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800.00 Р
funeral death doom metal
Doom metal supergroup TOWARDS ATLANTIS LIGHTS give us a sublime album of heart-wrenching drama emanating from historical events. Members of acclaimed bands like PANTHEIST, APHONIC THRENODY and VOID OF SILENCE weave together a majestic tale brimming with melancholy and emotional strife. Each song is an elegant expression of their dreamlike visions of a world long past. They carry the burden of grief passed down from centuries with utmost grace and lend to the music an unmistakable nostalgic charm that is very much palpable. TOWARDS ATLANTIS LIGHTS have created a masterpiece of epic and atmospheric death/doom metal that is tempered with talent, experience and vision.
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800.00 Р
folk metal
Ltd. edition digi-book
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800.00 Р
shoegaze black metal, Dusktone
With this new album, COLD BODY RADIATION continues the intimate and melancholic path of the previous "The clear path". These eight new tracks album once again confirm the M. quality and composition depth that, although he definitively abandoned the most extreme sounds, still managed to get us into a restlessness and mystery swirl. ‘The orphean lyre" is an intensely human listening experience. Teeming with life and breathing as it coughs and splutters, there is an unavoidable attachment felt almost instantly as a listener. This is music that drags you in and simply refuses to let go. Do not think, do not listen to, do not judge yourself for what will come out of this experience. Everything is within you and this new COLD BODY RADIATION album is a solid vehicle for a deep work on yourself. Finally.
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1 000.00 Р 800.00 Р
apocalyptic death / black metal, Dusktone
RUST is an Apocalyptic Death/Black Metal outfit, featuring members of Enisum. A magical, evocative and enchanting work, as well as tragic, apocalyptic, cruel, painful, fatal, nefarious, violent and deadly ... A unique and disenchanted vision of extreme music. A dazzling journey, almost blinding and inadmissible, leading to the discovery of a majestic and impressive record, whose roots are inspired by the first OPETH, SHINING and a post-KATATONIA taste. However, this record has an ultra-personal vision, open and unique that makes RUST's universe an unmatched experience. credits A5 Digipak CD with booklet
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800.00 Р
funeral doom metal, Solitude Productions

First official for the CIS countries reissue of the fourth full-length album "The Book of Kings" by Australian doomsters Mournful Congregation. A delightfully sad album, personifying the pain of humanity, intertwined with mysticism. Acoustic inserts melancholy sound into oblivion, throwing you beyond reason. Vocal envelops its captivating beauty. All 4 songs combine the cold of sad souls. 300 copies in a collectible 6-panel digipak, contain a sticker, a Pit-Art CD, and a 16-page booklet including the names of the fans involved in the fundraiser.

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800.00 Р
dark doom death metal, BadMoodMan Music

The album has been recorded at Psychosomatic studios by M.A Riutort and mastered by Jens Bogren at Fascination Street Studios, like their previous album, and the cover artwork has been made by Gonzalo Aeneas.

In the large list of contributions, you can find Heike Langhans of the Swedish band Draconian, who sings in a song of the album.

This new disc is a bit more epic, intense and dark than the previous ‘Compassion Forlorn’, who had excellent reviews and took the band to play in several European cities, and it will delight to all the Doom Metal fans over the world.

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800.00 Р
black metal
“The concept of the project is the flaw and inability of consciousness to reflect the boundlessness of the nothingness in the frames of reality that (reality) only exists within and in the sanity. It is a sort of an attempt of exceeding the limits of imagination, which makes the lyrics unavailable for criticism from the point of view of logical thinking. The musical vessel here is a result of expression that has no bonds with any personal emotion of social nature.” - KHANDRA
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866.67 Р 800.00 Р
funeral doom metal, Ksenza Records
New Album from mighty “Funeral Tears”. Sound is based on melodic funeral doom/ death doom with new elements for band – epic atmosphere and black metal elements! Funeral Tears delivers their requiem in honor of the final darkness and collapse of the mankind. Limited edition 500 copies CD digipak with slipcase!
