian Tapes, just in time for the band to fill their live lineup for their first run of shows starting January 2018. Alas, "Atrocious Captivity" was but a brief taste of the nastiness to come, now in the form of Vile Apparition's full-length debut, "Depravity Ordained". No lies in that title: this is fetid and filthy Death Metal that puts a premium on the bludgeon! Old school as it comes, of course, Vile Apparition's no-frills approach hearkens to the likes of Morpheus Descends, Ripping Corpse and Deteriorot, as well as the early works of Suffocation, Deeds of Flesh and Cryptopsy. An astounding exhibition of ridiculous, malignant heaviness that'll drill a hole in your skull and blow your brain cells to smithereens, the album also includes the preceding demo as bonus tracks. With suitably classic cover art courtesy of Chaostouched and mastering by Dan Lowndes at Resonance Sound Studio, Vile Apparition bring you blunt-force trauma with "Depravity Ordained"!
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12
death metal, Memento Mori
The striking debut full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including 5 songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled "Chapters of an Evil Transition". Indeed displaying the band's transition into an evil Death Metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of 90's Metal of Death. Fucking fashion and trends and especially fickle tastes, "Chapters of an Evil Transition" is a gutsfucking time-warp to the days when Death Metal was supposedly "dead", lost in favor of Black Metal, Power Metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw and righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader and Finland's Demigod. No more but definitely no less, this is Death Metal by and for Death Metal maniacs: no bullshit and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you "Chapters of an Evil Transition"!
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12
progressive death metal, Memento Mori
The jaw-dropping debut album by this French band. Hailing from Grenoble, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l'Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title "Drowned", this is a bolt-from-the-blue work of unimaginable vision and towering might. Indeed, the term "βαρύς" evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric -but, above all, completely and totally visceral- approach to Death Metal. Call it an alchemy of sorts, but "Drowned" presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into Black and Doom Metal territories -and effortlessly, at that- all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants and everything in between. Truly, it's a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting, to literally drown in the enormity they lay bare for the helpless listener. Drowned indeed! We don't usually dip our toes into "progressive" or "post" waters, favoring the musty odor of vintage Death Metal. However, when presented with Barús' "Drowned", we couldn't help but submit to their visionary onslaught on the senses. So, while we could describe them as "Autopsy reinterpreted by Meshuggah" or "Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate's instruments," we're confident Barús should definitely appeal to fans of such daring bands as Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars and Chaos Echoes. Featuring 9 songs in a vast yet time-evaporating 56 minutes, the production on "Drowned" is absolutely stellar. It was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording and additional reamping done at Octavox Studio, while mixing and mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen Wilson, Barús' "Drowned" is this year's dark-horse classic in the making!
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12
death metal
Digipak
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8
power metal, FONO ltd
EDGUY - немецкая power metal группа, основанная в 1992-м году 14-летними студентами, в основе которой был вокалист (и басист на ранних работах) Tobias Sammet, гитарист Dirk Sauer, барабанщик Dominik Storch и гитарист Jens Ludwig. Для названия группы они взяли прозвище своего учителя по математике, которого между собой называли "Edguy". В дискографии группы несколько дэмок, EP и синглов, пара концертных релизов и компиляций, DVD и десять полноформатных альбомов. "Vain Glory Opera" - третий полноформатный альбом EDGUY, релиз которого состоялся в январе 1998-го года на AFM Records. Данное anniversary edition издание "Vain Glory Opera" вышло на AFM Records в апреле 2019-го, является ремастированным и дополнено тремя бонус-треками.
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8
thrash metal, FONO ltd
XENTRIX - thrash metal группа, сформированная в 1984-м году в городе Прэстон (Англия). До 1988-го группа существовала под названием SWEET VENGEANCE и даже выпустила в таком виде 4-песенное дэмо. Почти сразу XENTRIX попали на лэйбл Roadrunner Records, где вышло три полноформатных альбома - "Shattered Existence" (1989), "For Whose Advantage?" (1990) и "Kin" (1992). Спустя год после выхода четвертого альбома "Scourge" (1996) группа распалась, разово собравшись для нескольких реюнион-шоу в 2006-м. Полноценный реюнион XENTRIX состоялся в 2013-м и на сегодняшний день в состав входят два оригинальных учатстника - гитарист Kristian Havard и барабанщик Dennis Gasser. "Bury the Pain" - пятый полноформатный альбом XENTRIX (прервавший более чем 20-летнее молчание группы) вышел 7-го июня на Listenable Records. Сведением занимался британский продюсер Andy Sneap, работавший с EXODUS, KREATOR, TESTAMENT и многими другими, мастерингом - Russ Russell (NAPALM DEATH, LOCK UP, DIMMU BORGIR). Оформлением - Dan Goldsworthy (HELL, ALESTORM, GLORYHAMMER).
