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866.67 Р
black / doom metal, Aesthetic Death
Fabien Longeot: Guitar (additional)
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666.67 Р
avantgarde black metal
The title translates to: "Beer, Darkness and Depression". Limited to 1000 copies.
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666.67 Р
hardcore sludge
Standard jewel case with clear tray & 12-page lyrics booklet. Recorded - March 2009 @ Studio G, Brooklyn, NY Mastered @ Turtle Tune Studios, NYC www.theendrecords.com ℗ 2009 The End Records © 2009 The Beginning Media
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666.67 Р
hardcore sludge
Recorded: March 2004 @ Room Seven Zero Eight, Willington, CT Mastered: April 2004 @ MWorks, Boston, MA Chris Fischkelta is credited but did not play on this recording (as is noted in the CD booklet). Standard jewel case with clear tray and 4-page fold-out.
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1 133.33 Р
funeral doom metal
4 panel digipak CD Limited to 300 copies.
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800.00 Р
black metal
Tracklist: 1 I 3:21 2 II 6:39 3 III 5:39 4 IV 6:39 5 V 7:44 6 VI 4:24 7 VII 5:49 8 VIII 3:41
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800.00 Р
black metal
6-panel hardback CD limited to 266 hand-numbered copies.
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733.33 Р
black metal
Comes in 6-panel digipak, ltd. to 333 copies. This album was recorded in early 2012 and it is the band´s third album in fact. At that time, I sought to compose more straightforward material within the strict framework of the BM style and rejected any experiments. But inspiration cannot be controlled. An inexplicable obsession got out of control and forced to create nine songs that were completely unlike on my past (and future) works. In 2012 these experiments with sound seemed to me too bold and I decided to bury this recording. Several songs were re-recorded and released on other albums, and some tracks completely disappeared into the shadows. Then I did not know that this album will begin the transformation from Black Metal to Black Rock. My musical roots won and helped create a different style. The perception of reality has changed and reached a new level. Years later, I changed my opinion about this album,because it iscompletely harmonious and self-sufficient. Inspired by such recordings as Darkthrone - “Goatlord”, Blackdeath - “Bottomless Armageddon” (which got a new life after a while) and of course the legendary Bathory - “Blood on Ice”, I decided to release this album, fully preserving the sound of old time. That is how these songs should sound, they were like that at the very beginning, before all re-releases. Yes, this is an old album, which shows DO SKONU in a new way. Fire from the past flared up just now. Varagian Vocals, Guitars, Bass (2009-present) See also: ex-ForestGrave, Horthodox
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733.33 Р
black metal
All songs created in the beginning of 2019, and many of them turned out to be prophetic. True Black Metal of "Hesychian noise" is filled by already recognizable cold melodiousness and mostly slow-paced, natural deadly rawness in any aspect. Music of the true Abyss, cultural collapse and decline of the modern world. The epoch of grand vicissitudes comes! Includes cover of the Russian BLACKDEATH. Comes in 6-panel digipak, ltd. to 333 copies. Design by Mr.Horth.
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533.33 Р
melodic death metal
This CD includes songs created by Alexander Afonchenko for his own project "H-God" in 2008. Due to personal troubles the project was closed and the songs remained unreleased. Now they are officially released under Asguard name. Jewelcase CD limited to 300 copies. Distributed by Possession Productions.
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666.67 Р
stoner metal
Deadman is an album exploring the representation of death by various peoples and literary writers. The storyline of the album is based on the journey of a deceased soul through the afterlife of various religious denominations - from the Scandinavian Hel to the Egyptian Duat. The main idea of ​​the album is to convey the atmosphere of these worlds musically and to guide the listener through them. Deadman's lyrics convey the inner feelings and experiences of a deceased soul, and also describe the afterlife, complementing the musical canvas. The group's compositions are large musical canvases in which you can hear the influence of various musical directions - from post-rock and groove metal to folk music and ambient.
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933.33 Р
post-metal / sludge doom metal
Tracklist: Scumbrella 4 Cimmeria 8:30 5 Metanoia 4:29 6 Homesick 7:16
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533.33 Р
stoner metal
captured onto audio tape by Lewis Childs at Earth Terminal Studios england feb 2007
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600.00 Р
stoner sludge doom metal
Tracklist: 1 Infinity 2 The Fickle Whims Of The Almighty 3 Space Wizard 4 Plague Bearer 5 The Hierophant 6 Moth 7 Robbie's Song 8 A Riff Too...