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800.00 Р
black metal / dark ambient, Ksenza Records
This is a conceptual split created on a drone / dark ambient / black metal plain. Russian occult band Sleepwalker and UK progressive Black Metal legends Fen. Sleepwalker's tracks are a journey into mystic depths, endless dreams and Your rebirth. Fen's tracks are a tribute to the crumbling coastlines of Eastern England and the spirits that lie restless beneath the waters. "a thoroughly atmospheric, sometimes otherworldly drift from expansive universes to forested night-time mountainsides" (Doom-Metal). Ltd x 500 copies in a digipak. Positions on both EP's are listed I to III each. New EP from Sleepwalker and Fen.
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800.00 Р
black / death metal, Non Serviam Records
Tracklist: 1 Raise The Dead 2 Das Fallbeil 3 Blonde Poison 4 Pharmaceutical Frontline 5 Far Beyond The Dragon's Teeth 6 Burn And Destroy 7 Hope...
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800.00 Р
black metal, Non Serviam Records
Barcode: 0646847487194 Matrix Runout: NSR 019 www.non-serviam-records.com
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800.00 Р
atmospheric black metal, Hypnotic Dirge Records
Hypnotic Dirge and Throats Production presents the release an intense nature-themed atmospheric Black Metal split record entitled "Origins" between two great atmospheric bands - Ah Ciliz and Chiral. Ah Ciliz is an atmospheric Black Metal band founded by Elmer (Klär, Painful Depression) in 2008. The history of the project now includes four full-length albums, and a split with Griefthorn all released between 2011-2014. Three years later, Ah Ciliz returns with three excellent new songs for the "Origins" split focused on indigenous cultures, nature, and the cosmos. The songs from Ah Ciliz span between powerful, triumphant, beautiful, and spiritial throughout its duration which is aided by varied and interesting riffs, soaring leads, and an atmosphere that matches the lyrical themes perfectly. Chiral is an Italian one-man band from the countryside near Piacenza, set up at the end of 2013. His compositions shine of a dim light dwelling through the branches, alternating solar as well as gloomy moments. Folkish instruments are used to guide the listener through contemplation, while gentle veils of synths are crafting a misty and mysterious aura. If the dreamy and hypnotic atmosphere of Lustre met with the breathless wonder of Falls of Rauros' melodies, and the wild raw guitar lines of Wolves in the Throne Room, that would be probably be what Chiral sounds like. For fans of: Lustre, Agalloch, Mavradoxa, Windbruch, Falls of Rauros, Wolves in the Throne Room
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800.00 Р
death doom metal, Weird Truth Productions
Two-man atmospheric Doom outfit from Singapore with their debut EP “Unstructured Dissemination”, bridging a fine line between Doom, Post Rock and Death / Black Metal elements. Featuring Sigh mastermind Mirai Kawashima and Singaporean Darkwave prodigy Microchip Terror on synthnoises. Cover artwork by Branca Studio (Paradise Lost, Confrontational, Witchthroat Serpent, etc).
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800.00 Р
stoner rock / shoegaze, Relapse Records
Avvolgere, the forthcoming LP from Texas trio TRUE WIDOW, perfects the formula that 2013's Circumambulation established. The album rocks and rolls with serene, rounded climaxes and steep, jangling choruses that engulf the listener with waves of downbeat, saccharine melodies and mesmerizing distortion. TRUE WIDOW's signature alternation between male and female vocals helps further blur the boundaries between the heft of stoner rock, the droning atmosphere of shoegaze, and the twangy catchiness of blues and indie rock. It's both concise and circuitous - the album takes you on a journey that you can't ever quite predict or expect. Avvolgere is TRUE WIDOW sounding more infectious and consummate than ever before.
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800.00 Р
experimental / electronic drone rock, Relapse Records
Horseback’s young but varied catalog has been remarkable in its ability to capture distinctly different subgenres of heavy music with impressive virtuosity: drone, doom, black-metal, psychedelia, post-rock, noise etc etc. With ‘Half Blood’, Horseback’s first true ‘new release’ for Relapse, the band’s mastermind Jenks Miller has brilliantly managed to throw all of those styles into one seamless album. ‘Half Blood’ naturally shifts from Americana twang to fiercely evil buzzing guitars to hypnotically meditative kraut-drone with a level of confidence that takes other bands years to master. Horseback’s ‘Half Blood’ is Neurosis on a Neil Young overdose, Earth after being locked in a room with Merzbow for weeks straight. This is an album at once immediately captivating as well as rewarding for those who treasure music that reveals new twists and turns with repeated listens.
