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733.33 Р
industrial black metal, Dusktone
The HANORMALE project conceives the work in a logic that's diametrically opposed to the modus operandi of any musician, starting from rhythmic sequences fixed with a spirit of improvisation, to which musical parts, arrangements, voices and effects have been added. The album is introduced by the first track that deviates from the compositional method of the work, as a tribute to TWIN PEAKS and as a glue with the previous unmissable album. Arcanus Incubus, creator and coordinator of the ensemble, as well as the main author of the work, begins the work pushing Mox Cristadoro (MonumentuM - Christadoro) to create rhythmic drawings, freely inspired by the reading of terms randomly extrapolated from the Italian language dictionary, divided into syllables and phonetically transformed into scans impressed on the elements of a drums. From here followed the sum of the parts, conveyed in the mixer managed by Carlo Meroni (A.D.S.R.), prerogative of 13 performers, each bearer of style and personal inspiration, until the alteration of the conscience ...
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733.33 Р
ambient black metal, Aesthetic Death
A new cosmic black metal super group is born. 4 tracks here, but really, it's just one hour long take in intent. Deep and endless ambient black metal, but even more, it's psychedelic. Dubbed on vintage long tapes, with the b-side being the synth channel from the a-side, for a sort of blackened new age.
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733.33 Р
funeral doom metal, Aesthetic Death
After 7 years of silence, Reido recorded the third album - "Anātman". It was recorded in Anton Matveev's home BlastWave Studio. The album contains 6 tracks, 60 mins. A new person joined the band during the making of "Anātman". Musician from Moscow, Russia, Dmitry Kochkin, became the drummer for the band and recorded the drum parts for the third album. For the first time Reido printed the lyrics of the songs in the CD booklet. All the graphic design was created by Vladimir Smerdulak Chebakov.
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733.33 Р
ambient / neo-classic, Ksenza Records
All the artwork was realised by Francesca Vam using actual tattoos made for the artist's skin, on the assumption that tattoos are sacred marks on the surface of Art. Inspired in both measure by everything sacred and esoteric and by scientific studies on sounds frequencies, Nemo creates his own world, where Gregorian chants, Balcanic and Middle Eastern traditional vibes, Michael Nyman Prospero's Book, Olafur Arnald's introspective textures, Dead Can Dance misty soundscapes and Aphex Twin's deep basses join to mesmerise the listener
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733.33 Р
atmospheric black metal, Ksenza Records
New Album 2019 Limited 6 pannel CD digipak edition with 2 bonus tracks
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733.33 Р
doom metal
"Pagan Fire" is the second album of the Finnish doomsters Serpent Warning. Superb doom metal with catchy riffs, haunting vocals, and memorable songwriting skills.
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733.33 Р
doom metal
“II” marks the return of Madrid doomsters Misty Grey, and their first release with new vocalist Bea, who delivers a wider vocal range and a better quality output. Guitarwork shows a honest devotion for the classic Sabbathesque sound, rather than being a mere copycat or another contestant for the stupid heavier-than-thou competition that’s been flooding the Doom Metal scene for years. They may not have the thickest distortion out there but you don’t really need that if you can write such memorable bluesy riffs and catchy, ripping leads. Rhythm section gives a proper sense of heaviness with effective, twisting basslines and pounding drumming. A fresh lyrical concept, based on the works of legendary filmmaker Alfred Hitchcock, adds that thrilling feeling of intrigue of the Master of Suspense as the tension builds up through these nine tracks. About the production, it has a vintage quality without falling into any “retro” gimmick.
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733.33 Р
atmospheric post-black metal, Ashen Dominion
Nuitville is Ukrainian blackgaze one-man project, created by the artist and musician Tristan Nuit. Debut EP album “When The Darkness Falls” dedicated to the Night, like to the alive phenomenon, cradle of calmness and inspiration. Recorded, mixed and mastered in 2015-2019. 6-panel digipak.
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733.33 Р
industrial black doom metal
Recorded during summer 1998 and summer 2002 in Studio Ragnarök and during autumn 1999 and autumn 2002 in Cranial Machineries. (c) Woods of Belial (p) Firebox Records 2003 Woods Of Belial are: WOHI: Blasphemy BLOOD: Torment HORNED BLACK: Noise Released in a clear tray jewel-case CD with 8-page booklet.
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733.33 Р
atmospheric sludge metal
Released in an edition of 500. All songs written spring 2006 - spring 2007. Recorded summer 2007. Mixed autumn 2007. Mastered autumn 2008. Total playing time 58:55.
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733.33 Р
viking folk metal, Sound Age Productions
Digipak version.
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733.33 Р
CD in 4-panel Digipak
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733.33 Р
drone ambient
Recorded in Amsterdam, Geneva, Berlin & Linz 03-05. "Deep In Ocean Sunk The Lamp Of Light And Drew Behind The Cloudy Veil Of Night" - Homer, The Iliad. • Note 1: All tracks are untitled. • Note 2: Uncredited credit for the hand-printed artwork (Alan Sherry of SIWA label) obtained from VHF Record's website.
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733.33 Р
eclectic doom death / black metal, BadMoodMan Music

Четвёртый полноформатный альбом бельгийского квинтета Marche Funèbre под названием «Einderlicht», что переводится как «свет в конце», сочетает в себе все элементы, известные по творчеству группы: это и в некоторых степенях death, black и doom в уникальном миксе с сильными мелодиями и широким вокальным диапозоном.
Тематически, «Einderlicht» фокусируется на странной способности человечества сознательно решить покончить с собой.
Учитывая своё опыт, принесший добрые плоды, музыканты решили снова обратиться в плане записи к Маркусу Штоку, известному по своим культовым группам и участием в записи Empyrium, Vision Bleak, Alcest, Secrets Of The Moon и многими другими. Как и все предыдущие полнометражные альбомы Marche Funèbre, Брук Шаден создала еще одно волшебное творение для обложки, что нашло достойное воплощение в издании, в виде диджипака с двенадцатистраничным буклетом. Кроме того, только на CD слушатели могут найти скрытый бонус-трек «Gone».

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733.33 Р
death doom metal, Solitude Productions

Греческие мастера атмосферного doom death metal возвращаются с новым, третьим по счёту, полноформатным альбомом, чтобы снова удивить и покорить слушателей. Музыканты снова добавляют новых красок в свою палитру, чтобы выразить чувства, открываясь с новой стороны. Обволакивающая холодом новая работа Shattered Hope – это глубокий философский диалог с вечностью, выраженный посредством глубоких текстов, несущих отсылки к классикам, а также при помощи мощной сокрушающей музыки, исполненной безупречно мастерски и искренне.
Первые сто экземпляров альбома изданы в формате шестиполосного диджипака с великолепно оформленным двенадцатистраничным буклетом.