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600.00 Р
post-rock
Tracklist: 1 Black Moon Empire 4:15 2 Spark 3:05 3 Turquoise 8:29 4 T.S.D 6:03 5 Novorossiysk 1968 5:52
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1 666.67 Р
experimental noise rock
Recorded and mixed at Avalanche / UK 2006-2008 Additional recording at HOLC / LA 2007 And at Djouce / UK 2007 Track 9 is a bonus track from the 12" (Hydra Head, 2009).
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800.00 Р
sludge doom metal, Relapse Records
Richmond’s COUGH delivers thoroughly massive, psychedelic doom on their aptly titled Relapse debut ‘Ritual Abuse’. The albums five epic tracks are impenetrable walls of sludge; at points suffocating and claustrophobic, at others warped and hallucinogenic. ‘Ritual Abuse’ is an impressive monolith of sound and volume, and one of the finest moments yet of 21st century doom.
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666.67 Р
stoner metal, Relapse Records
Tracklist: 1 Attrition 3:15 2 Midnight Eyes 4:14 3 Demonic 3:29 4 One Last Nail 3:06 5 Down So Low 3:29 6 Your Hell Begins 4:50 7 With A Blade 5:22 8...
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533.33 Р
stoner metal, Relapse Records
Recorded at Machines With Magnets, Pawtucket, Rhode Island. ℗&© 2008, 2009
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466.67 Р
folk rock
Recorded and mixed at Flat Black Studio in Iowa. Mastered in California.
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600.00 Р
doom / folk metal, Sound Age Productions
Tracklist: 1 Kışın Tatlı Hüznü 2 Uzak Karanlık 3 Sonsuzluğa Uğurlarken 4 Kar Prensesi 5 Kutsal Saygı 6 Başka Boyutta
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600.00 Р
gothic metal, Sound Age Productions
Tracklist: 1 Run 2 Faster 3 Karmalove 4 I’m Your New Religion 5 What A Disorder 6 Our Farewell 7 Cold Hands 8 VIII 9 Nevermind 10 Nail In...
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600.00 Р
gothic metal, Sound Age Productions
Packaged in a jewel case.
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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Unten 2 Kain 3 Sintflut 4 Das Große Spektakel 5 Gottes Gnade (Hiob) 6 Stadt Des Schwefels 7 Asche 8 Die Abkehr Vom Licht 9 0...
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600.00 Р
Jewel case version
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600.00 Р
atmospheric post-black metal, Sound Age Productions
Tracklist: 1 Dumb 2 Brave
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600.00 Р
black metal, Sound Age Productions
jewel case version.
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600.00 Р
folk metal, Sound Age Productions
Tracklist: 1 Воздух 2 Остров Каннибалов 3 Призрак Саратана 4 Смерч 5 Мёртвое море 6 Цветы на воде 7 Огонь Палатина 8 В плену безветрия 9...
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666.67 Р
black doom metal
Comes in a 6-panel Ecopak made of cardboard. Limited to 1000 copies.
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466.67 Р
post-hardcore, Towner Records
Tracklist: 1 Beyond The Pines 5:32 2 Novocaine 3:47 3 Boundless Lands, Confined Thoughts 4:50 4 Träume 2:56 5 Green Ghost 4:57 6 Caronte 6:09 7...
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666.67 Р
post-metal / sludge doom metal
Tracklist: 1 The Humber 1:11 2 Recent Renovations At The White Hart 6:47 3 The Unbearable Lightness Of Spalding 7:37 4 All's Well That Hemswell 2:44 5...
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533.33 Р
post-metal / sludge doom metal
Recorded at Stuck On A Name Studio, Nottingham and locations around Lincoln.
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533.33 Р
gothic doom metal, Stygian Crypt Productions
Fully digitally record & mixed in "D.S. studio" on 25 July 1998 - 3 July 1999. Originally released in 1999 as an audio cassette
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600.00 Р
neoclassical doom death metal, Solitude Productions
After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.
A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.
"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.
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733.33 Р
neoclassical doom death metal, Solitude Productions
After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.
A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.
"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.
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733.33 Р
horror death doom metal, Solitude Productions

The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.
Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.
The album is released also as a limited edition four panel digipak featuring a twelve page booklet, in order to make your journey into the depths of "Glimmering Veil" even more unforgettable.

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600.00 Р
horror death doom metal, Solitude Productions

The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.
Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.