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800.00 Р
death black doom metal, Terror From Hell Records
Tracklist: 1 Crawling In Chaos 15:48 2 The Evanescece Creature From Nebula's Dust 12:48
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800.00 Р
noise rock, Relapse Records
Miami noise rock/alt metal powerhouse WRONG's (members of Torche, ex-Capsule, ex-Kylesa) sophomore album Feel Great will make you feel the exact opposite of great. A moody and eclectic record, albeit the moods are pissed and the eclecticism is different levels of pissed. On Feel Great, WRONG has mastered the arts of bludgeoning groove, riff, tone, and grit, creating eleven songs that are faster, heavier, angrier yet also more melodic than their breakout debut. The album was self-produced by the band and recorded at various studios around Miami with mixing handled by guitarist Ryan Haft and artwork by Rick Smith of Torche. WRONG is the exact type of rock band the world needs in 2018, uncompromising, aggressive and ready to tear the whole damn place to bits.
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800.00 Р
post-black / doom metal, Hypnotic Dirge Records
“Omgeving” is an experimental musical project from Dutch musician Franck Johanson (Distillator) where the listener is meant to interpret the sound as auditory landscapes, every texture part of a broader perception that has been created. The first Omgeving album crosses the boundaries of black metal, space rock, ambient, and doom. It is an entirely instrumental work based on conjuring imagery through soundscapes, through tones and frequencies that transport you through inner and outer space. This album should interest those who enjoy the slow buildup of layers, working with dynamics to build to a hypnotizing crescendo, shifting between subtle ambience to a piercing wall of sound. “Wijde Wijdte” will be released on a 6 panel digipack format through Hypnotic Dirge Records in December 2018, alongside a 10cm x 10cm sticker of the cover art, designed by Kuba Kujawa credits
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800.00 Р
doom / post-metal / drone, Hypnotic Dirge Records
The Haunting Green are Cristiano Perin (vocals, guitars, synthesizers) and Chantal Fresco (drums and percussions). Formed in 2012 and based on North-East Italy, their music is constantly going in the direction of a coexistence within the aggressive vibes of extreme metal with ambient-drone and dark electronic music. After a debut EP and collaborative split album, “Natural Extinctions”is their first full-length album which explores the inability of human beings to preserve their innocence and the bond with nature during their existence. The focus on “Natural Extinctions” is to merge extreme metal with the suggestive language of drone / ambient and ritual music, highlighting in some ways the "percussive" side of their music. This isn't an ordinary concept album but, actually, there is a hidden thread connecting the 7 tracks, relating the inevitable destiny of every human being to inhibit, suppress and lose, along his life, some of the most pure and atavistic aspects of their own soul, to adapt and live with the hostile environment that surrounds him. Adaptability on the one hand strengthens and leads to move forward, but, on the other hand, corrupts and makes us lose the most spiritual and pure side of us: the most precious.
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800.00 Р
atmospheric black metal, Hypnotic Dirge Records
Nightmarrow is a meditation on the isolation and hopelessness of our age and the consequences of technology and voracious consumption of resources. “Nightmarrow” sees Mavradoxa developing and intensifying their song-writing ability crafting simultaneously cohesive yet unpredictable songs that is still rooted in Atmospheric Black Metal. An intense onslaught of momentous energy and a visceral spirit that covers you in a shroud of atmosphere.
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800.00 Р
death / black metal, On Parole Productions
In 2002 it was time for second Noctiferia album that they entitled Per Aspera. This effort presented Noctiferia as mature death / black metal act and gained them worldwide attention. Per Aspera was critically well acclaimed and touring over Europe with bands like Marduk, Kataklysm, Immolation, Aborted and Malevolent Creation followed. Noctiferia achieved something almost impossible with the video for song Fond Of Lies as it was charted #1 for 8 weeks on Slovenian national TV. Per Aspera is one of the most important milestones of Slovenian metal, a mix of Morbid Angel and Emperor … something for all extreme metal fans! This re-release contains 3 demo tracks that were recorded in 2000, with the original singer of the band. These songs were later reworked and released on Per Apera. Slovenska morbida re-release includes 3 remixes of tracks from the album.
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800.00 Р
industrial metal, On Parole Productions
Originally released in 2006, Slovenska morbida is the 3rd and most experimental Noctiferia album. At that time Noctiferia progressed into industrial metal, full of different cultural influences including Slovenian national instruments and female vocals. The album was mixed at Sweden’s The Abyss studio by Peter Tägtgren, which added massive sound to Noctiferia’s creation. This reissue includes 3 remixes, recorded for exclusively for this re-release.
