Label Releases

The album has been recorded at Psychosomatic studios by M.A Riutort and mastered by Jens Bogren at Fascination Street Studios, like their previous album, and the cover artwork has been made by Gonzalo Aeneas.

In the large list of contributions, you can find Heike Langhans of the Swedish band Draconian, who sings in a song of the album.

This new disc is a bit more epic, intense and dark than the previous ‘Compassion Forlorn’, who had excellent reviews and took the band to play in several European cities, and it will delight to all the Doom Metal fans over the world.

The first full-length album of the Italian group Ars Onirica represents a junction between melodic doom metal, black metal and dark metal. This work inherits the demo that was released many years ago and has received high evaluation from the audience. The album contains a carefully crafted combination of dense reefs and atmospheric interludes, calm and aggressive moments, including acoustic parts and melodic guitar solos. This wide set of music components creates a unique mixture of the fleur of the classical groups of the 90s with the modern dark scene features appreciated by the fans of the genre.

The debut work by the group from Germany composed in the best traditions of funeral doom metal. This is not only the dark and ultra-heavy music enriched by delicious melodies contained in five long tracks, a unique impressive atmosphere is included together with a dense professional sound that bring Urza in line with the recognized apostles of the genre.

Undoubtedly, this is the one of the most awaited albums and brilliant releases on the Russian metal scene. The triumphant comeback of the famous pagan doom death metal band Amber Tears at the borderline of the retreat of winter and the awakening of nature emphasizes the album concept of emerging human experiences with nature. The breath of the northern forests is already filled with the ritual sounds of drums, while melodious guitar parts echo the crow cries.

When the past holds you for a long time and does not let you go, when you are not sure if you want changes to happen, you freeze between winter and spring ...

A solid release from a remarkably variegated band from St. Petersburg whose music, being so diverse, lets you feel the influence of different genres and epochs. Prehistoric avant-garde. The attempt to combine heaviness and folkish fairytaleness ended up successfully. The guys avoided the shallowness that so often accompanies such attempts.

Ornamentos del Miedo from Spain is an Atmospheric Funeral Doom Metal one-man band formed by Angel Chicote who has played or play in other bands like Graveyard Of Souls, Mass Burial, Ad Nebula Nigra, Ultimo Gobierno, Sinergia, etc, all inside the extreme music. Ornamentos del Miedo was born in mid-2017 as the need to strip the reality of all ornaments and mirages that we have built to adopt us, to a miserable existence across a deep and dark sound. This is the first album named "Este no es tu hogar". Ornamentos del Miedo, it is a trip to the depths of the subconscious, where truth exists naked and unpolluted by the ego and survival instinct. It is a oneiric experience where self-imposed reality fades it. Reflections on life and death. Dark and deep sound like the anguish of existing. For lovers of bands with their own sound.

The third album by the Italian band continues exploring dark fantasies of the talented musicians. Demonstrating significant progress and development, (EchO) created a mosaic canvas on a melodic death doom metal base filled with outstanding melodies and intersections with different styles, with a touch of psychedelia and a perfect combination of fragility and brutality (both in music and vocals). Carefully crafted arrangements ensured by the coherence and skills of the musicians are the unique feature of (EchO), that was perfected by Greg Chandler (Esoteric), who performed mixing and mastering in Priory Recording Studio.

The third album "Terrene" from international death/funeral doom act Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album S operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for. Featuring guest flute and cello performances by Don Zaros of Evoken and the Russian Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive doom metal experience.

From the very first tones the new work by the Italian band Silvered demonstrates high skills of the musicians and carefully crafted material. Original music at the intersection of melodic death metal and melodic doom is filled with powerful energy and real feelings. Two special guests, members the famous Novembre band, took part in the album recording: Carmelo Orlando on vocals and Fabio Fraschini on bass. A beautifully designed booklet was created by Danielle Serra, a professional illustrator and the winner of the Fantasy British Prize, whose works were parts of numerous exhibitions in the US and Europe.

A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.

The Greek masters of atmospheric doom death metal are now back with a new, third full-length album aiming to surprise and conquer listeners once again. As usual, the musicians add new colors to their palette to demonstrate feelings opening up from a new angle. The shrouding with coldness Shattered Hope's novel work is a deep philosophical dialogue with eternity, expressed through deep texts hiding references to the classics, as well as through powerful crushing music performed with impeccable skill and sincerity.

Fortress of sound equal to the brutal cosmic punch in the face of an ancient disgusting mythological giant awakened from the aeons of eternal sleep by earth-shaking, almost razor-sharp epic riffs. Expression at the very limit of suffering, anger, bitterness and euphoria, intertwined with embodiment of the darkest thoughts from the deepest corners of the soul and consciousness.
This is doom. This is metal from Croatia.
For us, it's really all about the return of the mysticism. It's all about bringing back darker, "larger than life" story into the music. It’s about bringing back the meaning and reconnecting with what matters most - expression, art and the story it tells.
Elusive God’s intention is to express our creative visions through slow, heavy and atmospheric music.
In a way, this is the return of metal. Why? Because the music that used to blow us away with energy, honesty, meaning and nonconformity is in the wake of extinction. It's dominated by a complete lack of creative vision and playing by established patterns with total disregard of the mystery and visual component. Yet, maybe the most unfortunate fact is a complete loss of the mystical and dark aura that used to embrace the whole genre with all of its performers.
Metal as we see it is over the top, mysterious, layered and it takes much more than superficial listening or consuming to delve deeper into the very message that music conveys. It also has a strong visual imagery that, along with the musical part, represents two sides of the same coin which cannot exist without each other.

The new album by the Brazilian leaders of atmospheric doom death metal inherits from two previous works and rises the musicians' skill to another high level. The already balanced and optimized recipe consisting of monumental keyboards and organ parts with dark guitar riffs framed by shrill solos is superimposed on the crystal sound and gives birth to the magic of HellLight. A bright, unique material touching to the depths of the soul is addressed both to keen admirers of the genre and for all fans of heavy and dark sensual music.

The third album by the German band refines the finding of the previous full-length work, in the best way demonstrating the professionalism and ability of the musicians to combine a dense clean sound with a technically perfect performance. This is doom death metal of the highest standard, cruel and loud, but not devoid of a share of atmosphere, and, most important, individuality and unique mood. Music for thoughtful listening, for a new experience of inner feelings complemented by a beautifully designed 16-page booklet for better dissolution within the majestic depths of "Liquid Darkness".

The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.
Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.