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666.67 Р
stoner doom metal, Doom Metal Rebirth

The soil that has been cultivated by Without God for the past seven years since the phenomenal “Circus Of Freaks” gave a perfect harvest. The first crop has already been delivered in the form of the EP "Siberian Tunes: The Green Light", and now the second part has arrived in all its strength: the full-length album "Siberian Tunes: Purple Clouds" performed in a hard, dark and aggressive way, without mercy and compassion to listeners, pushing one straight into hell at full speed. The limited edition coming as a noble 4-panel digipack addressed to the true fans best expresses the message by Without God.

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600.00 Р
dark metal, BadMoodMan Music
The new album by the Italian band featuring musicians previously participated in other bands and already released their first full-length album. "Echoes Of Winter", unlike the debut album, demonstrates balance, refinement of the material and musicians’ skills, together with its integrity. Perfect recording quality underlines all shades of the music and the mood of the album. The atmosphere of despair and emptiness is emphasized not only by harmonious musicians' performance with sublime riffs and deep guitar solos, but also by pure melancholic vocals with tragic screaming inclusions. This journey into coldness and darkness will be especially pleasant for fans of the classic Katatonia, as well as Opeth and The Morningside.
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1 000.00 Р
death doom metal
Tracklist: 1 A Quadrennial Dame Pyres, Hearses Shall No Yawn, Thence... 2 Therefore, A Myriad Of Gargoyles Bellow Their Aborted Versicles, Quoth Thee...
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1 066.67 Р
sludge metal
Live October 17, 2009 at Aragon Ballroom, Chicago, IL. Live remote recording: American Mobile Studio Published by Chrysalis Songs/Trampled Under Hoof Music (BMI)/Release Relapse Music (BMI) Except "The Bit" published by Prison Bride Music (ASCAP)/WB Music Corp. (ASCAP) Reprise Records, A Warner Music Group Company. © ℗ 2011 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. Tracks CD-12 and DVD-12, The Bit, is a Melvins cover song.
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533.33 Р
experimental neofolk
"their debut album, The Flax Of Reverie, Mothlite paint a picture as evocative as the Stan Brakhage film that inspired their name: a world of wilderness and wyrd that is at once English and entirely other." Six page insert with complete lyrics is in one of the side pockets.
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733.33 Р
hardcore / crust-punk, Relapse Records
"For nearly twenty years, Stockholm’s Victims have dished out an onslaught of crusty d-beat, hardcore punk, and Motörhead-quality rock ‘n’ roll" - Noisey Stockholm’s hardcore crust-punk veterans VICTIMS make their Relapse Records debut with their highly anticipated new album, The Horse and Sparrow Theory. Recorded by producer Karl Daniel Lidén (Bloodbath, Katatonia, Craft and more), The Horse and Sparrow Theory clocks in at 28 minutes of relentless insurrection. VICTIMS' uncompromising take on d-beat and hardcore is a definitive statement of intent, as the band is set to deconstruct the current socio-political climate, bleak outlook of mass class division, industrialization, and the self-absorbed pursuit of greed and corruption. The track “We Fail” features a sample from speaker Brigadier General Stephen Cheney from the Swedish Institute of Internal Affairs, UI Podcast, episode “The Climate Change and Security - Nexus”.
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733.33 Р
post-metal / sludge doom metal
Tracklist: 1 The End Result Of Falling... 7:34 2 Empty 4:44 3 Fly Away 3:08 4 Hopeless 4:34 5 Down 4:09 6 Fear 3:30 7 Breath 6:39 8 One More 2:55 9...
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533.33 Р
post-metal / sludge doom metal
(P) 2003 Century Media Records (C) 2003 Magic Arts Publishing (ASCAP)
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600.00 Р
black metal
Limited CD release.
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533.33 Р
sludge metal / post-metal, Slow Burn Records
Tracklist: 1. Black Light 7:07 2. Neuros[e] 8:53 3. Under Asphalt 11:18 4. Old Star 9:50 5. Clouds Fly To The East 6:31 6. Not Dead 7:34 7. Horizon 9:43 8....
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600.00 Р
funeral doom metal
750 copies in cardboard sleeve in brown paper envelope featuring the band logo on one side and both the label and "limited edition of 750" on the other.