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8
medieval rock, FONO ltd
TANZWUT - немецкая индустриальная фолк-метал группа, берущая свое начало в 1998 году и сформированная участниками CORVUS CORAX. Делая упор на средневековую тематику и обширное использование народных инструментов, а также используя хореографию и костюмы в сценическом образе, TANZWUT нашли то самое, что выделило их из десятка подобных коллективов. "Seemannsgarn" - одиннадцатый полноформатный альбом немцев, вышедший 7-го июня 2019-го на AFM Records. Продюсировать альбом взялся Benjamin Schwenen, работавший с XANDRIA, EISBRECHER и STAHLMANN. Релиз выпущен в формате CD с 20-страничным буклетом и включает 14-ть треков классического "танзвутовского" medieval-рока, с цепляющими мелодиями, волынками, тяжелыми гитарными риффами и немецкоязычной лирикой.
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7
death metal, More Hate Productions
Дебютный полноформатник от чешской thrash/ death core группы. Space Hamster примечательны тем, что состоят из участников других известных экстремальных чешских коллективов, таких как: Cinzana Bianca (R.I.P.), Mincing Fury and Guttural Clamour of Queer Decay, и Kandar и несмотря на приверженность музыкантов к брутальному звучанию в своих основных коллективах, в данном проекте музыка носит более техничный и можно даже сказать более утонченный характер. В основе музыкального стиля группы обнаруживается death thrash metal, где жесткая гитарная основа сочетается с мелодичными партиями и качовыми грувовыми моментами. Вокалист преимущественно гроулит, но иногда переходит и на чистоголосое пение, демонстрируя тем самым близость группы к более современному по стилистике death core. Примечателен и забавный графический дизайн буклета, а-ля комиксы, посвященный путешествию космического хомяка (SPACE HAMSTER) с гибнущей Земли в иные межгалактические миры.
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8
heavy metal, FONO ltd
SINNER - немецкая heavy metal группа, ведущая свою историю с 1982 года, основателем которой является вокалист/басист Мэт Синнер, позже присоединившийся к группе PRIMAL FEAR. В дискографии SINNER десяток синглов и компиляций, один концертник и восемнадцать полноформатных альбомов. "Bottom Line" - девятый полноформатный альбом SINNER, вышедший в 1995-м году на лэйбле No Bull Records. Данное переиздание (вышедшее на AFM Records в 2011-м году) прошло ремастеринг, получило обновленное оформление и дополнено двумя концертными бонус-треками.
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8
thrash metal, FONO ltd
ONSLAUGHT - британская thrash metal команда, существующая с 1983-го по 1991-ый и с 2004-го по сегодняшний день. На счету ONSLAUGHT шесть студийных альбомов, одна компиляция, 4 сингла, а также концертный альбом и DVD. "Power From Hell" - дебютный альбом ONSLAUGHT, вышедший на британском панк-лэйбле Children Of The Revolution Records в феврале 1985-го года. Данное переиздание (вышедшее на AFM Records в 2011-м году) прошло ремастеринг от Jacob'a Hansen'a из Hansen Studios (работавшего с ARTILLERY, DESTRUCTION, EVERGREY) и включает два бонус-трека.
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8
rock, FONO ltd
D-A-D (Disneyland After Dark) - группа из Дании, начавшая свой путь ещё в ранних 80-ых и исполняющая мелодичный тяжелый рок. К своему пятилетию D-A-D даже получили контракт на миллион долларов от Warner Bros. и шанс попасть на американский рынок, но прорыва не получилось, и группа была вынуждена сосредоточиться на активности в Европе. В дискографии D-A-D с десяток синглов и EP, несколько компиляций, три концертника и одиннадцать полноформатных альбомов. "A Prayer For The Loud" - двенадцатый полноформатный альбом датчан, вышедший 31-го мая на AFM Records. Сведением "A Prayer For The Loud" занимался датский продюсер Rune Nissen-Petersen, работавший с D-A-D над предыдущими релизами, мастерингом - Ryan Smith из (Sterling Sound), имевший дело с альбомами AC/DC, BUCKCHERRY, OZZY OSBOURNE и многими другими.
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18
traditional doom metal, Season Of Mist
Seven years after their epic comeback album, 'Lillie: F-65' (2012), legendary doom metal trailblazers SAINT VITUS return with their eponymous new album. The band sees the return of their original vocalist, Scott Reagers, as well as the addition of new bassist Pat Bruders (DOWN, ex-CROWBAR), who join long-time drummer Henry Vasquez and founder/guitarist Dave Chandler. As if in a time machine, the seasoned quartet pick up where their 1985 classic 'Hallows Victim' left off. Saint Vitus delivers nothing less than the truest and most enduring representation of original and fundamental doom metal. Collector's edition on CD in deluxe cardboard sleeve with silver hot foil printing and 16-page booklet.
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12
gothic doom metal
Jewel case version
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10 7
death doom metal
The new album contains seven sorrowful songs with an even darker edge than debut album Temple of Guilt. Production wise the sound is thicker and more mature. The album also features a guest guitar solo from Roberto Granados (Denial, The Suffering). The artwork was created by Robert Hoyem (Shining, Iskald, Remembrance). Expect the new Majestic Downfall CD too spit human disgust through blackened doom emotions. Reissue with lyrics included.