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733.33 Р
funeral doom metal, Archaic Sound
Cult Funeral Doom/Black Metal alliance of Danish masters of Doom, Death and Misery initially planned as release on now defunct DET GERMANSKE FOLKET label. Nevertheless, bands released this conceptual split-album two years later under ARCHAIC SOUND banner as DIGI-CD with LP size poster limited to 500 copies. Artwork by phenomenal Musta Aurinko (BLACKDEATH, INFESTUS, FLAGELLANT).
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733.33 Р
atmospheric black metal, Archaic Sound
After digital release in late 2016 and ultra-limited release on obscure CDR label year later, third and the best album of Quebec’s masters of Atmospheric Black Metal finally available in format it deserves. Artwork by Vincent Biouchard (FORTERESSE). Must have for fans of AGALLOCH, WOLVES IN THE THRONE ROOM, DRUDKH and GOD IS AN ASTRONAUT.
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733.33 Р
black metal, Archaic Sound
New creation of Swedish multi-instrumentalist Nicklas Rudolfsson, well-known for his work in HEAVYDEATH, RUNEMAGICK, NECROCURSE and THE FUNERAL ORCHESTRA as well as for old days drumming in SACRAMENTUM and SWORDMASTER. Debut album highly inspired by apocalyptic themes of Nordic mythology.
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733.33 Р
progressive doom death / post-metal, BadMoodMan Music

Новый альбом украинской группы ODRADEK ROOM - "Painted Mind", остающейся в авангарде интеллектуальной металл-сцены. Стилистически музыка коллектива произрастает из атмосферного progressive post-metal и doom death metal с вкраплениями смежных стилей.

Автором проекта нарисованы клипы, которые вместе образуют цельный анимационный психоделический мультфильм с единым сюжетом. Альбом отображает психологический аспект "омрачений ума", погружаясь и деконструируя подавленные состояния сознания. Музыканты предлагают слушателям пройти свой собственный путь в осознании заложенный идей, причин и следствий происходящей истории в фильме. Шестипанельный стильный диджипак с артами из анимационного фильма от лидера группы должен занять достойное место в Вашей коллекции.

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733.33 Р
death doom metal, Solitude Productions

Настоящее издание составили EP «Dead Hopes» и демо «The Last Chains», гармонично сочетающиеся на одном CD, общей длительностью в 45 минут. Группа из Италии, в настоящий момент представленная музыкантом Дэмиеном (также является вокалистом итальянской black metal группы Comando Praetorio), следует традициям doom death metal, под влиянием британской doom metal сцены начала 90-х, с влиянием других групп, таких как Evoken, Esoteric, Dead Can Dance и Lycia.
Tetramorphe Impure - это путешествие по подсознательным коридорам разума, где ваш дух на мгновение освободится от земных цепей плоти, облечённое в оболочку шестипанельного диджипака.

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733.33 Р
funeral doom metal, Solitude Productions

Третий альбом российской funeral doom metal группы Abysskvlt продолжает исследование тибетской духовной культуры. Поиски музыкантов сказались на том, что все тексты написаны и исполнены на тибетском и шангшунгском языках, а в записи были использованы два десятка традиционных тибетских музыкальных инструментов.
Альбом посвящен тематике Ухода и описывает ритуалы небесного погребения и странствия сознания дальше, сквозь бездну, за пределы Сансары. Это самый нестандартный funeral doom metal от Abysskvlt, с ещё большим уклоном в музыку древней традиции Бон.
Издание для посвящённых, в виде шестиполосного диджипака.