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733.33 Р
death doom metal, Memento Mori
The crushing debut full-length by this Spanish band. Proscrito was born from the ashes of the sloppier incarnation known as Calvario in 2016, paying homage to the too-doomed-to-be-dead/too-dead-to-be-doomed music of such acts as Cianide, Hellhammer/Celtic Frost, Necro Schizma, Asphyx, Autopsy, Paradise Lost, Winter, Samael and Goatlord, crafting slow and churning tracks that were to be (not really) perfected with the band's debut EP, "El Calvario", in 2017: a release filled with an all-encompassing passion for decay and rottenness, from the penitent and flagellant opening track "Via Crucis" to the closing instrumental mantra that is "Puteado," pounding caveman percussion, thundering bass, and wah-soloing frenziness in between. After three days of morbid delirium at Moontower Studios (Ataraxy, Graveyard, Oniricous, Teitanblood), once again under Javier Felez's supervision, Proscrito's follow-up to the debut EP took form with some more echoes to the days of yore, as a full-length frontal assault titled "Llagas y Estigmas" ("Sores and Stigmata"), featuring 5 disgruntled litanies of blood, sweat and no-tears imagery reminiscent of Robert E. Howard and Cormac McCarthy, muscular riffage, vomit and mucus. Tracks like "Marcado por la Pezuña," "Tronos de Oprobio" or their (scato)logical outcome "Pantalgia" truly persist with that tradition of primitiveness, putting the stress both in the Death and the Metal, for Doom has always been the band's destiny, its powers and wisdom. Any way you describe it, the dense and sulfurous rumble this Spanish power trio creates can cause tectonic shifts as ably as it can rot your soul. There's an almost uncomfortably carefree, laissez faire approach to Proscrito's ritualistic plod, as if the band is indifferently acting as a conduit for supernatural frequencies only they can sense. It's not often that Memento Mori dips its toes into the doomier end of Death Metal as of lately, but when it does, be fucking sure that it's for good reason! And indeed, "Llagas y Estigmas" is one badass good reason!
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733.33 Р
death metal, Memento Mori
The highly anticipated 2nd full-length of this Chilean band. Hailing from the city of Valparaíso, Soulrot was formed by guitar player JL Olmos (Betrayed, ex-Micosis, ex-Gangrenous) circa 1993-1994 but was put to rest due to JL being involved in several other projects at the time. It wasn't until 2013 that JL joined bass player/vocalist JH Wilschrey (Sadistic Murder, Acero Letal) and they both resuscitated Soulrot, manifesting their unquestionable inclination towards the Death Metal of yore. This glorious, gangrenous resurrection resulted in the "Horrors from Beyond" demo in 2014 and the "Revelations" EP two years later. However, come 2017 did Soulrot finally released their first full-length, "Nameless Hideous Manifestations", through Death-Metal-of-yore stronghold Memento Mori. Bolstered by the addition of Daniel Fredes (Sadistic Murder) on drums, Soulrot stuck to their guns -a lyrical inclination toward H.P. Lovecraft's cosmogony and the preternatural, and musically inspired by old acts such as Nihilist/Entombed, Carnage, Autopsy, Grave, Necrony, Demigod, Traumatic, Carcass, Nirvana 2002 and Asphyx among others- but here exhibited a bulldozing sense of purpose, a crush-at-all-costs momentum teleported from 1992. And that bulldozer continues its crush unabated with Soulrot's second album, "Victims of Spiritual Warfare". Utterly gutsfucked as the previous album was, "Victims of Spiritual Warfare" sees Soulrot upping the urgency and delivering a tone literally worth dying for -if the teleportation stopped at '92 for "Nameless Hideous Manifestations", then this one's going no further than 1991! Soulrot somehow pull off the trick of being both rawer and more refined here, their songcraft broadening its scope -more patience, more doom, more crush- whilst tastefully unloading quick-hitting bursts of blistering Grindcore, altogether still sounding like the same band. But let it be known that this is still classic Death fucken Metal, same as it ever was, and always will be with Soulrot. Unbelievers will continue to roll their eyes at the familiarity, but just like they did on their debut album, with "Victims of Spiritual Warfare" do Soulrot utterly convince with their authenticity and passion. If you don't "get it", then you don't know Death Metal! Graced with stark cover artwork by Cesar Valladares and another molten mastering job by the esteemed Javier Felez at Moontower Studios, "Victims of Spiritual Warfare" could very well be their Indecent and Obscene, You'll Never See..., or even Harmony Corruption!