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9
Разношерстная фолк-панк бригада КРОВАВЫЙ РИФ была сколочена в 2014 году из на редкость шебутных фриков разной степени оголтелости. С той поры развесёлый балаган куролесит там и тут и по окрестностям, оглашенно вопя пиратские частушки о добром, вечном и сердцу морского лиходея милом, щедро сдабривая всё это безобразие ядрёным коктейлем из музыкальных жанров и сценическим перформансом в лучших традициях Кащенко. В 2015 году, то ли ведомые некими потусторонними силами, то ли стимулируемые морским ежом, поселившимся под задницей, неугомонные пираты набивают трюмы новым материалом и отправляются на студию наводить ужас и вгонять в похмельный тремор несчастных звукорежиссёров, согласившихся участвовать в записи их первого полноформатного альбома. За короткий срок своего существования, помимо выпуска дебютного альбома "Песни Звона Шпаги", команда Рифа успела записать несколько EP, взять на абордаж немало сцен в портовых тавернах и кабаках, а также захватывала обе площадки Folk Summer Fest три года подряд.
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7 3
hard 'n' heavy, FireStorm Production
Треклист: 1 Пролог 2 Поэт 3 Западло 4 Память 5 Интермедия 6 Романс 7 Боль 8 Дурак 9 Сумерки Сознания 10 Слепое Кино 11 Широкой Грудью…
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6 3
melodic death metal, FireStorm Production
This band had an high interested with other separation culture. It called or maybe can said anti-mainstream. Build up harder than live the life since 2009. And this album is show up after two years disband. 'Philanthrope' is for people who willing to deal. Limited to 500 copies.
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15
black doom metal, Avantgarde Music
Gravkväde is a two men Black/Doom metal act from Sweden started in 2016. All instruments performed by Ezra, vocals performed by Domedag.
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12 8
black thrash metal
Tthe highly anticipated second album of Belarus's VERWÜSTUNG, Gospel ov Fury, on A5 digibook CD format. Ever aptly titled, Gospel ov Fury is a fucking firestorm of blackthrashing metal. Locked in and lasciviously devoted to their iron-fisted attack, VERWÜSTUNG unload an arsenal of meanness that dutifully remains committed to the first wave of '80s black metal as well as the underground's most violent thrash bands of the day. And yet, Gospel ov Fury is no mere replication of "retro" sounds; the quartet are deftly skilled at moving from hypnotic, ice-cold blasting to swaggering rock 'n' roll stylings, always keeping the emphasis on DANGER - and, of course, actual songwriting. In fact, just a cursory read of most of the album's song titles should say more than enough where VERWÜSTUNG are drawing inspiration (and madness): "Hellfire Rock'n'Roll," "The Ultimate Leveller," "Impulse to Kill," "The Purge," and naturally "Madness Closing In." Graced with mysterious, nearly 3D artwork fully fitting of its A5 digibook format, Gospel ov Fury is indeed worth preaching. Behold the illuminating arrival of VERWÜSTUNG! A5 digibook with 20-pages booklet limited to 333.
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9
epic traditional doom metal, Solitude Productions

Долгожданный полноформатный альбом немецкой команды Fvneral Fvkk, образованной участниками Ophis, Crimson Swan и Fäulnis. После успешного EP «Lecherous Liturgies», получившего положительные отзывы у слушателей, отметивших, среди прочего, остроумность текстов и близость по духу к Solitude Aeturnus в музыке, Fvneral Fvkk решили повысить планку, создав совершенное творение в стиле epic doom metal. «Carnal Confessions» действительно можно назвать эталоном стиля: мелодичный, эпичный, мощный и величественный doom metal с глубоким мужским вокалом. Дополняет картину безупречности прекрасно оформленный буклет. Чёрный бриллиант.

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9
doom / dark metal, BadMoodMan Music

Третий альбом итальянской команды, продолжающий исследовать тёмные фантазии талантливых музыкантов. Не желая стоять на месте и сочинять шаблонную музыку, (EchO) создают мозаичное полотно, держащееся на основе из melodic death doom metal, наполненное яркими мелодиями, вкраплениями разных стилей, прикосновением психоделии, сочетанием хрупкости и брутальности (как в музыке, так и в вокале), и прочими авторскими находками. Трепетное отношение к аранжировкам, слаженность исполнителей и мастерство являются «фирменной» чертой (EchO), доведённой до совершенства Грегом Чандлером (Esoteric), делавшим сведение и мастеринг в Priory Recording Studio.

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9
death doom metal
Recorded in Urvn Studios in León, Guanajuato, México during the months of February and March of 2015.
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9
folk metal, Sound Age Productions
Треклист: 1 Guardians 2 Dancers Of The Eternal Blackness 3 Swollen Troll 4 Beer Island 5 Party In The Deep 6 Legends Of A Beast 7 Cursed Crown...
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9
symphonic black metal, Sound Age Productions
Треклист: 1 Pestilent Carrion 2 Mirror Of Archon 3 Wyvern 4 A Song Of Ice And Fire 5 Queen Of The Damned 6 Enthropy 7 Witches Circle 8 Fra...
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