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733.33 Р
brutal death metal, FONO ltd
Recorded At Morrisound Recording, Tampa, Florida "Born In A Casket" recorded on the Death Metal Massacre 2000 Tour, Hollywood, CA
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733.33 Р
industrial / dark ambient / black metal, Aesthetic Death
All music and lyrics by Daniel Jansson except: Lyrics for "Djävulsögon - Deconstructing The Bloodwolf" by Magnus Långberg Recorded and mixed at Necropolis Studios during 2018 and 2019 Mastered at Priory Recording Studios by Greg Chandler 6-panel Digipak. Pressing of 500 copies.
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733.33 Р
experimental folk, Aesthetic Death
An experiment in music and poetry that explores and touches on themes of loneliness and dealing with mental illness. each track was recorded and mixed differently, using multiple mediums and techniques, including simple smartphone tracking, digital and analog tape recording methods, and field recordings at places of importance Released in a 6-panel digipak with a 24-page booklet.
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733.33 Р
dark ambient, Aesthetic Death
Released in a digipack. A concept Album based upon the ancient goddess of witchcraft HECATE. Presented in 4 tracks which are an accompaniment to an esoteric ritual and dark ambient expression to Hecate.
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733.33 Р
black metal, Aesthetic Death
Written & recorded by the Lycaean Triune at the Unsafe Space, Summer 2018 (Anchorage, Alaska). Reamping, mixing & mastering done at BST Studio. Artwork by Pierre Perichaud (Business For Satan, France).
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733.33 Р
stoner doom metal, Aesthetic Death
Released in a digipak. Limited to 300 copies.
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733.33 Р
stoner metal
•Baroness• Recorded 2005 at The Jam Room, Columbia, South Carolina •Unpersons• Recorded during two days in winter 2004 at The Jam Room, Columbia, South Carolina. except "Un Cerceuil Flottant" initial performance recorded by Carl at Fort Rocks in 2005. All songs (C) 2007 Baroness / Unpersons
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733.33 Р
death doom metal
Huge riffs, loud amps and piercing screams: this is what Zolfo is about. The Apulian Sludge/Doom-mongers will release their debut album ‘Delusion Of Negation’ in January 2020 and will surely gain a place of honor in the nowadays fervent Italy’s underworld. In the band’s own words “
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733.33 Р
sludge doom metal
Italian Blackened Doom monster NAGA is ready to make their comeback in November 2019 with a new obscure effort called ‘Void Cult Rising’ following up the fortunate ‘Hen’ and ‘Inanimate’. The Naples-based three-piece pick up where they left off, shaping a masterpiece of grief and nihilism, a true bliss for fans of Tryptikon, Unearthly Trance, Craft, Amenra. 12-panel Inverted Cross-shaped Digipak
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733.33 Р
black sludge metal
The Man Behind The Sun is SednA’s third album in ten years, one single track for a 33-minute-long sonic opus delving deep into the hazes of Black Metal, Post Rock and Doom. SednA have channeled all their strongest sentiments to create their most crushing effort to date, solemn and uplifting.
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733.33 Р
sludge progressive metal
It’s time to wipe off some dust from this little gem from the Italian Stoner Rock underground, for too long disappeared from the radars. ZIPPO debut album ‘Ode To Maximum’ was recorded in October 2005, exactly 13 years ago, and came out self-released in early 2006, suddenly received with sheer enthusiasm by the heavy music press unanimously. This release comes out with a pachydermic new artwork by DARTWORKS, re-mastered by Tony Reed(Mos Generator, Stone Axe) and featuring two bonus tracks. Digipak cd edition
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733.33 Р
post-punk, Relapse Records
The album sees CEREMONY at the height of their creative output, as the always-evolving Rohnert Park quintet take various influences from post punk and rock to create one of the summer's most compelling and infectious records. "In the Spirit World Now" is full of layered sonic fury and anxiety, each song building up to a point and then descending down through a militant, catchy hook. “Turn Away the Bad Thing” sets the tone, guitars climbing around the driving bass line, as Ross Farrar sings, “It’s getting harder for me to be alright/Eyes adjusting to the dark/The momentum of all these last resorts built inside of me.” Songs like “Presaging the End” and “Calming Water” feel romantic and distressed, while “Further I Was” and “Years of Love” are driven by Farrar’s rebellious energy as he repeats the hook with a deadpan realness. “Years of love can be forgotten/In the hatred of a day.” But the true stand-out is the title track, “In the Spirit World Now”, a haunting pop gem with a sticky chorus and lead synth riff that plants itself in your head as Farrar chants the track’s name over and over like a mantra. “In the Spirit World Now" is a sort of nebulous and ectoplasmic place where things may not be quite what they seem,” he says. “It means sh*t is about to get weird.” The album marks a milestone for this Northern California punk outfit who have stayed true to themselves as songwriters throughout massive sonic growth throughout their storied career.
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733.33 Р
death black metal
Треклист: 1 It's Coming 2 Nature Will Remain 3 Rebellion 4 Light in the Void 5 Prometheus 6 Dark Flames 7 Phoenix 8 Song For Victory
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733.33 Р
death black metal
Треклист: 1 XXX-Rapist & Goregasm 2 Bitchbrigade 3 Integrated Vulva Hacker 4 Mao-Sochism 5 Cumshot Combat 6 Arts Of Farts 7 Teenage Cunt...
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733.33 Р
death metal
Треклист: 1 Intro 2 Odd Man Out 3 False Superiority 4 Crossroads 5 Without A Break 6 By Devil's Side 7 Self / Sale 8 Perpetual Delay 9...
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733.33 Р
heavy psych, Relapse Records
Philadelphia's ECSTATIC VISION explode onto the scene with one of the most thrilling guitar driven records in a long, long time. Weaving the guitar heroics of the 70s heavy classics of UFO and Hawkwind with the rhythmic intensity of Sun Ra and Amon Düül II, ECSTATIC VISION are sure to be a huge hit for fans of High On Fire and Fela Kuti alike. Massive riffs vibe seamlessly with deep rhythms to create one of the most original and best HEAVY PSYCH debuts in years!
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733.33 Р
sludge metal, Relapse Records
Southern California's SEVEN SISTERS OF SLEEP unveil their Relapse Records debut 'Ezekiel's Hags', a venomous mixture of doom, death metal, black metal, d-beat and grind. Recorded with engineer Paul Miner (Motorhead, Terror, Phobia), 'Ezekiel's Hags' is 11 relentless songs that beat the listener into oblivion. Unquestionably SSOS's heaviest material to date and chock full of tortured vocals, gigantic riffs, and thunderous drums, this is music as vile as it can be.
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733.33 Р
atmospheric post-black metal, Relapse Records
Australian atmospheric black/sludge metal quartet Hope Drone emerge with their Relapse debut LP Cloak of Ash. A richly captivating, seven song stroke of extreme brilliance, Cloak of Ash combines devastatingly beautiful atmosphere with the uncompromising heaviness of a thousand tidal waves. This is music that is dynamic and textured, supremely nihilistic and earth shaking. Hope Drone have arrived with incredible force and are here to crash violently upon your shores.
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733.33 Р
blackened death doom metal, Relapse Records
Ritualistic, apocalyptic noisemakers ATRIARCH are back with their fourth offering of mind-altering, doom-soaked, death rock entitled Dead As Truth. Recorded and mixed by Greg Wilkinson at Earhammer Studios (Om, Graves At Sea, Vhol) and featuring artwork by Stevie Floyd (YOB, Dark Castle), Dead As Truth sees ATRIARCH venture deeper into the blackened abyss with haunting incantations, exotic drones, and crushing aural experimentations that boldly embrace death's cold heart. Fragments of post-punk, gothic doom, black metal, sludge, and noise complement the band's desolate universe and further supplement their most immediate and formidable release to date. ATRIARCH prescribe the order that there is but one truth and that is death.
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733.33 Р
avantgarde metal, GS Productions
NEW ART : LIMITED EDITION 200 COPIES : REISSUE: IN JEWELCASE + 8 PAGE BOOKLET
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733.33 Р
darkwave, GS Productions
--- There once was a most beautiful planet called Eorthe --- But mankind really fucked it up --- Only a few survived Dōmes Dæg --- Two tribes emerged: Enoe and Mandoag --- Mandoag tried to hunt us down with their spiral wings --- They built bastilles that we absconded from --- Beware of Mandoag searchlights --- Her boat was waiting for us on the shore --- We cried when we saw what we had done --- How could we be so ignorant? --- Even the crows had disappeared --- We built Baduhenna with our last resources --- We gotta get away although we could have had it all --- The last rite before the take off --- Our spaceship on a preset course to Alpha Canis Majoris --- We're desperate and scared: there is no home anymore --- It's so dark and cold out there --- There's no return --- Au revoir, Terre! --- Antichrisis had been working over two years on the movie score to A. Forster's SciFi filmlet "Baduhenna": a challenging task as "Baduhenna" is a movie without any dialogue. Like in the silent film era the music had to underscore the entire movie reflecting the emotions of all characters of the pursued Enoe tribe. The soundtrack album contains the original motion picture edit (Track 1) as well as all its tracks separately (Tracks 2 - 10 ). We've also included bonus tracks "Understanding Everything" (Track 11) and "There Were Crows (Snowflakes Mix)" (Track 12) as they fitted just perfectly to the album's over-all atmosphere.
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733.33 Р
doom death metal, Solitude Productions

Новый альбом бразильских лидеров атмосферного doom death metal принимает эстафету от своих двух предыдущих работ и выводит мастерство музыкантов на очередной высокий уровень. Уже испытанный и наиболее оптимальный рецепт, состоящий из монументальных клавишных и органных партий с мрачными гитарными рифовами в обрамлении пронзительных партий соло, накладывается на кристальное звучание и рождают магию HellLight.
Яркий, неповторимый, трогающий до глубины души материал как для тонких ценителей жанра, так и для всех любителей тяжёлой и мрачной чувственной музыки.