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800.00 Р
black metal, On Parole Productions
The tendency of the abyss is that it from time to time vomits the manure that spreads misanthropy and melancholy of unknown dimension. It provides a trigger to each misanthrope to cross virtual borders of society and finally digs the knife in the back of his brother man. It is so from Kain on. Srd, the quintet of troubadours of darkness, is on the mission to serve their black 'n' roll no less than hell and manifest the agony of humanity over the last few thousand years and encourages the eternal recurrence of it. Smrti sel brings seven songs, seven vessels of the wrath of God, who is pouring on earth a blend of modern black metal with elements of black 'n' roll. Two in their native language, while one brings a message from deceased icon of incorrectness G.G. Allin.
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800.00 Р
gothic doom metal
Jewel case version
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800.00 Р
death metal
Digipak
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800.00 Р
progressive death metal, Memento Mori
The jaw-dropping debut album by this French band. Hailing from Grenoble, Barús formed in 2015 and soon released their self-titled debut EP through Emanations (a division of Les Acteurs de l'Ombre Productions). Since mid-2016, work has been focused on their debut full-length album. Bearing the ominous title "Drowned", this is a bolt-from-the-blue work of unimaginable vision and towering might. Indeed, the term "βαρύς" evokes a weight, an overbearing burden. Through Barús, this takes musical form through a complex and utterly atmospheric -but, above all, completely and totally visceral- approach to Death Metal. Call it an alchemy of sorts, but "Drowned" presents a moltenly monolithic, ceaselessly churning sound merged with palpably progressive structures, frequently stretching into Black and Doom Metal territories -and effortlessly, at that- all compellingly completed by bowels-of-Hell deep vociferations and vocalizations spanning semi-clean moans, spoken word, chants and everything in between. Truly, it's a nightmare made flesh, its dissonance instilling an unshakable tension and terror, and yet Barús manage to make it sound so alluring, so tempting, to literally drown in the enormity they lay bare for the helpless listener. Drowned indeed! We don't usually dip our toes into "progressive" or "post" waters, favoring the musty odor of vintage Death Metal. However, when presented with Barús' "Drowned", we couldn't help but submit to their visionary onslaught on the senses. So, while we could describe them as "Autopsy reinterpreted by Meshuggah" or "Gojira and Gorguts jamming out to an old Demilich tune with Ulcerate's instruments," we're confident Barús should definitely appeal to fans of such daring bands as Gorguts, Triptykon, Ulcerate, Emptiness, Meshuggah, Portal, Diskord, Akercocke, Gojira, Sumac, Deathspell Omega, Altars and Chaos Echoes. Featuring 9 songs in a vast yet time-evaporating 56 minutes, the production on "Drowned" is absolutely stellar. It was recorded between 2016 and 2017 at Plastic Lobster Studios & Eptagon, with drum recording and additional reamping done at Octavox Studio, while mixing and mastering were done by James Leonard at Plastic Lobster Studios. Completed by cover art courtesy of the masterful Timo Ketola, with inner artwork by Stephen Wilson, Barús' "Drowned" is this year's dark-horse classic in the making!
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800.00 Р
death metal, Memento Mori
The striking debut full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' third album in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including 5 songs chock full of rotting maliciousness that show great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving about death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band make their first live performance in the city of Guadalajara. For this occasion two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego join the band as official members. Emboldened by this patient momentum, at last arrives Ravenous Death's full-length debut, aptly titled "Chapters of an Evil Transition". Indeed displaying the band's transition into an evil Death Metal juggernaut, the album absolutely bleeds the molten-yet-mildewed essence of 90's Metal of Death. Fucking fashion and trends and especially fickle tastes, "Chapters of an Evil Transition" is a gutsfucking time-warp to the days when Death Metal was supposedly "dead", lost in favor of Black Metal, Power Metal or (worse) ill-fated sellout fantasies. In this landscape did many a raw and righteous mini-classic get birthed, and suitably do Ravenous Death continue the proud legacy of Vomitory and Mexican forebears Shub Niggurath, but also especially Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader and Finland's Demigod. No more but definitely no less, this is Death Metal by and for Death Metal maniacs: no bullshit and no sellout! Completed by stark artwork courtesy of Mörtuus and mastering by the esteemed Javier Felez at Moontower Studios, allow Ravenous Death to read you "Chapters of an Evil Transition"!
