Label Releases

A solid release from a remarkably variegated band from St. Petersburg whose music, being so diverse, lets you feel the influence of different genres and epochs. Prehistoric avant-garde. The attempt to combine heaviness and folkish fairytaleness ended up successfully. The guys avoided the shallowness that so often accompanies such attempts.

The fifth release by Australian band Ivan “Silver Screens” develops and affirms their unique personal style that goes far beyond the frames of funeral death doom metal. At the same time, when working on this album, the musicians gained diverse experience and achieved a new level of sound.
A combination of heavy riffs with a lively violin and atmospheric keyboards creates a harmonic unity. Melodies that touch the very soul, together with epic and airiness make the album indeed special and memorable.
The artwork was created by our good friend Ashley Williams who has expressed through acrylics the spirit of the album, representing the sound through the color palettes which were envisioned whilst writing and recording «Silver Screens».
The album comes as a limited six-panel digipack.

It’s been almost 15 years since death doom act Intaglio released their debut album, and now they are back with some ambitious new material. “The Memory of Death” is a demo single from the forthcoming new album currently in production.

Intaglio has always been a project that’s not afraid to push boundaries and set new standards in the genre. The extensive use of double bass and cello injects a unique character into the recording, and is just one of many things that helps make the band stand out from its peers in death doom metal. Even though it’s only a demo, “The Memory of Death” is a huge step up from the debut in terms of composition and production value.

The full length album is scheduled to be released in 2021.

In anticipation of a full-length album that's scheduled for late 2021, Intaglio are ready to share a new single with listeners. The composition "Subject To Time" is presented in a simplified form in order to provide first impressions of the conceptual work that is the upcoming record. A number of various musicians took part in the recording of the album, performing the live drums as well as a variety of classical instruments. Classically trained professional vocalists also contributed to the recording, and some of this rich variety can be heard on "Subject To Time".

15th Anniversary Remix
180g crystal clear with black marbled vinyl

For shipping from Europe order here - https://intaglio.bandcamp.com/album/intaglio-15th-anniversary-remix

A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.

A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.

15th Anniversary Remix
180g black vinyl

For shipping from Europe order here - https://intaglio.bandcamp.com/album/intaglio-15th-anniversary-remix

A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.

After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.

A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.

"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.

180g Aqua Blue with White Vinyl in Gatefold sleeve

For shipping from Europe order here - https://intaglio.bandcamp.com

After many years of silence Intaglio has released a new full-length album called “II”. The album can be described as a "doom opera" and will not only amaze old fans of the band, but should also interest new listeners with the contributions Intaglio has made to the development of the style.

A large form was used on "II", which is exceedingly rare in metal and rock music. Only live instruments were used in the recording, including classical ones such as cello and upright bass, and professional vocalists with voices varying from basso profundo to soprano have created a unique palette of sounds. The album is a conceptual work with compositions and lyrics united as a single large piece, and for the full experience should be listened to from beginning to end in order to completely immerse the listener into its atmosphere.

"II" was recorded and mixed at Slow Burn Studio (When Nothing Remains, Woe Unto Me), was mastered by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at the legendary Finnvox studio in Finland, and includes stunning cover art crafted by the Polish artist Mariusz Lewandowski (Bell Witch, Atramentus) and designed to highlight and complement the album's unique music. Both massive and sophisticated Intaglio’s creation is a brand new and exciting take on the doom death genre.

180g Black Vinyl in Gatefold sleeve

For shipping from Europe order here - https://intaglio.bandcamp.com

The new album by the Brazilian leaders of atmospheric doom death metal inherits from two previous works and rises the musicians' skill to another high level. The already balanced and optimized recipe consisting of monumental keyboards and organ parts with dark guitar riffs framed by shrill solos is superimposed on the crystal sound and gives birth to the magic of HellLight. A bright, unique material touching to the depths of the soul is addressed both to keen admirers of the genre and for all fans of heavy and dark sensual music.

The new album by the Brazilian leaders of atmospheric doom death metal inherits from two previous works and rises the musicians' skill to another high level. The already balanced and optimized recipe consisting of monumental keyboards and organ parts with dark guitar riffs framed by shrill solos is superimposed on the crystal sound and gives birth to the magic of HellLight. A bright, unique material touching to the depths of the soul is addressed both to keen admirers of the genre and for all fans of heavy and dark sensual music.

The new full-length album from the Brazilian masters of atmospheric doom death metal HellLight demonstrates the loyalty of the band to their unique sound, recognizable from the first notes, carefully combined with the development of their ideas. Avoiding copying themselves or other genre representatives, the band produced a brilliant material filled with a ponderous atmosphere, melodies, and memorable guitar solos. The feast of grief continues!

The album has been recorded at Psychosomatic studios by M.A Riutort and mastered by Jens Bogren at Fascination Street Studios, like their previous album, and the cover artwork has been made by Gonzalo Aeneas.

In the large list of contributions, you can find Heike Langhans of the Swedish band Draconian, who sings in a song of the album.

This new disc is a bit more epic, intense and dark than the previous ‘Compassion Forlorn’, who had excellent reviews and took the band to play in several European cities, and it will delight to all the Doom Metal fans over the world.