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733.33 Р
death metal, Memento Mori
The highly anticipated debut full-length by this U.S. band. Hailing from the rustbelt Metal hotbed of Cleveland, Kurnugia was founded by ex-members of Decrepit, Nunslaughter, Embalmer, December Wolves and Delusion. Not surprisingly, this assembly of seasoned underground veterans is heavily influenced by the classic Death Metal of the early 90's, and that's exactly what Kurnugia aim for: to go back right to the roots of the genre and pay homage to the deeds of old, unaware of gimmicks, trends and mindless experimentation. No more, and definitely no less! Kurnugia delivered their debut EP, "Tribulations of the Abyss", in 2013 and then followed it with another EP, "Condemned to Obscurity", in 2016. All too teasing have been these short-length assaults, but at last arrives Kurnugia's debut album! Aptly titled, "Forlorn and Forsaken" is ancient aural debauchery, delivered with evil intent, rotting and heinous. Fittingly, this full-length encapsulates everything Kurnugia have stood for to date: crushing riffery, divebombing solos and tight tank-treads of rhythm, all delivered with swift simplicity of design, but upratcheting the production to a clear and cutting devastation. Well-produced but not "too well-produced", "Forlorn and Forsaken" still seeps with a primordial heaviness rooted in classic Death Metal songcraft, nodding to (but not ripping off) the seminal works of Immolation, Grave, Incantation, Autopsy, Entombed, Cianide, Morbid Angel, Dismember, Death, Unleashed, Deicide and Benediction. And of course, this classicism is reflected in Mark Cooper's attention-grabbing cover art as well! You can't teach old dogs new tricks, the cliche goes, but you can let those dogs do what they do best: proudly stick to the early 90's traditions of Death Metal. That's been Memento Mori's modus operandi since day one, and we hereby welcome you into Kurnugia's netherworld with "Forlorn and Forsaken"!
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733.33 Р
death metal, Memento Mori
CD version of these Italians' sophomore full-length, previously only released on vinyl and digital format in 2016. Cancer Spreading are preaching their gospel of nihilism and self-destruction since 2006, actively and ruthlessly punishing the underground scene with a demo, an EP, a bunch of splits (w/ Children Of Technology, Fatum and Last Legion Alive, among others) and two full-length albums, the first of which, titled "The Age of Desolation", was unleashed upon mankind on CD format by us back in 2011. Their music is an apocalyptic, spine-wrenching alloy of the Crust/Metal that we oldies used to call Stenchcore back in the 80's, and the heavier-than-thou, earth-shattering sound that made Bolt Thrower stand out as one of the most storming and most influential Death Metal acts ever. Utterly recommended for fans of the Coventry legends, as well as Deviated Instinct, Asphyx, Sacrilege, Axegrinder, Sanctum, War Master, Stormcrow...
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733.33 Р
death metal, Memento Mori
The long-awaited 2nd full-length by this Greek band. Spawned from the sick brain cells of several past and current members of other deadly Hellenic entities such as Ectoplasma and Resurgency back in 2013, Vultur have been exhibiting an unquenchable thirst for sanguine Death Metal fluids ever since, revealed in all its putrid and vicious glory both in their "Vulture's Beak" demo (2016) and their "Entangled in the Webs of Fear" debut full-length (2018). Theirs is a timeless ilk of bludgeoning Death Metal that's stuffed with assorted tempos that go from relentless eruptions of savagery, to torturous and doomed-out passages replete with morbid harmonies, and through mid-paced onslaughts of sheer heaviness, influenced by the likes of Morbid Angel, Gorguts, Monstrosity, Immolation, Brutality, Suffocation, Morpheus Descends and Incantation. Salaciously titled "Drowned in Gangrenous Blood", Vultur's sophomore strike sees them sticking to that crushing course, and indeed drowning the hapless listener in gangrenous blood! No compromise, no quarter, no progression: "Drowned in Gangrenous Blood" is 100% undiluted Death Metal spawned from the most righteous of eras, the very beginning of the 90's. Even down to its bassy, shit-thick production -courtesy of Haris Vougiantzis, of Embrace Of Thorns fame, who also handles the mixing & mastering here- Vultur's 2nd album reeks of totally thorough authenticity. Its songwriting is creepy, lurking and most definitely sick, spewed by diseased minds who live for this. And it's also further proof that Greece's Death Metal underground is criminally unsung, but soon shall devour unbelievers... And what better way to garnish utter sickness than the literally viscous cover art courtesy of Gargoylekelly? Vultur have wasted no time in eclipsing their cult debut album. Drink up!