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800.00 Р
death metal, Memento Mori
The long-awaited debut full-length of this U.S. band. Not much is known about the anonymous aural torturers known as Ruin. The small amount of information that we do know is that the band was formed back in 1991, somewhere in the United States. Due to various members of the band being incarcerated and institutionalized, Ruin was disbanded at some point later that year. Rumors have also swirled that the band members were/are part of some sort of cult. Now free from any obstacles, the Ruin Death Metal machine was re-started again in 2015, and work began in earnest for what was to become their debut album (at last!), "Drown in Blood". With roots firmly planted in utter and complete musical devastation, Ruin's sonic debauchery is mean, vicious, spiteful, raucous, and sickening Death Metal. Shit-heavy and strewn with shit, their long-brewing "Drown in Blood" is pure and utter ugliness enriched with doomed-out passages, crusty tempos, and sudden blasts that are meant to turn your stomach without care. Vile and viscous, filthy and foul, the influences seem to come from some sort of bastard child spawned from Hellhammer covers being slammed out by Realm of Chaos-era Bolt Thrower taking place in the jam room of Finnish sickos Abhorrence in 1989: that's how heavy and crushing their stuff is, offering no remorse and no escape for the helpless/hapless listener. That's how you Drown in Blood, y'know? If you're a fan of putrid old school Death Metal and the aforementioned bands as well as Sweden's Crematory, Rottrevore, Undergang, Demigod, Rippikoulu, Autopsy and Cianide, then you will put Ruin in the same puke-infested bucket. Memento Mori unleashes "Drown in Blood" on CD format, and toilets the world over will cower in fear! Mastered by Ted Tringo at The Ancient Way Mastering (U.S.A.). Cover art and layout by César Valladares.
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800.00 Р
death thrash metal, Memento Mori
The sophomore full-length album of the cult U.S. band Dead Conspiracy. Formed in 1986, Dead Conspiracy is to this day considered by many as a pioneer and influence to Death/Gore Metal bands worldwide. Originally released on vinyl, tape and digital in November 2016, "Dead Conspiracy" features 9 tracks of the band's trademark Thrash Metal-edged, Punk-infused, evil-minded, vicious and unadulterated savagery that should definitely appeal to fans of other primal and unrefined Death Metal acts that helped shape the genre in the 80's, such as Nunslaughter, Necrophagia, Mantas/Death, Master, Incubus, Possessed, Deceased, Autopsy/Abscess, Terminal Death, Massacre, Exmortis, Repulsion, Slaughter, N.M.E... The vocals drip with devilish flare, the bass is clear and punchy, guitars are treble and sound like scythes, and drums sound like they were recorded on a low-budget in the best way. There are no tricks here, just raw skill and Metal. "Dead Conspiracy" is a powerful album, even after many repeated listens. It displays everything you need old school Death Metal to display: bone-crunching riffs, pounding breakdowns and speed delivered with anger, atmosphere and energy by a band that’s riddled with acrimonious motivation and a burning passion for the genre. So dig up your favorite cadaver to sit with while you get kick your ears kicked in, for the deadliest have now returned!!!
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800.00 Р
death metal, Memento Mori
For the first time ever on CD format, here comes an official reissue of the obscure and solitary demo of the old Spanish band Fossor, originally released on tape back in 1994. Fossor first burst into the Spanish underground Death Metal scene back in August 1993, in the small northern town of Logroño. It came into being as a spin-off from the first two Aposento line-ups, another legendary then Spanish band and local pioneers of the genre. Their music approach was logically rooted in the soundings of the genuine and still effervescing international Death Metal scene, taking their cues from the ancient Florida sound (Obituary, Massacre and most specifically "Leprosy" and "Spiritual Healing" era Death) and the European tradition of bands such as Benediction, Entombed, Asphyx, Grave and Gorefest. Despite the lack of a proper distribution and promotion, "Emerging from the Abyss" would end up gaining some recognition within the underground domestic ranks and also positive reviews in places remote as Asia and other European countries, including the insertion of the song "The Bastard Son of God" on the 1995 compilation "Sometimes... Death is Better II" put out by the Belgian label Shiver Records. A truly unmissable gem of the 90's underground and happily exhumed at last, this very special reissue of "Emerging from the Abyss" was mastered by Dan Lowndes (of Cruciamentum fame) at his own Resonance Sound Studio in the U.K., and features brand new artwork by Raul Fuentes (a.k.a. Mortuus) as well as a fully detailed bio-interview conducted and compiled by David Bleak (Bleak 'zine).