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733.33 Р
doom death metal
Released in jewel case 8-page stapled booklet with clear tray. Only 500 copies.
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Original soundtrack to the major motion picture Cub scored by STEVE MOORE (Zombi). Cub is a brutal horror film from Belgium that tells the tale of a young cub-scout bullied by his troop-mates. When the kids take a scout camping trip to the woods, things get bloody quickly when a deranged poacher sets his sites on the young kids. STEVE MOORE's haunting synth based score is the perfect soundscape for this acclaimed horror film. Whether you're familiar with the movie Cub or not, STEVE MOORE's score sits perfectly with your Zombi discography.
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733.33 Р
noise rock, Relapse Records
Rightfully hailed as “the noisiest pop music on the planet” by Pitchfork, Austin, TX’s cult noise rock trio CHERUBS have been purveyors of sonic bedlam since their inception in 1991. After an unforeseen return to the scene from a two-decade hiatus in 2014, the CHERUBS have now joined forces with the equally revered Relapse Records for the release of their fifth long-player Immaculada High. Recorded and engineered by Erik Wofford (Explosions in the Sky, The Black Angels, My Morning Jacket) at Cacophony Studio in Austin, Immaculada High is 11 songs of signature CHERUBS clamor with an added twist of Texas-sized, psychedelic racket. Smooth, rumbling low-end rhythms interplay with feedback drenched, chuggin’ guitars, relentless tone and vocalist Kevin Whitley’s shrill, life-of-the-LSD-party vocals. On Immaculada High, CHERUBS loudly proclaim their title as bonafide noise rock legends who continue to forge transgressive yet remarkably accessible punk for a jaded world.
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733.33 Р
acid rock, Relapse Records
An infectious display of fuzzed-out guitar shredding instrumentals from Toxic Holocaust mainman JOEL GRIND and legendary surf rock pioneer / innovator of modern guitar distortion DAVIE ALLAN! The perfect soundtrack to an acid-drenched biker movie from hell!
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733.33 Р
ambient / experimental / soundtrack, Relapse Records
Critically acclaimed multi instrumentalist STEVE MOORE (ZOMBI) presents the score to the 2019 feature film "Bliss". From pulsing, panic-inducing freneticism of tracks such as "The Bite" to calm and contemplative melodies and guitar leads endearing the listener to the film's lead character,"Bliss" sees STEVE MOORE at his most dynamic, intense, and nuanced.
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733.33 Р
death metal, Memento Mori
The long-awaited 7th full-length by these U.S. Death Metal stalwarts. Formed in the bowels of Chicago way back in 1997, Cardiac Arrest should need no introduction to ardent fans of rotting and blood-drenched Death Metal, for these grave-dwellers have been carving out aural nightmares of perishing and grime for decades now. Consisting of four individuals with an unearthly interest in all that's absurd, morbid, gruesome and unhealthy, the band's been consistently getting heavier and more vile with every album they spat out, honoring timeless Death Metal of the most grinding and putrid ilk with genuineness and a no-nonsense approach, yet adding enough personality to be in a forever-rotting league of their very own. Now, more than half a dozen albums deep into their 23-year career, Cardiac Arrest have again delivered a masterstroke that bands a third of their age would be jealous to release: "The Day That Death Prevailed". Much like they did with their previous album for Memento Mori, 2018's acclaimed "A Parallel Dimension of Despair", Cardiac Arrest stick to their guns, but come out with those guns fully blazing! Tastes may change, but these U.S. diehards continue to stay true to the iron-clad ethos of genuine, all-caps Death Metal; if anything, they get better with age. Indeed, the title "The Day That Death Prevailed" is fitting, for their rigorously fine-tuned form of Death Metal squarely harkens to older, purer days -when true songwriting was valued most, and the disgusting chops to back it up. Cardiac Arrest do both here, gutsfucking the listener with a fiercely focused mix of headbanging gallops and well-timed bouts of blasting, a streamlined, shit-heavy steamroller that's as catchy as the clap; hooks and grooves and generally memorable nastiness are all sliced and sluiced across "The Day That Death Prevailed" with absolute ease. But lest one think "catchy" means "soft", think again: these Chicago miscreants are ever committed to horror in the most classic sense, just like aesthetic forebears Grave, Master, Benediction, Obituary, Cianide, Malevolent Creation and, of course, the Floridian masters Death and Massacre. This deep into their catalog, though, and it's about damn time Cardiac Arrest are included in the (un)hallowed ranks, right? With suitably stark cover art courtesy of Eric Rot and another crushing mastering job by Javier Felez at Moontower Studios, "The Day That Death Prevailed" once again proves that old age doesn't soften the diehard one bit: it just kicks them into Cardiac Arrest!
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733.33 Р
death doom metal, Memento Mori
A CD that compiles the 2010 demo and the 2013 EP by this upcoming and promising Swiss band. Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours (including mixing and mastering). The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. The band's main influences can be tracked back to the late 80's and early 90's Death Metal of bands such as Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. Besides that, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many many more also had a big impact on Funeralopolis. Tracks 1-5: "...of Death" demo (2010) Tracks 6-12: "...of Prevailing Chaos" EP (2013)
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733.33 Р
death doom metal, Memento Mori
The astounding debut full-length by this Swiss band. Hailing from Lenzburg, Funeralopolis was awoken under the name Human Waste in 2006. With vocalist Void joining the band in 2009, they changed the name to Funeralopolis. Void left the band shortly after, but the name stayed. They started recording the first demo, titled "…of Death", with a slightly different lineup (guitar-desecrator Thuri also took on vocals) under horrible circumstances in only 48 hours, including mixing and mastering. The tape was released as a co-release between Dark Descent Records and Skeleton Plague. Several years and beers later, the recording of the "…of Prevailing Chaos" EP took place at Hidden Stash Studios, with a slightly different lineup. It was summoned in 2013. Funeralopolis didn't have any lineup changes since 2011, and have been around since a decade now. Over the years, they've shared the stage with bands like Mystifier, Dead Congregation, Excruciation, Diocletian, Bölzer, Sadistic Intent and many more. That stage experience certainly plays into the band's long-awaited debut album, "...of Deceit and Utter Madness". With a gutsfucking guitar tone at the fore and utterly vile bass beneath, Funeralopolis crush chest cavities (and dreams) with a crusty sort of Death Metal that violently vacillates between lumbering, world-eating doom and ragged, almost-punkish gallops. Indeed, the spectre of domestic legends Hellhammer looms large here, but the band are undoubtedly most influenced by Death Metal from the late 80's and early 90's. Such names invoked include Autopsy, Darkthrone, Asphyx, Sadistic Intent, Nihilist, Necrovore, Obituary, Incantation and Blasphemy. However, other bands like Sodom, Cianide, Sarcofago, Winter, Candlemass, Doom, Carnivore and many, many more also had a big impact on Funeralopolis. In fact, one could say that the bubbling mass of "...of Deceit and Utter Madness" is a veritable love letter to all these noble influences. Fittingly, "...of Deceit and Utter Madness" is graced with alluring cover art courtesy of Mark Cooper, and maximum heaviness is ensured by Ted Tringo's mastering job. Funeralopolis open up the earth and present your mass grave!
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733.33 Р
death metal, Memento Mori
The long-awaited 2nd full-length by this Greek band. Spawned from the sick brain cells of several past and current members of other deadly Hellenic entities such as Ectoplasma and Resurgency back in 2013, Vultur have been exhibiting an unquenchable thirst for sanguine Death Metal fluids ever since, revealed in all its putrid and vicious glory both in their "Vulture's Beak" demo (2016) and their "Entangled in the Webs of Fear" debut full-length (2018). Theirs is a timeless ilk of bludgeoning Death Metal that's stuffed with assorted tempos that go from relentless eruptions of savagery, to torturous and doomed-out passages replete with morbid harmonies, and through mid-paced onslaughts of sheer heaviness, influenced by the likes of Morbid Angel, Gorguts, Monstrosity, Immolation, Brutality, Suffocation, Morpheus Descends and Incantation. Salaciously titled "Drowned in Gangrenous Blood", Vultur's sophomore strike sees them sticking to that crushing course, and indeed drowning the hapless listener in gangrenous blood! No compromise, no quarter, no progression: "Drowned in Gangrenous Blood" is 100% undiluted Death Metal spawned from the most righteous of eras, the very beginning of the 90's. Even down to its bassy, shit-thick production -courtesy of Haris Vougiantzis, of Embrace Of Thorns fame, who also handles the mixing & mastering here- Vultur's 2nd album reeks of totally thorough authenticity. Its songwriting is creepy, lurking and most definitely sick, spewed by diseased minds who live for this. And it's also further proof that Greece's Death Metal underground is criminally unsung, but soon shall devour unbelievers... And what better way to garnish utter sickness than the literally viscous cover art courtesy of Gargoylekelly? Vultur have wasted no time in eclipsing their cult debut album. Drink up!