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466.67 Р
post-rock
Recorded in 2008
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666.67 Р
depressive black metal
Tracklist: 1 Intro 2 An Atteridgeville Horror 3 Cleansed 4 Enigma 5 The Corpse In The Forest 6 Seven Days To Dead (Instrumental) 7 The Casket...
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733.33 Р
death doom metal, Memento Mori
The astounding debut full-length by this Swiss band. Hailing from Lenzburg, Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours, including mixing and mastering. The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. That stage experience certainly plays into the band's long-awaited debut album, "...of Deceit and Utter Madness". With a gutsfucking guitar tone at the fore and utterly vile bass beneath, Funeralopolis crush chest cavities (and dreams) with a crusty sort of Death Metal that violently vacillates between lumbering, world-eating doom and ragged, almost-punkish gallops. Indeed, the spectre of domestic legends Hellhammer looms large here, but the band are undoubtedly most influenced by Death Metal from the late 80's and early 90's. Such names invoked include Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. However, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many, many more also had a big impact on Funeralopolis. In fact, one could say that the bubbling mass of "...of Deceit and Utter Madness" is a veritable love letter to all these noble influences. Fittingly, "...of Deceit and Utter Madness" is graced with alluring cover art courtesy of Mark Cooper, and maximum heaviness is ensured by Ted Tringo's mastering job. Funeralopolis open up the earth and present your mass grave!
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733.33 Р
death doom metal, Memento Mori
A CD that compiles the 2010 demo and the 2013 EP by this upcoming and promising Swiss band. Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours (including mixing and mastering). The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. The band's main influences can be tracked back to the late 80's and early 90's Death Metal of bands such as Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. Besides that, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many many more also had a big impact on Funeralopolis. Tracks 1-5: "...of Death" demo (2010) Tracks 6-12: "...of Prevailing Chaos" EP (2013)
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800.00 Р
death metal, Memento Mori
The terrific 4th full-length by this Italian band. Valgrind was born from the ashes of the ultra-underground act Necrospell in 1993, as a Death/Black Metal project with both extreme and melodic influences. Over the following years, the band released four demos and developed its own style, combining the main influences (Morbid Angel, Pestilence, Death, Nocturnus, Possessed, Monstrosity, Immolation) with a passion for the epically dark atmospheres of bands like Candlemass and early Paradise Lost. Disbanded in 2003, the strong will to return on stage of both founding member/main songwriter Massimiliano Elia and vocalist Daniele Lupidi (also frontman of Hateful) made Valgrind's return possible in 2008. With the addition of new motivated members, the band released their debut full-length, "Morning Will Come No More", in 2012. The album contained almost one hour of classic Death Metal filled with killer solos, memorable riffs and obscure vocals. Following the release, a series of shows were held in Italy, Germany, Holland, and Sweden. In 2016, the band delivered their sophomore full-length, "Speech of the Flame". The music strayed away from some of the early influences to become more personal, while the lyrical concept dealt with the darkest sides of the ancient Mediterranean civilizations. An EP called "Seal of Phobos" followed in 2017, and only one year later, Valgrind delivered their 3rd full-length, their most ambitious work to date. "Blackest Horizon" saw an increasing level of technicality in the guitar department, while retaining the old school vibe of the previous works. Vocals became less guttural and more aggressive, while a more organic production gave the listener a wider musical spectrum to dive into. Again, the public was introduced to the new songs in some memorable shows, including Helsinki Deathfest in 2018. Entering the studio again in mid 2019, Valgrind have now arguably delivered their masterwork: "Condemnation". Undeniably and 1000% Death Metal to the core, there's an intangible "something", a never-belabored uniqueness, that now sets these Italians apart from so much stock-standard Death Metal. For sure, their roots lay in the genre's old school still, but the bits and pieces they pull and recombine are unexpected but most definitely welcome; no particular scene or substyle or specific year is selected, just the focus on strong songwriting and impassioned performance. Likewise, the lyricism doesn't betray Death Metal's rigorous boundaries -here, it's the myths of legendary creatures and beasts in various ancient cultures- but Valgrind bring an artful touch to fantastical horror, all of it rolling out of bassist Lupidi's lugubrious throat with commanding clarity. To that, the power trio's clarity of execution is also a thing of (ugly) beauty, firing off one flowing, furious part after another with seamless construction and solos that are the absolute definition of class. In fact, calling "Condemnation" classy Death Metal would not be much of a stretch: the songwriting itself is that poignant and powerful, and the production -mixed by Cristiano Copat at KK Recording Studio, and mastered by Damian Herring at Subterranean Watchtower Studios- is perfectly matched, skillfully balancing that clarity with crush. Giving this special album an ever-more-distinctive touch is the cover art courtesy of Lupidi himself, hereby making "Condemnation" truly Valgrind's triumph of death!