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800.00 Р
death thrash metal, Memento Mori
The loathsome debut full-length from this Greek band. Hailing from Athens, Pile of Excrements was crapped into existence when drummer Shit Eater (Necrovorous, Embrace of Thorns, Chainsaw) joined forces with guitar/bass-player and vocalist Necropervert (Nightbreed, Chainsaw) with the vile intention of delighting the listener with the aural equivalent of the nauseating stench of one hundred drains clogged with foul-smelling turds and urine. And as the title of their debut album promises, "Escatology" is exactly that! Pile of Excrements began clogging sewers last year with the Demo 2016 tape. In no uncertain terms, the duo laid bare their divinely depraved musical influences -Autopsy/Abscess, Pungent Stench, Master, Impetigo, Blood, Necrophagia, Mantas/Death, Carcass, Cianide, Massacre and Hellhammer- and completed it with a compulsive obsession with slasher/gore B-movies, shit of all kinds and high-cholesterol food. But, that demo was but a mere appetizer for the filthy feast to follow in "Escatology"! From the very first second "Bowel Rampage" shits itself into existence, it's crystal-clear these refined and suave Greek gentlemen are all about the FILTH in capital -and gushing- letters. From there, the foulness just starts flowing, one rough and rancorous rush after another. Indeed, Pile of Excrements pile high the punk-rocking hooks so crucial to early Death Metal -that is, the original template laid out by the aforementioned masters- and keep the crush coming. It's 15 almost-anthems in a tight and taut 40 minutes, but it's not all short/sharp/shocked: on the six-minute "Cult of the Unibrow", the duo go relatively epic whilst keeping the emphasis on the filth... where it should be! Featuring fittingly gross cover art by Raul Fuentes (a.k.a. Mortuus) and mastering by Cruciamentum's Dan Lowndes, Pile of Excrements make "Escatology" a masterclass in musical depravity!
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800.00 Р
death thrash metal, Memento Mori
The long-awaited debut full-length from this Romanian putrid ensemble. Rotheads was formed in Bucharest back in 2014 as an old-school Death Metal side-project to the experimental Doom/Noise/Stoner-improv band Keeng Ra'at; both bands contained the same three members. By 2015, five songs were written, and recordings began in December of that year. Ultimately, six songs (plus intro and outro) came out in April 2016 as the "Unfazed by Death" demo, which turned out to be a remarkable, sick trip into the bowels of murky and foul-smelling Death Metal. In the meantime, another guitarist joined the band, and the original bassist left and rejoined later on. The original drummer and vocalist also left the band in August, and another drummer has since joined, while the vocals are now handled by the original guitarist. Rotheads have played only a few times live, the most memorable being two gigs around Romania with the legendary Sadistic Intent. "Aptly fucking titled" is an understatement when it comes to "Sewer Fiends". Here, Rotheads take their aggregate influences -particularly from the classic early 90's Finnish scene (Abhorrence, early Sentenced, Demigod, Depravity), as well as other timeless crypt dwellers such as Autopsy, Incantation, Carnage, Accidental Suicide, Grave and Asphyx- and proceed to create a mesmerizingly murky 'n' moody work with their debut album. The sewage is piled high and plentifully, as foul 'n' fetid riffs flow fast and freely, but always with a clearly discernible direction; after all, Rotheads are firmly grounded in the timeless songwriting style of old school Death Metal, where feeling and texture are paramount over technique and other flashy wank. And those riffs continue to roll ever forward, malevolently and majestically, just like a (filth-strewn) tank. And yet, amidst all this crunch and carnage lay a layering of eerie melody atop, evoking fresh crypts opening slowly or the tension of wandering further into tomb-like sewers. Indeed, Rotheads are as aptly named as their album is titled, and we dare you to emerge from their moldy embrace completely clean... There's just no way to wash off this horror! As an appetizer, just stare deeply into Cesar Valladares' cryptic cover art. And, with mixing and mastering courtesy of Javier Felez at Moontower Studios, it's all but guaranteed that Rotheads' "Sewer Fiends" will be one of the best (if not THE BEST) Death Metal debuts of the year!