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733.33 Р
death metal, Memento Mori
CD version of these Italians' sophomore full-length, previously only released on vinyl and digital format in 2016. Cancer Spreading are preaching their gospel of nihilism and self-destruction since 2006, actively and ruthlessly punishing the underground scene with a demo, an EP, a bunch of splits (w/ Children Of Technology, Fatum and Last Legion Alive, among others) and two full-length albums, the first of which, titled "The Age of Desolation", was unleashed upon mankind on CD format by us back in 2011. Their music is an apocalyptic, spine-wrenching alloy of the Crust/Metal that we oldies used to call Stenchcore back in the 80's, and the heavier-than-thou, earth-shattering sound that made Bolt Thrower stand out as one of the most storming and most influential Death Metal acts ever. Utterly recommended for fans of the Coventry legends, as well as Deviated Instinct, Asphyx, Sacrilege, Axegrinder, Sanctum, War Master, Stormcrow...
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733.33 Р
death metal, Memento Mori
The highly anticipated debut full-length by this U.S. band. Hailing from the rustbelt Metal hotbed of Cleveland, Kurnugia was founded by ex-members of Decrepit, Nunslaughter, Embalmer, December Wolves and Delusion. Not surprisingly, this assembly of seasoned underground veterans is heavily influenced by the classic Death Metal of the early 90's, and that's exactly what Kurnugia aim for: to go back right to the roots of the genre and pay homage to the deeds of old, unaware of gimmicks, trends and mindless experimentation. No more, and definitely no less! Kurnugia delivered their debut EP, "Tribulations of the Abyss", in 2013 and then followed it with another EP, "Condemned to Obscurity", in 2016. All too teasing have been these short-length assaults, but at last arrives Kurnugia's debut album! Aptly titled, "Forlorn and Forsaken" is ancient aural debauchery, delivered with evil intent, rotting and heinous. Fittingly, this full-length encapsulates everything Kurnugia have stood for to date: crushing riffery, divebombing solos and tight tank-treads of rhythm, all delivered with swift simplicity of design, but upratcheting the production to a clear and cutting devastation. Well-produced but not "too well-produced", "Forlorn and Forsaken" still seeps with a primordial heaviness rooted in classic Death Metal songcraft, nodding to (but not ripping off) the seminal works of Immolation, Grave, Incantation, Autopsy, Entombed, Cianide, Morbid Angel, Dismember, Death, Unleashed, Deicide and Benediction. And of course, this classicism is reflected in Mark Cooper's attention-grabbing cover art as well! You can't teach old dogs new tricks, the cliche goes, but you can let those dogs do what they do best: proudly stick to the early 90's traditions of Death Metal. That's been Memento Mori's modus operandi since day one, and we hereby welcome you into Kurnugia's netherworld with "Forlorn and Forsaken"!
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733.33 Р
death metal, Memento Mori
The highly anticipated 2nd full-length of this Chilean band. Hailing from the city of Valparaíso, Soulrot was formed by guitar player JL Olmos (Betrayed, ex-Micosis, ex-Gangrenous) circa 1993-1994 but was put to rest due to JL being involved in several other projects at the time. It wasn't until 2013 that JL joined bass player/vocalist JH Wilschrey (Sadistic Murder, Acero Letal) and they both resuscitated Soulrot, manifesting their unquestionable inclination towards the Death Metal of yore. This glorious, gangrenous resurrection resulted in the "Horrors from Beyond" demo in 2014 and the "Revelations" EP two years later. However, come 2017 did Soulrot finally released their first full-length, "Nameless Hideous Manifestations", through Death-Metal-of-yore stronghold Memento Mori. Bolstered by the addition of Daniel Fredes (Sadistic Murder) on drums, Soulrot stuck to their guns -a lyrical inclination toward H.P. Lovecraft's cosmogony and the preternatural, and musically inspired by old acts such as Nihilist/Entombed, Carnage, Autopsy, Grave, Necrony, Demigod, Traumatic, Carcass, Nirvana 2002 and Asphyx among others- but here exhibited a bulldozing sense of purpose, a crush-at-all-costs momentum teleported from 1992. And that bulldozer continues its crush unabated with Soulrot's second album, "Victims of Spiritual Warfare". Utterly gutsfucked as the previous album was, "Victims of Spiritual Warfare" sees Soulrot upping the urgency and delivering a tone literally worth dying for -if the teleportation stopped at '92 for "Nameless Hideous Manifestations", then this one's going no further than 1991! Soulrot somehow pull off the trick of being both rawer and more refined here, their songcraft broadening its scope -more patience, more doom, more crush- whilst tastefully unloading quick-hitting bursts of blistering Grindcore, altogether still sounding like the same band. But let it be known that this is still classic Death fucken Metal, same as it ever was, and always will be with Soulrot. Unbelievers will continue to roll their eyes at the familiarity, but just like they did on their debut album, with "Victims of Spiritual Warfare" do Soulrot utterly convince with their authenticity and passion. If you don't "get it", then you don't know Death Metal! Graced with stark cover artwork by Cesar Valladares and another molten mastering job by the esteemed Javier Felez at Moontower Studios, "Victims of Spiritual Warfare" could very well be their Indecent and Obscene, You'll Never See..., or even Harmony Corruption!
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733.33 Р
death doom metal, Memento Mori
The crushing debut full-length by this Spanish band. Proscrito was born from the ashes of the sloppier incarnation known as Calvario in 2016, paying homage to the too-doomed-to-be-dead/too-dead-to-be-doomed music of such acts as Cianide, Hellhammer/Celtic Frost, Necro Schizma, Asphyx, Autopsy, Paradise Lost, Winter, Samael and Goatlord, crafting slow and churning tracks that were to be (not really) perfected with the band's debut EP, "El Calvario", in 2017: a release filled with an all-encompassing passion for decay and rottenness, from the penitent and flagellant opening track "Via Crucis" to the closing instrumental mantra that is "Puteado," pounding caveman percussion, thundering bass, and wah-soloing frenziness in between. After three days of morbid delirium at Moontower Studios (Ataraxy, Graveyard, Oniricous, Teitanblood), once again under Javier Felez's supervision, Proscrito's follow-up to the debut EP took form with some more echoes to the days of yore, as a full-length frontal assault titled "Llagas y Estigmas" ("Sores and Stigmata"), featuring 5 disgruntled litanies of blood, sweat and no-tears imagery reminiscent of Robert E. Howard and Cormac McCarthy, muscular riffage, vomit and mucus. Tracks like "Marcado por la Pezuña," "Tronos de Oprobio" or their (scato)logical outcome "Pantalgia" truly persist with that tradition of primitiveness, putting the stress both in the Death and the Metal, for Doom has always been the band's destiny, its powers and wisdom. Any way you describe it, the dense and sulfurous rumble this Spanish power trio creates can cause tectonic shifts as ably as it can rot your soul. There's an almost uncomfortably carefree, laissez faire approach to Proscrito's ritualistic plod, as if the band is indifferently acting as a conduit for supernatural frequencies only they can sense. It's not often that Memento Mori dips its toes into the doomier end of Death Metal as of lately, but when it does, be fucking sure that it's for good reason! And indeed, "Llagas y Estigmas" is one badass good reason!
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733.33 Р
post-metal / sludge doom metal
Треклист: 1 The End Result Of Falling... 7:34 2 Empty 4:44 3 Fly Away 3:08 4 Hopeless 4:34 5 Down 4:09 6 Fear 3:30 7 Breath 6:39 8 One More 2:55 9...
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733.33 Р
hardcore / crust-punk, Relapse Records
"For nearly twenty years, Stockholm’s Victims have dished out an onslaught of crusty d-beat, hardcore punk, and Motörhead-quality rock ‘n’ roll" - Noisey Stockholm’s hardcore crust-punk veterans VICTIMS make their Relapse Records debut with their highly anticipated new album, The Horse and Sparrow Theory. Recorded by producer Karl Daniel Lidén (Bloodbath, Katatonia, Craft and more), The Horse and Sparrow Theory clocks in at 28 minutes of relentless insurrection. VICTIMS' uncompromising take on d-beat and hardcore is a definitive statement of intent, as the band is set to deconstruct the current socio-political climate, bleak outlook of mass class division, industrialization, and the self-absorbed pursuit of greed and corruption. The track “We Fail” features a sample from speaker Brigadier General Stephen Cheney from the Swedish Institute of Internal Affairs, UI Podcast, episode “The Climate Change and Security - Nexus”.
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733.33 Р
horror death doom metal, Solitude Productions

