–
No items found matching the search criteria
The debut work by the German band featuring members of Crimson Swan and Ophis contains two epic compositions with a total duration of 18 minutes. The coolest mixture of traditional doom metal and doom-death with a touch of dark metal from the 90's compose the sound of this mini album, complemented by the atmospheric cover design that enhances the impressions from listening this powerful and vibrant music. A small flame lit in the darkness!
The debut album by the Polish band Painthing that has been recorded after many years of professional activity and a number of gigs. This is a verified depressive doom death metal in vein of the golden age of the style in 1990s. The original combination of depressive mood with catchy melodies and heaviness is complemented by the disc design made by Michal "Xaay" Loranc (known for working with Nile, Behemoth and other bands).
The new full-length album from the Brazilian masters of atmospheric doom death metal HellLight demonstrates the loyalty of the band to their unique sound, recognizable from the first notes, carefully combined with the development of their ideas. Avoiding copying themselves or other genre representatives, the band produced a brilliant material filled with a ponderous atmosphere, melodies, and memorable guitar solos. The feast of grief continues!
The new full-length album by Majestic Downfall is, without a doubt, the strongest band's release to date. Sophisticated compositions, sound and concept: all these elements are perfectly combined to reflect the unique face of the group and its vision of the doom death metal style, which consists in a refined alloy of heaviness, atmosphere and melody. The music of despair, the music of pain. Too personal and too emotional to live it through every time, and too beautiful to be able to reject every new listening! Co-release with Weird Truth Productions.
Re-issue of the second album of cult doom metal band Doom:VS "Dead Words Speak". This album requires no additional comments, because during ten years since the first edition, it has been highly appreciated by fans and critics, becoming one of the genre masterpieces. It is worth noting that the first edition was quickly sold out long time ago and has become a rarity, however, now the collectors have a unique chance to add this record to their collections.
The second full-length album of the Ukrainian atmospheric doom death metal band demonstrates the rapid artistic development of the man behind the name Sorrowful Land, Max Molodtsov. Each composition has its own unique sound and mood enhanced by appearance of guest vocalists, such as Kaivan Saraei (A Dream Of Poe), Daniel Neagoe (Clouds, Eye Of Solitude, Shape Of Despair), Evander Sinque (Who Dies In Siberian Slush , Decay Of Reality, Forbidden Shape), Vladislav Shahin (Mournful Gust, Autumnia), Daniel Arvidsson (Draconian, Mammoth Storm). Guest guitar solo in one of the tracks is performed by Vito Marchese (Novembers Doom, The Kahless Clone). This album will become a great gift for all doom death metal fans!
The debut work by the group from Germany composed in the best traditions of funeral doom metal. This is not only the dark and ultra-heavy music enriched by delicious melodies contained in five long tracks, a unique impressive atmosphere is included together with a dense professional sound that bring Urza in line with the recognized apostles of the genre.
Ornamentos del Miedo from Spain is an Atmospheric Funeral Doom Metal one-man band formed by Angel Chicote who has played or play in other bands like Graveyard Of Souls, Mass Burial, Ad Nebula Nigra, Ultimo Gobierno, Sinergia, etc, all inside the extreme music. Ornamentos del Miedo was born in mid-2017 as the need to strip the reality of all ornaments and mirages that we have built to adopt us, to a miserable existence across a deep and dark sound. This is the first album named "Este no es tu hogar". Ornamentos del Miedo, it is a trip to the depths of the subconscious, where truth exists naked and unpolluted by the ego and survival instinct. It is a oneiric experience where self-imposed reality fades it. Reflections on life and death. Dark and deep sound like the anguish of existing. For lovers of bands with their own sound.
The third album "Terrene" from international death/funeral doom act Mesmur is a colossal and moving sonic rendering of a dying world. Where their 2017 album S operated on a cosmic scale, Terrene explores similar themes of entropy and impending chaos in a more terrestrial context, and is rife with the suffocating dirges and toxic atmosphere the band is known for. Featuring guest flute and cello performances by Don Zaros of Evoken and the Russian Nadia Avanesova, and another stunning cover design by Ukranian painter Cadaversky, Terrene reaches new levels of scope and ambition for Mesmur in their objective to create a vast and immersive doom metal experience.