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800.00 Р
death metal, Memento Mori
A CD that compiles the body of work of this old, obscure Swiss Death Metal band. "The Complete Disgoregraphy 1991-2003" features the "The Persistence of Archaic Dogma..." demo (1991), the "In My Darkest Vision..." promo (1991), the "Hybridized Deformity" EP (1992), the "Docta Ignorantia" EP (1993) and the "The Second Side of the Coin..." demo (2003). To depict Damnatory's own brand of Death Metal ain't no simple task, for it encapsulates a number of different features and influences, namely the grinding brutality of early Pungent Stench, the fondness for intricacy of early Disharmonic Orchestra, the rawness and the filth of early Grave, and the uncanniness of Mangled Torsos, molding a Death Metal mongrel that bounces back and forth from sick tremolo-picked riffs, to thrashy headbanging sections and to slow, doomish passages. The casket has yet again been opened for all zealots of the early 90's undeground Death Metal to inhale the odor of the lifeless ones! All songs restored and mastered by Patrick Engel (of Hatespawn fame) at Temple of Disharmony, Germany. Artwork and layout by Marco Gemmet, the band's vocalist on the 1992 EP and the 2003 demo.
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800.00 Р
death doom metal, Memento Mori
The outstanding debut full-length from this up and coming German band. Formed back in early 2014 by seasoned devotees of the German underground (featuring past and present members of bands such as Beyond and Nocturnal), this three-headed beast spreads an aural plague in the form of primal, decayed, malevolent, venomous, eerie and crawling Death/Doom Metal with extremely rotten vocals that sound like desperate yells being vomited forth, and a gloomy atmosphere that reeks of mouldy crypts, nocturnal fears and god-forsaken places, very much influenced by ancient entities such as Goatlord, Delirium, Hellhammer, Necro Schizma, Winter, early Asphyx and Autopsy. Finished up with a solid mastering work (courtesy of Ted Tringo at The Ancient Way Mastering, U.S.A.) that enhances the morbidity of their sound, and the bleak artwork crafted by the German artist known as Misanthropic Art, "Perpetual Blackness" is an unquestionable tribute to all things uncanny and putrescent.
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800.00 Р
death doom metal, Memento Mori
One year after unleashing a promising debut full-length, Deprive is back with a sophomore album that strengthens all the attributes displayed on the critically acclaimed "Into Oblivion", only supplied with an even danker and more organic production that absolutely sets it apart from the current, plastic standards and will carry the listener back to a time when no digital tricks would spoil the soul of Death Metal. Formed in 2013, Deprive is the brainchild of a hyperactive veteran of the Spanish scene that goes under the nickname of Erun Dagoth, current/past member of a large number of bands and projects such as Briargh, Hrizg, Stormstone, CrystalMoors, Eldereon and Omendark, just to name a few. Drawing his influences from the early offerings of bands such as Paradise Lost, Hypocrisy, Morbid Angel, Amorphis, Incantation, My Dying Bride, Cemetary and Bolt Thrower, Erun Dagoth manages once again to display a vast array of resources that makes his music gloomy yet luminous, crushing yet emotional, capturing the very essence of the old-flavored, early and mid 90's Death Metal that used to toy with slower, doom-ish tempos to enhance the atmosphere. Produced in its entirety by Erun Dagoth himself, except for the artwork (handled by the talented Spanish artist Enserune), "Temple of the Lost Wisdom" is not just a great follow-up to "Into Oblivion", but a truly remarkable album that perfectly and honestly captures the vibes of yore, keeping them somewhat fresh and relevant for all true Death Metal fans to rejoice in.
Out of stock
Out of stock

800.00 Р
occult black death metal, Dusktone
Active since late '90 Black Flame is one of the most important occult black death metal band in italy. "Necrogenesis: Chants From The Grave" is the sixth full-length album released on Dusktone and represents the highest peak of their career offering eight tracks of an indescribable violence, technique and darkness in music. Although those tracks are shot through with moments of dark majesty and crushing black death metal riffage, BLACK FLAME's sound is about as extreme and as technical as it gets within the realm of extreme music, with tendency towards total sonic overload that'll test the most ardent necro and satanic-addicts This new album has moved deeper into stranger and more sharp realms of demonic death metal, this is seriously heavy stuff and ain't no fun, that's for sure. Fans of most radical sounds will find much to enjoy here. All others, beware... It has been recorded by Federico Pannazzato (Death SS) at the Music Ink Studios (already producers of the last album of Official Opera IX) Comes in a 4-panel Digipak with booklet.
