Label Releases

A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.

The fourth full-length album of the Belgian quintet Marche Funèbre entitled "Einderlicht", which is translated as "light at the end", combines all traditional elements known from the previous works of the group: death, black and doom metal fused in a unique mixture with strong melodies and wide range vocals.
Thematically, "Einderlicht" focuses on the strange ability of humanity to consciously decide to commit suicide.
Accounting for their previous experience, which has borne good results, the musicians decided to again ask to perform recording Markus Stock, known for his cult bands and participation in the recording of Empyrium, Vision Bleak, Alcest, Secrets Of The Moon and many others. Brooke Schaden has created another magical cover art for this piece, like for all other Marche Funèbre's full-length albums. The album comes as a digipak with a twelve-page booklet, and includes an exclusive bonus track "Gone".

For shipping from Europe order here - https://eadoom.bandcamp.com/album/ea-taesse

Edition of 100 copies on grey opaque with black and white splatter vinyl

For shipping from Europe order here - https://eadoom.bandcamp.com/album/ea-taesse

Edition of 100 copies on black vinyl

The Sunset Forsaken project was established in Donetsk in 2014 by musician Andrey Tolok as an alternative to his black metal project Haissem, since the music he composed did not fit into the frames of a single project.
The second full-length album, "85 Nerves", is finally released on CD by Solitude Productions.
Lyrically, the album consists of four completely different narrative stories. "Dulcet Amnesia" tells the story of a man who has lost his memories and, at the same time, found an incomprehensible calm, for whom loneliness became an anesthesia that split him from the rest of the world. “Through The Moon I've Seen The Sorrow Born” brings into the story of a man who, looking at the Moon, sees his life, which is divided into two periods: “before” and “after”. "The Ebony Chasm Of Despair" tells how a person, while falling into a bottomless abyss, observes what happened to our civilization throughout its existence. The final title track "85 Nerves" sheds light on the story of a woman, who was trapped within her dreams ...
Musically, "85 Nerves" is a classic dark metal with a doom / death influence, with typical genre features, such as melodic solos throughout the composition, growl as the main vocal, and viscous riffing.
The album is released as a 6-panel limited edition digipack.

Fortress of sound equal to the brutal cosmic punch in the face of an ancient disgusting mythological giant awakened from the aeons of eternal sleep by earth-shaking, almost razor-sharp epic riffs. Expression at the very limit of suffering, anger, bitterness and euphoria, intertwined with embodiment of the darkest thoughts from the deepest corners of the soul and consciousness.
This is doom. This is metal from Croatia.
For us, it's really all about the return of the mysticism. It's all about bringing back darker, "larger than life" story into the music. It’s about bringing back the meaning and reconnecting with what matters most - expression, art and the story it tells.
Elusive God’s intention is to express our creative visions through slow, heavy and atmospheric music.
In a way, this is the return of metal. Why? Because the music that used to blow us away with energy, honesty, meaning and nonconformity is in the wake of extinction. It's dominated by a complete lack of creative vision and playing by established patterns with total disregard of the mystery and visual component. Yet, maybe the most unfortunate fact is a complete loss of the mystical and dark aura that used to embrace the whole genre with all of its performers.
Metal as we see it is over the top, mysterious, layered and it takes much more than superficial listening or consuming to delve deeper into the very message that music conveys. It also has a strong visual imagery that, along with the musical part, represents two sides of the same coin which cannot exist without each other.

The fifth release by Australian band Ivan “Silver Screens” develops and affirms their unique personal style that goes far beyond the frames of funeral death doom metal. At the same time, when working on this album, the musicians gained diverse experience and achieved a new level of sound.
A combination of heavy riffs with a lively violin and atmospheric keyboards creates a harmonic unity. Melodies that touch the very soul, together with epic and airiness make the album indeed special and memorable.
The artwork was created by our good friend Ashley Williams who has expressed through acrylics the spirit of the album, representing the sound through the color palettes which were envisioned whilst writing and recording «Silver Screens».
The album comes as a limited six-panel digipack.

The debut album by Eyeless in Gaza, a band from Armenia, presents a fusion of different styles and gives a fresh look at the genre. A harmonic combination of classical acoustic guitar, academic choral chants, and dark ambient interludes, as well as motifs of the epic funeral doom metal and black doom metal with variable vocals, gives birth to a real epic canvas filled with magic that tells about a personal experience, which can be expressed exclusively by the language of music.
Act I: The Protagonist is an abstract conceptual album, where each track is a stage of personal experience, existential thoughts about destruction as an idea of a new beginning. This is a dreamy and tragic monologue about deep feelings of regret and humility that are melting within us.
The album comes as a limited six-panel digipack.

From the very first tones the new work by the Italian band Silvered demonstrates high skills of the musicians and carefully crafted material. Original music at the intersection of melodic death metal and melodic doom is filled with powerful energy and real feelings. Two special guests, members the famous Novembre band, took part in the album recording: Carmelo Orlando on vocals and Fabio Fraschini on bass. A beautifully designed booklet was created by Danielle Serra, a professional illustrator and the winner of the Fantasy British Prize, whose works were parts of numerous exhibitions in the US and Europe.

It’s been almost 15 years since death doom act Intaglio released their debut album, and now they are back with some ambitious new material. “The Memory of Death” is a demo single from the forthcoming new album currently in production.

Intaglio has always been a project that’s not afraid to push boundaries and set new standards in the genre. The extensive use of double bass and cello injects a unique character into the recording, and is just one of many things that helps make the band stand out from its peers in death doom metal. Even though it’s only a demo, “The Memory of Death” is a huge step up from the debut in terms of composition and production value.

The full length album is scheduled to be released in 2021.

The third album "Terrene" from international death/funeral doom act Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album S operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for. Featuring guest flute and cello performances by Don Zaros of Evoken and the Russian Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive doom metal experience.