A reimagined version of the self-titled debut "Intaglio" album originally released in 2005. The new version contains parts and sounds that were not included in the original version of the album, which is now in their place as originally intended. Every second of all the original source tracks underwent restoration and processing using top-class digital and analog equipment. Moreover, for the new version of the album, all drum parts were live recorded, without the use of triggering and sampling technologies, which is very rare nowadays. The album was restored and remixed by Evgeny Semenov (When Nothing Remains, Woe Unto Me, Sorrowful Land) at Slow Burn Studio, mastering was performed by Mika Jussila (Shape Of Despair, Isole, Unholy, Moonspell) at Finnvox Studios.
The Greek masters of atmospheric doom death metal are now back with a new, third full-length album aiming to surprise and conquer listeners once again. As usual, the musicians add new colors to their palette to demonstrate feelings opening up from a new angle. The shrouding with coldness Shattered Hope's novel work is a deep philosophical dialogue with eternity, expressed through deep texts hiding references to the classics, as well as through powerful crushing music performed with impeccable skill and sincerity.
Fortress of sound equal to the brutal cosmic punch in the face of an ancient disgusting mythological giant awakened from the aeons of eternal sleep by earth-shaking, almost razor-sharp epic riffs. Expression at the very limit of suffering, anger, bitterness and euphoria, intertwined with embodiment of the darkest thoughts from the deepest corners of the soul and consciousness.This is doom. This is metal from Croatia.For us, it's really all about the return of the mysticism. It's all about bringing back darker, "larger than life" story into the music. It’s about bringing back the meaning and reconnecting with what matters most - expression, art and the story it tells. Elusive God’s intention is to express our creative visions through slow, heavy and atmospheric music. In a way, this is the return of metal. Why? Because the music that used to blow us away with energy, honesty, meaning and nonconformity is in the wake of extinction. It's dominated by a complete lack of creative vision and playing by established patterns with total disregard of the mystery and visual component. Yet, maybe the most unfortunate fact is a complete loss of the mystical and dark aura that used to embrace the whole genre with all of its performers. Metal as we see it is over the top, mysterious, layered and it takes much more than superficial listening or consuming to delve deeper into the very message that music conveys. It also has a strong visual imagery that, along with the musical part, represents two sides of the same coin which cannot exist without each other.
The new album by the Brazilian leaders of atmospheric doom death metal inherits from two previous works and rises the musicians' skill to another high level. The already balanced and optimized recipe consisting of monumental keyboards and organ parts with dark guitar riffs framed by shrill solos is superimposed on the crystal sound and gives birth to the magic of HellLight. A bright, unique material touching to the depths of the soul is addressed both to keen admirers of the genre and for all fans of heavy and dark sensual music.
The third album by the German band refines the finding of the previous full-length work, in the best way demonstrating the professionalism and ability of the musicians to combine a dense clean sound with a technically perfect performance. This is doom death metal of the highest standard, cruel and loud, but not devoid of a share of atmosphere, and, most important, individuality and unique mood. Music for thoughtful listening, for a new experience of inner feelings complemented by a beautifully designed 16-page booklet for better dissolution within the majestic depths of "Liquid Darkness".
The second album by the Irish band Superstatic founded by Rustam, the founding member of Rakoth and Umbral Presence, who also used to play bass in Cruachan. The name of the band is derived from the debut Rakoth album, "Superstatic Equilibrium", however this time Rustam (under the name of Alex) has turned to doom death metal. On "Glimmering Veil" the music leaned more towards funeral doom metal, became darker and more complex, incorporating elements of horror. At the same time lyrics are based on works by Harlan Ellison, Wilhelm Hauff, Stephen King and Arthur Machen, and videogames Morrowind and System Shock 2, which makes listening to "Glimmering Veil" even more interesting and unpredictable.Guitar parts were performed by Sergei Lazar (Arkona, Rossomahaar), who has also mixed the album. The album was mastered by Tom Waltz, known from his work with Venom, Annihilator, Dopethrone and many other artists.