Второй альбом ирландской группы Superstatic, собранной Рустамом, лидером Rakoth и Umbral Presence (также являлся концертным бас-гитаристом Cruachan). Название проекта является отсылкой к дебютному альбому Rakoth «Superstatic Equilibrium», но на этот раз Рустам обратился к жанру doom death metal. На «Glimmering Veil» музыка начала тяготеть больше к funeral doom metal, стала более мрачной и сложной, с элементами horror. В то же время, тексты основаны на произведениях Харлана Эллисона, Вильгельма Гауффа, Стивена Кинга, Артура Мэчена, а также компьютерных играх Morrowind и System Shock 2, что делает прослушивание «Glimmering Veil» ещё более интересным и непредсказуемым.
Гитарные партии гитары исполнил Сергей Лазарь (Аркона, Rossomahaar), который также смикшировал альбом. Мастеринг альбома выполнил Том Вальц (известный по работе с Venom, Annihilator, Dopethrone и многими другими).
Альбом выпущен также в виде лимитированного четырёхпанельного диджипака с двенадцатистраничным буклетом, чтобы ваше путешествие в глубины «Glimmering Veil» было ещё более незабываемым.

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733.33 Р
neoclassical doom death metal, Solitude Productions

После многолетнего затишья Intaglio выпускают новый полноформатный альбом, получивший название “II”. Кратко альбом можно описать как «doom-опера». Он способен не только поразить старых, но и заинтересовать новых слушателей жанра, поскольку коллективу удалось внести свой вклад в развитие стиля. Для создания нового материала альбома была использована крупная форма, что является большой редкостью в метал- и рок-музыке. При записи использовались исключительно живые инструменты, включая классические. Профессиональные вокалисты, работающие в самых разных диапазонах от basso profundo до soprano, создали уникальную для doom metal палитру звуков.
Альбом можно назвать концептуальным, т.к. композиции объединяют текст альбома в единое целое. Для правильного восприятия альбом обязательно нужно слушать от начала до конца, чтобы погрузиться полностью в его атмосферу.
Запись и сведение альбома производилась в Slow Burn Studio (When Nothing Remains, Woe Unto Me), мастеринг выполнил Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) на легендарной студии Finnvox в Финляндии. Новый альбом Intaglio – это и новый взгляд на жанр doom death metal. А обложка альбома в исполнении польского художника Mariusz Lewandowski (Bell Witch, Atramentus), призвана подчеркнуть неповторимое мастерство Intaglio.