In stock
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800.00 Р
black metal, Dusktone
“Seid” is the third studio album of norwegian black metallers KVALVAAG. It`s more aggressive but at the same time more diverse and unpredictable than our previous albums The unmistakable style of the Norwegian duo will take you in very cold atmospheres, impetuous rides and clearly epic parts. The atmosphere reminds the previous Malum album, but there is a lot more going on at all times. Haunting atmospheric touches and violent rhythmic elements produce something far bleaker and more unsettling than anything else. Kvalvaag has this to say about the new album: “When I started working on the new material, I wanted to surpass our previous work in every way possible. Much more time, effort and better equipment were used compared to our earlier works this time. We also received financial support from “Norsk fond for utøvende kunstnere” who gave us the ability to give the album the production it deserved. It was awesome working with Tom Kvalsonic as he is the man behind the sound of many of the albums we grew up with. He completely understood our vision and significantly raised the quality of the album. I feel we have successfully raised the bar as high as possible this time. We had to evolve a lot as musicians to be able to perform our parts during the recording. It has been a educational journey with a lot of hard work and technical challenges in the studio, but I am really satisfied with the end result and our musical progression”. Digipak CD.
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800.00 Р
avantgarde rock, Cold Dimensions
Tracklist: 1 6786 8:09 2 Zwischen Dem Salz Und Montpellier 7:02 3 Texas Della Morte 3:19 4 Frost 1 1:26 5 Töte Das Jahr Für Mich 22:30 6 Frost 2 3:01
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800.00 Р
depressive black metal, Hypnotic Dirge Records
Maeskyyrn is a black metal entity born of Montreal, Quebec, in 2017. It released a first demo, “Thoughts Of Shattered Dreams,” in January 2018, and assembled as a live band. On October 17, 2019, the sky will turn black as Maeskyyrn prepares to reveal Interludes, their first full length, to the mortal world. With its raw guitars and tortured screams, the full band’s aesthetic is reminiscent of the second wave of black metal. But deep under its charcoaled skin, Maeskyyrn takes advantage of modern technologies, as can be seen in the drum recording, overall production, and layers of discrete background synth. Indeed, as the album title suggests, Maeskyyrn brings forth a number of atmospheric interludes, thus pacing the album with brief uncomfortable moments of respite, before dragging you into the darkest pits with a series of long, punishing tracks. The end result is a traditional but highly unorthodox black metal album, with hints of eclecticism that reveal themselves and grows on you upon each listen, slowly rotting you to the core. This album will appeal to fans of black metal in general, but also to those who have been following Hypnotic Dirge Records since its very first inception. The label is proud to add Maeskyyrn’s Interlude to a long tradition that also includes classic black metal albums from bands like Silent Path, Neige et Noirceur, Funeral Fornication, and Obsidian Tongue.
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800.00 Р
progressive post metal, Hypnotic Dirge Records
“The Heavens Are Not On Fire...is the debut album from Wills Dissolve, a progressive death metal band from Houston, TX. Equally atmospheric and aggressive, this album weaves its concept (“a meditation on religion, violence, and cosmic chaos”) through seamless, satisfying transitions between ambient and bold passages. Led by masterfully executed drum grooves and finished with blazing, melodic leads and crushing vocals, Heavens… is progressive, but never wandering. Although one can certainly recognize influences both named by the band (Opeth, Katatonia, Ihsahn) and surprising (Rotting Christ, In Vain, Kozeljnik, November’s Doom), nothing about this spectacular debut is derivative. The production is clean and balanced, perfectly restrained, allowing each element to shine through organically. The Heavens Are Not On Fire… transports the listener to The Great Meteor Storm of 1833, an event erroneously interpreted by North American Christians as the biblical apocalypse and later recognized as the beginning of a critical shift towards a secular understanding of celestial phenomena. Lyrically and musically, Wills Dissolve’s debut is worth the many listens it takes to appreciate its authenticity and originality. “No More Sanctity!”
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