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733.33 Р
death metal, Memento Mori
The long-awaited 7th full-length by these U.S. Death Metal stalwarts. Formed in the bowels of Chicago way back in 1997, Cardiac Arrest should need no introduction to ardent fans of rotting and blood-drenched Death Metal, for these grave-dwellers have been carving out aural nightmares of perishing and grime for decades now. Consisting of four individuals with an unearthly interest in all that's absurd, morbid, gruesome and unhealthy, the band's been consistently getting heavier and more vile with every album they spat out, honoring timeless Death Metal of the most grinding and putrid ilk with genuineness and a no-nonsense approach, yet adding enough personality to be in a forever-rotting league of their very own. Now, more than half a dozen albums deep into their 23-year career, Cardiac Arrest have again delivered a masterstroke that bands a third of their age would be jealous to release: "The Day That Death Prevailed". Much like they did with their previous album for Memento Mori, 2018's acclaimed "A Parallel Dimension of Despair", Cardiac Arrest stick to their guns, but come out with those guns fully blazing! Tastes may change, but these U.S. diehards continue to stay true to the iron-clad ethos of genuine, all-caps Death Metal; if anything, they get better with age. Indeed, the title "The Day That Death Prevailed" is fitting, for their rigorously fine-tuned form of Death Metal squarely harkens to older, purer days -when true songwriting was valued most, and the disgusting chops to back it up. Cardiac Arrest do both here, gutsfucking the listener with a fiercely focused mix of headbanging gallops and well-timed bouts of blasting, a streamlined, shit-heavy steamroller that's as catchy as the clap; hooks and grooves and generally memorable nastiness are all sliced and sluiced across "The Day That Death Prevailed" with absolute ease. But lest one think "catchy" means "soft", think again: these Chicago miscreants are ever committed to horror in the most classic sense, just like aesthetic forebears Grave, Master, Benediction, Obituary, Cianide, Malevolent Creation and, of course, the Floridian masters Death and Massacre. This deep into their catalog, though, and it's about damn time Cardiac Arrest are included in the (un)hallowed ranks, right? With suitably stark cover art courtesy of Eric Rot and another crushing mastering job by Javier Felez at Moontower Studios, "The Day That Death Prevailed" once again proves that old age doesn't soften the diehard one bit: it just kicks them into Cardiac Arrest!
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666.67 Р
stoner rock
CLOUDS have followed up 'Legendary Demo' with an even bigger, better, and more brilliant slab of hot rock action. Delivering all the anthemic choruses, white-hot licks, and psychedelic grandeur that anyone could ever possibly hope to cram into a single album made by mere mortals. Standard jewel case with OBI, clear tray & 12-page lyics booklet of thick paper. Recorded December 3-9, 2007 A Godcity in Salem MA Engineered/Mixed A God City Mastered A New Alliance East All Songs: Handsome Tunes (ASCAP), I Can Hear Music (ASCAP), Robots Cyborgs Androids Unite (ASCAP), and QNoise (ASCAP) Hydra Head Records / P.O. Box 291430, Los Angeles, CA 90029 www.hydrahead.com / First Pressing 2008
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533.33 Р
drone doom metal
In the same vein that Sunn 0))) have made being an ambient group one of the loudest things on earth, Chord happily dedicate themselves to the simple but effective principle that ominous noise -- as the concluding "Am" shows from the start just as much as "Am7" -- is enough to work with rather than riffs and singing.
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666.67 Р
sludge doom metal
Cover is grey leather-like cardboard without inscriptions. CD is red with red inscriptions on it. Recorded and mixed at Studio Celephäis from July to December 2005. All pictures are taken at Koiwa Death Fest. on 29th December 2005.
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466.67 Р
black doom metal
Recorded at Malibù Studio, MediolanuM, on sombre days of March 1999 A.D. Darkly mastered at Elettroformati.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Critically acclaimed multi instrumentalist STEVE MOORE (ZOMBI) presents the score to the 2019 feature film "Bliss". From pulsing, panic-inducing freneticism of tracks such as "The Bite" to calm and contemplative melodies and guitar leads endearing the listener to the film's lead character,"Bliss" sees STEVE MOORE at his most dynamic, intense, and nuanced.
