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The debut album by the Polish band Painthing that has been recorded after many years of professional activity and a number of gigs. This is a verified depressive doom death metal in vein of the golden age of the style in 1990s. The original combination of depressive mood with catchy melodies and heaviness is complemented by the disc design made by Michal "Xaay" Loranc (known for working with Nile, Behemoth and other bands).
The new full-length album from the Brazilian masters of atmospheric doom death metal HellLight demonstrates the loyalty of the band to their unique sound, recognizable from the first notes, carefully combined with the development of their ideas. Avoiding copying themselves or other genre representatives, the band produced a brilliant material filled with a ponderous atmosphere, melodies, and memorable guitar solos. The feast of grief continues!
The third album "Terrene" from international death/funeral doom act Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album S operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for. Featuring guest flute and cello performances by Don Zaros of Evoken and the Russian Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive doom metal experience.