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733.33 Р
black metal
All songs created in the beginning of 2019, and many of them turned out to be prophetic. True Black Metal of "Hesychian noise" is filled by already recognizable cold melodiousness and mostly slow-paced, natural deadly rawness in any aspect. Music of the true Abyss, cultural collapse and decline of the modern world. The epoch of grand vicissitudes comes! Includes cover of the Russian BLACKDEATH. Comes in 6-panel digipak, ltd. to 333 copies. Design by Mr.Horth.
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733.33 Р
black metal
Comes in 6-panel digipak, ltd. to 333 copies. This album was recorded in early 2012 and it is the band´s third album in fact. At that time, I sought to compose more straightforward material within the strict framework of the BM style and rejected any experiments. But inspiration cannot be controlled. An inexplicable obsession got out of control and forced to create nine songs that were completely unlike on my past (and future) works. In 2012 these experiments with sound seemed to me too bold and I decided to bury this recording. Several songs were re-recorded and released on other albums, and some tracks completely disappeared into the shadows. Then I did not know that this album will begin the transformation from Black Metal to Black Rock. My musical roots won and helped create a different style. The perception of reality has changed and reached a new level. Years later, I changed my opinion about this album,because it iscompletely harmonious and self-sufficient. Inspired by such recordings as Darkthrone - “Goatlord”, Blackdeath - “Bottomless Armageddon” (which got a new life after a while) and of course the legendary Bathory - “Blood on Ice”, I decided to release this album, fully preserving the sound of old time. That is how these songs should sound, they were like that at the very beginning, before all re-releases. Yes, this is an old album, which shows DO SKONU in a new way. Fire from the past flared up just now. Varagian Vocals, Guitars, Bass (2009-present) See also: ex-ForestGrave, Horthodox
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733.33 Р
atmospheric black metal, Dusktone
"La proiezione del Fuoco" consists of seven passages to celebrate the phases of initiation to the mistery cult of the solar deity Mithra. There¹s an incredible amount of exploratory thought behind this new album that make this one of Anamnesi¹s most ambitious projects to date. It is a collection of power and delicacy that transpires from every track impregnated with great compositional technique, epicity and tradition. "La proiezione del Fuoco" has entirely made in summer 2015 at Ex Oblivion Studio mixed and mastered by Fabrizio Sanna, surrounded by a monumental 24 pages booklet artwork designed by @Francesco Gemelli, featuring the first Anamnesi photosession made by Valeria Spiga at the Antas Temple of Fluminimaggiore (Sardinia). Jewel case comes with a 24-page booklet.
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733.33 Р
black doom metal
Recorded, mixed and mastered at the Outer Sound Studio in Rome/Italy, during September/December 2006 and January/February 2007. This release has been issued without slipcase.
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733.33 Р
doom death metal
Songs 1 - 6: Recorded and mixed at Fors studio Český Těšín 25th-30th November 1993 Songs 7 - 8: Bonus recorded and mixed at Zprdele Sound studio Havířov March 2010 Song 9: Taken from "Tribute Törr - Institut Černého Kovu" Recorded at studio Zprdelesound Havířov in June 2011
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733.33 Р
doom death metal
Треклист: 1. Seasons Unite 8:20 2. Above You All 4:55 3. Pits Of Despair 4:20 4. The Beloved's Cry 4:42 5. My Requiem 8:08 6. Orphaned Land - The Storm...
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733.33 Р
death metal, Memento Mori
The highly anticipated 2nd full-length by this Russian band. Hailing from Nizhny Novgorod and formed in February 2013, Wombripper have ever since leaned towards the Swedish school of Death Metal with raw, crunchy buzzsaw guitars and straightforward compositions. Highly influenced by Grave, Entombed and Dismember, their first demo, "Morbid Aberrations", was recorded and released in 2014, and the band shared the stage with some of the genre's milestones such as Necrophobic, Nominon and Fleshcrawl, and also newer underground acts such as Undergang, Nocturnal Witch, etc. After several lineup changes, the 4-track EP "Infected Tomb" was recorded and self-released by the band in 2017. That same year, Wombripper recorded their debut album, "From the Depths of Flesh", which was released in 2018 by different labels, such as Redefining Darkness Records (U.S.A.) and Grotesque Sounds (Russia). "From the Depths of Flesh" gained them lots of positive feedback from the media and old school Death Metal fans alike, as the album displayed some top-notch Swedeath, an aural massacre featuring plenty of catchy and morbid melodies, blazing solos and blasting devastation. Now scaled back to a 3-piece, Wombripper put the power in power-trio with their crushing second album, "Macabre Melodies". Ever aptly titled, "Macabre Melodies" is both macabre to the max as well as melodic -in a most macabre manner! Wombripper are nothing if not maniacs devoted to pure 90's Death Metal, and that vintage aspect rings proud and true here, adding to (but never subtracting from) the iron-clad foundation laid down by Dismember back then, keeping the guitars gutsfucking and incredibly tuneful, with hummable tunes you simply won't be able to get out of your head. But lest anyone linger under the assumption that "melodic" equates to some weakening aspect, fuck right off here: Wombripper are not named that for no reason, and "Macabre Melodies" encapsulates and then eclipses their no-less-righteous prior recordings, making for the band's apex to date and all without sacrificing an ounce of crush or credibility. Graced with stark and haunting cover art courtesy of MFA XII, "Macabre Melodies" is the sweet song you'll hear... before you die! Fans of classic Entombed, Fleshcrawl, Entrails, Nirvana 2002, Dismember, Grave, Demonical, Carnage and God Macabre: Wombripper is your favorite new old-style band!
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733.33 Р
death metal, Memento Mori