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733.33 Р
acid rock, Relapse Records
An infectious display of fuzzed-out guitar shredding instrumentals from Toxic Holocaust mainman JOEL GRIND and legendary surf rock pioneer / innovator of modern guitar distortion DAVIE ALLAN! The perfect soundtrack to an acid-drenched biker movie from hell!
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733.33 Р
noise rock, Relapse Records
Rightfully hailed as “the noisiest pop music on the planet” by Pitchfork, Austin, TX’s cult noise rock trio CHERUBS have been purveyors of sonic bedlam since their inception in 1991. After an unforeseen return to the scene from a two-decade hiatus in 2014, the CHERUBS have now joined forces with the equally revered Relapse Records for the release of their fifth long-player Immaculada High. Recorded and engineered by Erik Wofford (Explosions in the Sky, The Black Angels, My Morning Jacket) at Cacophony Studio in Austin, Immaculada High is 11 songs of signature CHERUBS clamor with an added twist of Texas-sized, psychedelic racket. Smooth, rumbling low-end rhythms interplay with feedback drenched, chuggin’ guitars, relentless tone and vocalist Kevin Whitley’s shrill, life-of-the-LSD-party vocals. On Immaculada High, CHERUBS loudly proclaim their title as bonafide noise rock legends who continue to forge transgressive yet remarkably accessible punk for a jaded world.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Original soundtrack to the major motion picture Cub scored by STEVE MOORE (Zombi). Cub is a brutal horror film from Belgium that tells the tale of a young cub-scout bullied by his troop-mates. When the kids take a scout camping trip to the woods, things get bloody quickly when a deranged poacher sets his sites on the young kids. STEVE MOORE's haunting synth based score is the perfect soundscape for this acclaimed horror film. Whether you're familiar with the movie Cub or not, STEVE MOORE's score sits perfectly with your Zombi discography.
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1 333.33 Р
rock
© ℗ 2006 A & E Records Limited Manufactured in U.S.A.
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733.33 Р
doom death metal
Released in jewel case 8-page stapled booklet with clear tray. Only 500 copies.
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600.00 Р
melodic death / black metal, Sound Age Productions
Tracklist: 1 Intro 2 Undying 3 Deception Of Mind 4 I Will Take Revenge 5 Infected Life 6 My Rotten Cage 7 Rest In Peace 8 Nameless 9 So...
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600.00 Р
post-black metal, Sound Age Productions
Tracklist: 1 When The Darkness Falls 2 Havoc 3 Agony 4 Your Inner Norilsk, Pt. 1 5 Your Inner Norilsk, Pt. 2 6 Balanced On A Knife 7...
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600.00 Р
thrash death metal, Sound Age Productions
Jewel case 12 pages booklet.
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600.00 Р
black metal, Sound Age Productions
Packaged in a jewel case.
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600.00 Р
atmospheric black metal, Sound Age Productions
Old russian funeral triptych
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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Сглаз 2 Заговор от змей 3 Заговор от тоски 4 Прощение 5 Заговор от покойника 6 Прощание
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600.00 Р
symphonic / melodic groove metal, Sound Age Productions
Tracklist: 1 Intro 2 Disbelief 3 In Vision 4 Memories 5 Before We Die 6 Run! 7 Poison 8 Djoser's Doo 9 Victoria
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600.00 Р
melodic black metal, Sound Age Productions
Tracklist: 1 Mysterious Paths 2 The Call Of Full Moon 3 Drink My Blood 4 Wolf Trail 5 Sacrifice 6 Spirit Of The Dead Swamps 7 Descendants Of...
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600.00 Р
atmospheric black metal, Sound Age Productions
Tracklist: 1 Sakura
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600.00 Р
black metal, Sound Age Productions
Tracklist: 1 Исходъ 2 Коще Омракъ 3 Пекло, Взыди! 4 Чърнобогъ 5 Лиху Слѧхъ 6 Мара-Ма 7 Шиликунъ 8 Христа Изъедоша 9 Царскаѧ Печать 10...
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800.00 Р
folk death metal, GS Productions
Produced by Thomas Stoll Engineered by Fred Rapp Recorded & Mixed at Viking Sound Studio Schoemberg 2 All Songs by Dark Reality reussue in jewelcase
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