The terrific 3rd full-length by this notable Melbourne based band. Borne out of the members desire to see a resurgence of a heavier, more dissonant style of Death Metal back in 2006, Ignivomous were among the first wave of bands to reignite interest in the genre in the first decade of this century. "Hieroglossia" preserves the core membership of the band present throughout its tenure -Sean Hinds (guitar), Chris Broadway (drums) and Jael Edwards (vocals)- and presents the recording debut of Lewis Fischer (Altars) on guitar and Chris Jordon (Inverloch, Eskhaton) on bass, both of whom have cemented the band's live assault for the previous few years in a campaign of high-profile shows in their native Australia. This lineup in its current form has secured and built upon the band's unrelentingly legacy, oozing raw, sinister Death Metal pushed a step further into the void, creating an album which synthesizes the bands influences with a definitive and individual vision. While projecting a murky and atmospheric take on the Death Metal template, the eight organic and primal songs on "Hieroglossia" avoid sacrificing the primacy of the riff for reverb-drenched formlessness, or songwriting in favour of dissonance for its own sake. Thematically, "Hieroglossia" continues Ignivomous' investigation into topics of philosophical pessimism, influenced by the works of Thomas Ligotti and E.M. Cioran, and gnostic concepts of the fallen and hostile nature of the material world, presented throughout with a literary sensibility which should be accustomed to those familiar with their previous output. Previously released on LP through Nuclear War Now! in November 2019, "Hieroglossia" was also released as a strictly limited tour edition digisleeve that was available for purchase during the band's European tour in late 2019. That digisleeve version did not include the official cover art and was roughly mastered. Memento Mori's version is presented in a regular jewel case, featuring the original cover art and layout by Stefan Thanneur, and a proper mastering work by James Plotkin (O.L.D., Khanate) at his own Plotkinworks Studio.
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733.33 Р
black doom metal
For fans of Mortuary Drape, Old Rotting Christ, Ophtalamia, Bethlehem era Dark Metal, etc.
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733.33 Р
black metal
Killer Black Metal highly influenced by the No Fashion Records Catalogue
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733.33 Р
funeral doom metal
Members of Ondskapt, Avksy, Anguish and Acolytes of Moros
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733.33 Р
doom / death metal
Limited edition 550 copies worlwide Released in jewel case with 8-panel stappled booklet
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733.33 Р
dark metal / post black ambient, Ksenza Records
Limited edition CD digipak
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733.33 Р
drone / ambient / post-rock, Ksenza Records
Limited edition Digipak + pit-art
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733.33 Р
funeral death doom metal, Solitude Productions
Четвёртый полноформатный альбом российских тяжеловесов funeral doom death metal, убедительно демонстрирующий пик мастерства музыкантов.
Альбом продолжает путь усложнения музыкальной структуры, в которую вплетаются мощные клавишные и партии тромбона. Также продолжилось усложнение структуры лирики, которая объединяет все композиции альбома в единую смысловую картину. Это исповедальное полотно представляет внутренний мир героя, некогда подверженного гордыне, прошедшего через внутренние катастрофы путём омытым слезами.
Оформление, дополняющее музыкальную и лирическую составляющую, выполнено художником Матвеем Бобковым.
Запись и сведение произведены Алексеем Костовицким, мастеринг – Евгением Семёновым (Intaglio, When Nothing Remains, Mesmur и т.д.).
Альбом издан в двух вариантах, включая лимитированный (всего 99 копий!) диджипак с буклетом.
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666.67 Р
doom death metal, Solitude Productions
Российский дум-метал-лейбл Solitude Prod. представляет свой новый, седьмой, релиз: переиздание легендарного альбома 1996 года петербургской группы Painful Memories, приуроченное к десятилетию с момента создания. "Memorial To Suffering" - живой документ, засвидетельствовавший яркое явление на российской металлической сцене середины 90-х годов, - был издан в своё время ограниченным тиражом и распространялся силами самих музыкантов на аудио-кассетах. Сегодня каждому любителю дум-метала предоставляется возможность пополнить свою коллекцию этим уникальным изданием в формат аудио-диска, с ремастированным материалом, специально сзданным оформлением, включающим архивные фото. Диск также содержит эксклюзивный видеоматериал - ранее не издававшуюся концертную запись группы.
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666.67 Р
apocalyptic funeral doom, Solitude Productions
Дебютный альбом молодой талантливой группы из Минска (Беларусь). Нетривиальная и неординарная музыка в стиле funeral doom, пронизанная мраком от первой до последней ноты, соприкасаясь с такими стилями, как сладж и дарк-эмиент, создаёт поистине аоклпсическую картину конца Мира. Музыка Reido не имеет аналогов н на родине музыкантов, ни в России и способна составить конкуренцию лучшим представителям западной тёмной сцены. «F\:all» выпущен на «золотом» диске и включает в себя видео клип на заглавную композицию с альбома.
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666.67 Р
funeral doom death metal, Solitude Productions
Новый альбом ведущей украинской doom death metal группы AUTUMNIA! Пять величественных гимнов, вошедших в "O?Funeralia", вобрали в себя все лучшие черты, присущие предыдущим работам группы: отличный звук, прекрасные мелодии, высокое исполнительское мастерство и мощный вокал Влада Шахина (также вокал в Mournful Gust). Более того, для записи альбома были приглашены дополнительные музыканты, исполнившие партии бас-гитары, фортепиано и скрипки, привнесшие в звучание новые настроения и оттенки. Диск с золотым напылением, выполнен с применением pit art.
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666.67 Р
doom / black / ambient, Solitude Productions
Долгожданный альбом-посвящение одной из самых известных в мире funeral doom metal групп Thergothon, являвшихся в своё время первопроходцами стиля, породивших большое количество последователей среди музыкантов и почитателей среди слушателей. "Rising Of Yog-Sothoth: Tribute To Thergothon" - это первая широкомасштабная попытка отдать дань уважения великой группе. В трибьюте приняли участие семнадцать групп различных стилистических направлений, из разных стран - Великобритании, Финляндии, России, США, Нидерландов, Австралии, Германии и Канады - замечательные и каждые по-своему интересные музыканты, на которых, так или иначе, повлияли Thergothon.Йог-Сотот пробуждается!
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666.67 Р
acoustic / ambient, BadMoodMan Music
Новая работа от культовой швейцарской группы, открывающая Vinterriket с новой стороны. Проект, прославившийся работами в жанрах atmospheric black metal и dark ambient, соединил в своём новом альбоме два этих жанра, создав необычные по звучанию акустические версии своих старых black metal песен. Узнаваемые с первых нот клавишные, переборы акустической гитары, барабаны и чистый голос соединили в себе дух холодной атмосферы ambient и жгущей ярости black metal. В альбом вошли версии песен с полноформатного альбома "Winterschatten" и с лимитированных 7" винилов - "Aura", "Im Ambivalenten Zwielicht Der Dunkelheit" и "Kaelte", что делает диск ещё более ценным приобретением только дя олекционеров, но и простых поклоников жанра. Диск также выпущен в подарочном варианте, в формате digi-book с альтернативным оформлением и золотым диском, ограниченным тиражом 500 копий.
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